£225.00
Film
Star Trek: The Motion Picture
1979, 2023 Release
36″ x 24″ (91 x 61 cm) Single Sided, Hand-Numbered Limited Edition #28/175 Art Print by Matt Ferguson
UK / British
Near Mint – Rolled, Flat & Unfolded (as issued)
Robert Wise.
Catherine Hicks, DeForest Kelley, George Takei, James Doohan, Leonard Nimoy, Majel Barrett, Nichelle Nichols, Persis Khambatta, Stephen Collins, Walter Koenig, William Shatner
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Printed on Mirri Rainbow Foil art paper, Matt Ferguson’s artwork for this Vice Press 2023 release for “Star Trek: The Motion Picture” is truly impressive. Literally changing colour depending on the light and viewing angle with imagery depicting key scenes from the movie and of course, center-stage the iconic USS Enterprise. The Japanese typeface adds an air of the exotic and adds to the overall appeal in what is a fitting visual tribute for the first big screen cinematic outing for Captain Kirk & the crew of the starship Enterprise. Released as a limited edition of 175 this has been hand-numbered #28 that displays superbly and represents a fine piece of artwork and a very collectable alternative poster movie from Gene Roddenberry’s much loved TV and Movie series.
Trivia: William Shatner, (Captain Kirk) who saw the completed movie for the first time at the world premiere, was struck by the overall sluggishness of the movie, and was convinced that the Star Trek franchise died there and then. He reminisced, “Well, that’s it. We gave it our best shot, it wasn’t good, and it will never happen again.” But, having recalled his reaction fifteen years later, he has added, “Shows you what I know.”
…more detailVintage Movie Posters Grading Criteria... read more +
“Star Trek The Motion Picture“ is a true classic that is critically unrecognized. Unfortunately this is because today’s audience doesn’t see the beauty and message behind this Robert Wise masterpiece.
When wise vision this film he dreamed for it to have the impact which “2001” gave to its audiences, but sadly audiences of the late seventies had already found a new and more interesting form of sci-fi – “Star Wars“.
It is because of this lack of interest, which caused people to criticize it as “boring”, “uneventful” and “Lacking action and pace”. This however is not what the true Star Trek television phenomenon was ever about. It was based on moral issues and meaningful story themes and this is what Wise has built up in The Motion Picture. From Spock’s emotional struggle to V’GER’S missions true purpose, which are both connected as humane achievements which prove to be what both beings are all about.
Another aspect that Wise introduced into the Star Trek phenomenon was the critically acclaimed special effects. He thankfully succeeded to awe us with the magic he created through the images and wonders then and still to this day.
Unfortunately the acting and dialog in the films center became a quite stale, causing it to drag on for a period of time. But when you have a main cast whose only real big experience was in television nothing really can be helped.
Not only Star Trek fans but also people looking for a movie with true meaning and a great story should definitely look this movie back. With the new Directors special coming out this year which has been reworked with extra scenes, updated special effects and sound, which were all in Wise’s original vision, but couldn’t be produced due to budgetary constraints added, this film will hopefully be recognized for the classic sci-fi movie it is.
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.
LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.