Showing 1–12 of 120 results
This alternative movie poster by Thai artist Kwow for Jules Verne’s “20,000 Leagues Under the Sea” is a spectacular display of imaginative artwork. Kwow’s impressive artwork beautifully imagines the most memorable action scene from the book and the film as the giant squid attacks the Nautilus and its beautifully complemented by some amazing realistic likenesses of the main cast members – James Mason as Captain Nemo, Kirk Douglas, Peter Lorre and Paul Lukas. If you are a Jules Verne fan, this is simply one of the best pieces of art you can get. Directed Richard Fleischer and personally produced by Walt Disney. It was the first feature-length Disney film to be distributed by Buena Vista Distribution company and is also considered by many to be a precursor to the ‘Steampunk’ genre. Printed on Fedrigoni Stucco Old Mill Premium White paper using 10 coloured inks, this hand-numbered #57/110 screen print displays and presents superbly and is offered in excellent rolled (as issued) condition. Film and alternative movie posters by Thai artists are starting to gain a strong following with collectors, and with artists like Ise Ananphada, Banhan, Kwow and Tongdee Panumas, it’s easy to see why. An eye-catching item of modern movie memorabilia for an extremely popular Walt Disney fantasy adventure film that creates a real ‘WOW’ factor.
Trivia: In 1969, Captain Nemo’s pipe organ, which had been on display in Disneyland, was redressed and now resides in the ballroom of Disneyland’s Haunted Mansion. A duplicate was constructed for the ballroom of Walt Disney World’s Magic Kingdom Haunted Mansion, which opened in 1971, and over a decade later another duplicate was built for Tokyo Disneyland.
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With artwork by Gary Pullin, this 2019 alternative movie poster for Wes Craven’s 1984 horror classic “A Nightmare on Elm Street” is an impressive example of horror art that also benefits from being signed by Freddy Krueger himself – ROBERT ENGLUND; a beautiful clear signature that includes his character name – FREDDY KRUEGER, written in a silver pen that contrasts incredibly strongly against the black background. It’s unusual to have a full character name with Englund most commonly signing only Freddy K. Signed at the Horrified event held in April 2025 (see photo of Robert signing the exact poster you are buying) this is an impressive item of cinematic horror movie memorabilia from one of the defining horror movie characters’ himself – ROBERT ENGLUND – FREDDY KRUEGER.
Trivia: Freddy Krueger was designed by Wes Craven to be the typical “silent” serial killer, such as Jason Voorhees or Michael Myers. However, in the sequels, Freddy developed a cheeky persona that enabled him to be the black-humored villain.
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One of cinemas all time classic movies is Ridley Scott’s Oscar winning deep space horror “Alien”. The worldwide marketing campaign is instantly recognisable by the (now) iconic alien ‘egg’ imagery designed by the creative agency Bemis Balkind, and it was accompanied by a wealth of other memorabilia to market the movie. This included fully licensed Studio items, and the two lobby cards available here are first class examples of that high quality officially endorsed material. These are from a special commercial set of two colour prints that was “Published by Turn-Point Publishing Corp.” at the time of the film’s release in 1979 and sold primarily through the sci-fi comic book store ‘Forbidden Planet’. The images chosen couldn’t be more striking- a close up of the iconic chestburster scene as the Alien first appears bursting out of Kane’s (John Hurt) body and as the film reaches its climax the fully formed Alien is about to attack Ripley (Sigourney Weaver). Neither of these images (it would have been a bit of a spoiler) appear in any other lobby card images for the movie. Originally flat and unfolded (as issued) these two cards present and display to very good effect, with only minimal handling wear. Hugely collectable and a fantastic piece of cinematic movie memorabilia from a truly influential movie that changed the face of modern sci-fi horror forever.
Trivia: Director Sir Ridley Scott and writers Dan O’Bannon and Ronald Shusett wanted H.R. Giger to design the alien creatures based on drawings from his book ‘Necronomicon’, but they had some difficulties in convincing the studio. Executives were initially appalled by Giger’s dark and disturbing imagery, but Scott’s insistence finally won them over. Even so, Giger’s designs had to be changed several times because of their blatant sexuality.
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One of cinemas all time classic movies is Ridley Scott’s Oscar winning deep space horror “Alien”. The worldwide marketing campaign is instantly recognisable by the (now) iconic alien ‘egg’ imagery designed by the creative agency Bemis Balkind, and it is also one of the most licensed titles to commission for the alternative movie poster market with some incredible re-imagined imagery on offer, with this offering from Ise Ananphada one of the best in my opinion. In typical Ananphada style the artwork is intricate and beautifully detailed, featuring the titular Alien against a backdrop of key scenes and characters. A spot varnish finish has been applied to both the film’s title and the Alien which only emphasis what a stunning screen print this is. Hand-numbered #97/175 this presents and displays to excellent effect. Hugely collectable and a fantastic piece of cinematic movie memorabilia from a truly influential movie that changed the face of modern sci-fi horror forever.
Trivia: Director Sir Ridley Scott and writers Dan O’Bannon and Ronald Shusett wanted H.R. Giger to design the alien creatures based on drawings from his book ‘Necronomicon’, but they had some difficulties in convincing the studio. Executives were initially appalled by Giger’s dark and disturbing imagery, but Scott’s insistence finally won them over. Even so, Giger’s designs had to be changed several times because of their blatant sexuality.
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One of cinemas all time classic movies is Ridley Scott’s Oscar winning deep space horror “Alien”. The worldwide marketing campaign is instantly recognisable by the (now) iconic alien ‘egg’ imagery designed by the creative agency Bemis Balkind, and it is also one of the most licensed titles to commission for the alternative movie poster market with some incredible re-imagined imagery on offer, with this offering from Chris Koehler one of the best in my opinion – it just evokes the whole feel of the movie and features a key scene from the Film’s climax. Set in the shadows, the Alien is perfectly camouflaged by the workmanlike design of the ship’s interior, with colours that perfectly suit the subject matter. Issued as part of Hero Complex Gallery’s Ridley Scott show in 2021 the full art style (no title or credits) has been hand-numbered #12 from a print run of only 30. Originally rolled (as issued) this presents and displays to excellent effect. Hugely collectable and a fantastic piece of cinematic movie memorabilia from a truly influential movie that changed the face of modern sci-fi horror forever.
Trivia: Director Sir Ridley Scott and writers Dan O’Bannon and Ronald Shusett wanted H.R. Giger to design the alien creatures based on drawings from his book ‘Necronomicon’, but they had some difficulties in convincing the studio. Executives were initially appalled by Giger’s dark and disturbing imagery, but Scott’s insistence finally won them over. Even so, Giger’s designs had to be changed several times because of their blatant sexuality.
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One of cinemas all time classic movies is Ridley Scott’s Oscar winning deep space horror “Alien”. The worldwide marketing campaign is instantly recognisable by the (now) iconic alien ‘egg’ imagery designed by the creative agency Bemis Balkind, and it is also one of the most licensed titles to commission for the alternative movie poster market with some incredible re-imagined imagery on offer, with this offering from Thai artist Kwow one of the best in my opinion. In typical Kwow style the artwork is beautifully detailed, drawing incredible, memorable imagery from the movie. It is highlighted by a spot varnish finish on the titular Alien, that really adds an air of quality to the print. Hand-numbered #6/110 and printed using 11 colour inks onto Fedrigoni Freelife Vellum white paper this presents and displays to excellent effect. Hugely collectable and a fantastic piece of cinematic movie memorabilia from a truly influential movie that changed the face of modern sci-fi horror forever.
Trivia: Director Sir Ridley Scott and writers Dan O’Bannon and Ronald Shusett wanted H.R. Giger to design the alien creatures based on drawings from his book ‘Necronomicon’, but they had some difficulties in convincing the studio. Executives were initially appalled by Giger’s dark and disturbing imagery, but Scott’s insistence finally won them over. Even so, Giger’s designs had to be changed several times because of their blatant sexuality.
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One of cinemas all time classic movies is Ridley Scott’s Oscar winning deep space horror “Alien”. The worldwide marketing campaign is instantly recognisable by the (now) iconic alien ‘egg’ imagery designed by the creative agency Bemis Balkind. The poster campaign that was complemented by a series of lobby cards, usually a set of 8 measuring 10″ x 8″ or 11″ x 14″, but Italy offered something far superior, a set of 12 lobby cards (photobustas in Italian) that measure a huge 18″ x 26″ (46 x 66 cm). The size makes them particularly appealing to collectors as they are more like mini posters and in the case of this set, some incredible images from the movie with many only found on the Italian release. Offered in original flat and unfolded condition (as issued) they present very well with only minimal handling wear. Hugely collectable and a fantastic piece of cinematic movie memorabilia from a truly influential movie that changed the face of modern sci-fi horror forever.
Trivia: Director Sir Ridley Scott and writers Dan O’Bannon and Ronald Shusett wanted H.R. Giger to design the alien creatures based on drawings from his book ‘Necronomicon’, but they had some difficulties in convincing the studio. Executives were initially appalled by Giger’s dark and disturbing imagery, but Scott’s insistence finally won them over. Even so, Giger’s designs had to be changed several times because of their blatant sexuality.
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One of cinemas all time classic movies is Ridley Scott’s Oscar winning deep space horror “Alien”. The worldwide marketing campaign is instantly recognisable by the (now) iconic alien ‘egg’ imagery designed by the creative agency Bemis Balkind, and it is also one of the most licensed titles to commission for the alternative movie poster market with some incredible re-imagined imagery on offer, with this ‘Primordial Landscape Edition’ offering from Ise Ananphada one of the best in my opinion. In typical Ananphada style the artwork is intricate and beautifully detailed, featuring the titular Alien against a backdrop of key scenes and characters. A spot varnish finish has been applied to both the film’s title and the Alien which only emphasis what a stunning screen print this is. The photographs really don’t do justice to the print, this has to be seen in person to be appreciated. Hand-numbered #20/175 this presents and displays to excellent effect. Hugely collectable and a fantastic piece of cinematic movie memorabilia from a truly influential movie that changed the face of modern sci-fi horror forever.
Trivia: Director Sir Ridley Scott and writers Dan O’Bannon and Ronald Shusett wanted H.R. Giger to design the alien creatures based on drawings from his book ‘Necronomicon’, but they had some difficulties in convincing the studio. Executives were initially appalled by Giger’s dark and disturbing imagery, but Scott’s insistence finally won them over. Even so, Giger’s designs had to be changed several times because of their blatant sexuality.
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One of cinemas all time classic movies is Ridley Scott’s Oscar winning deep space horror “Alien”. Spawning numerous cinematic and TV sequels, with Fede Alvarez’ 2024 offering “Alien: Romulus” a personal favourite. The release was accompanied by an incredible series of high quality posters, but it was this offering here by Matt Ferguson that really stole the show, with artwork that is considered one of the best looking for the whole franchise. Printed in extremely limited numbers for use in cinemas of Ferguson’s choice, these UK quads have become hugely collectable and a must have poster for xenomorph fans. Offered rolled (as issued) and signed by Matt Ferguson this example presents and displays to excellent effect that represents a fantastic piece of cinematic movie memorabilia that is incredibly scarce.
Trivia: The film’s production design draws not only on the previous films in the series, but also the Alien: Isolation (2014) video game, including the “Emergency” communication stations which served as save points in the game. Fede Alvarez played the game around the time Don’t Breathe (2016) was released, and later said, “I was playing, and realising how terrifying Alien could be if you take it back to that tone.”
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One of cinemas all time classic movies is Ridley Scott’s Oscar winning deep space horror “Alien”. Spawning numerous cinematic and TV sequels, with Fede Alvarez’ 2024 offering “Alien: Romulus” a personal favourite. With “Alien” and “Aliens” two of the most licensed titles for private commission alternative movie posters it comes as no surprise that “Alien: Romulus” is starting to attract major attention from artists. This 2026 offering from Juan Carlos Ruiz Burgos is an incredible example using thirteen coloured inks that incorporates a glitter acid spot gloss varnish layer and is printed onto neenah pearl bright gold metallic paper – it really is spectacular. Printed in extremely limited numbers with this being #30 from a print run of 75. Hugely collectable and a must have poster for xenomorph fans, this example presents and displays to excellent effect that represents a fantastic piece of cinematic movie memorabilia art.
Trivia: The events of the film take place in the year 2142, exactly 20 years after Alien (1979) (situated in 2122), and 37 years before Aliens (1986) (2179).
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“This Time It’s War”
An alternative movie poster for James Cameron’s “Aliens”, that is unquestionably one of the highlights for the title. Being one of the most popular subjects for alternative movie posters, artist Paul Mann has created an incredible looking poster (his second for the franchise after his hugely well received Alien in 2021) and one of my personal favourites for the movie. His hand-numbered #52/75 screen print is truly a stunning piece that has captured the alien queen and the actors’ likenesses with real accuracy and colours that have an amazing, vibrancy. “Aliens” has gone on to become a benchmark for the sci-fi actioner. The alternative movie poster offered here is from 2025 and presents to excellent effect in original unrestored, rolled (as issued) condition that represents a fine piece of movie memorabilia and artwork from a truly influential movie that changed the face of the modern sci-fi action movie forever.
Trivia: Sigourney Weaver‘s Best Actress Academy Award nomination for this movie was the first ever for an actress in a role in an action and sci-fi movie.
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“Stay on the road…Keep clear of the moors…Beware the moon, lads.”
John Landis’ “An American Werewolf in London” is one of the best werewolf movies ever made, full of dark humour and gory thrills. As most people know, this has one of the best human/werewolf transformation scenes in cinematic history. Unlike modern monster/horror movies of today, this film has no CGI or computer-aided special effects; what you see on the screen is a physical production made piece for which Rick Baker won the Oscar. This 2021 alternative movie poster by the American graphic artist Todd Alcott shows a very understated and restrained design for a horror poster as David (David Naughton), Jack (Griffin Dunne), Nurse Alex Price (Jenny Agutter) plus a number of London landmarks are represented as characters on what appears to be a beaten up paperback book cover. Presented in excellent condition this rolled (as issued) example displays superbly and has been printed too look distressed. Alcott’s impressive piece of poster artwork represents a great twist on traditional horror movie memorabilia and is a great example in the rapidly expanding area of alternative movie posters. “I vote we go back to the Slaughtered Lamb”
Trivia: Rick Baker claimed to have been disappointed by the amount of time spent shooting the face changing shot for the transformation after having spent months working on the mechanism. John Landis only required one take lasting about seven seconds. Baker felt he had wasted his time until seeing the film with an audience that applauded during that one seven second shot.
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