Showing 25–36 of 40 results
“Let the festivities begin”
Titled “The May Queen” this impressive giclee art print inspired by Ari Aster’s cult classic horror film “MidSommar” features the beautiful and intricate artwork of Ukrainian artist Ann Bembi, who’s photo-realistic style perfectly suits the content. With shades of “Wicker Man” the bright colours and sea of flowers can’t hide the anguish and fear of lead actress Florence Pugh (Dani). A lovely alternative movie poster for this slow-burn pagan horror that has a rapidly growing cult following. Available for a strictly limited one-hour time window on April 5th 2022 when 580 were ordered, with the poster here being hand-numbered #222. Originally rolled (as issued) it presents and displays to excellent effect and represents an outstanding piece of horror genre movie memorabilia.
Trivia: The practice of ättestupa is effectively a myth. As depicted in the movie, the elderly were expected to sacrifice for the good of the village, maintaining efficiency.
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“Humanity’s last hope…rests on a high powered machine gun”
A superb and eye-catching alternative movie poster by Graham Humphreys’ for “Planet Terror”, Robert Rodriguez‘ homage to the ‘Grindhouse’ movies of the Seventies. A clever, stylish design as heroes, zombies and monsters adorn the background with a centre-piece which focuses on the iconic Rose McGowan‘s ‘machine gun legged’ character – Cherry Darling. Presented in excellent unrestored, rolled (as issued) condition with amazingly vibrant colour tones this hand-numbered Artist Proof edition from 2021 is hand-numbered #AP 2/5 and has been signed by Graham Humphrey’s that represents a an amazing piece of cinematic memorabilia.
Trivia: Michael Parks reprises his character as Sheriff Earl McGraw in Planet Terror (2007). He also played Sheriff Earl McGraw in Robert Rodriguez’s From Dusk Till Dawn (1996), as well as Quentin Tarantino’s Kill Bill: Vol. 1 (2003), and Kill Bill: Vol. 2 (2004).
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Based upon Rob Bottin’s iconic ‘robo’ suit design Paul Mann produced the perfect alternative movie poster to complement his graphics. A truly striking image for Paul Verhoeven’s ultra violent sci-fi masterpiece “Robocop” that is perfectly suited to the portrait format of this edition. Robocop is offset against a colourful background of supporting characters and action imagery, that are made to stand out when placed in front of the black background. It gives a depth that gives an almost 3D effect to the colour imagery. Printed by Mad Duck in 2022 this limited edition art print is hand-numbered #47 from a print run of 200. This excellent example presents and displays near perfectly and represents a fantastic piece of collectable movie memorabilia from one of the defining movies of the 80’s. The ‘original’ & BEST, “Robocop” is fondly remembered and spawned a popular TV show, two sequels and was recently remade as a ‘big budget’ CGI sci-fi actioner…“I’d buy that for a dollar !”
Trivia: The repeated line “I’d buy that for a dollar!” comes from Cyril M. Kornbluth‘s short story “The Marching Morons”, which presents a similarly cynical view of an over-commercialized future that’s desensitized to violence and war. A radio game show in that short story uses the line “I’d buy that for a quarter.” as its signature phrase.
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“He was Tony Montana. The world will remember him by another name…SCARFACE”
One of the greatest and most influential gangster movies of all time and this 2022 limited edition art print by Matt Ferguson and Florey is one of the best alternative movie posters produced for Brian De Palma’s “Scarface”. Hand-signed by both artists this artist proof edition released by Vice Press features a key scene from the movie as Tony Montana sits brooding in his darkened study awaiting the violent and bloody onslaught he knows is coming with the rug cleverly illustrated to resemble a river of blood. A fantastic example of highly desirable movie memorabilia, that’s very cool and looks incredible.
Trivia: The international corporation set up by Saddam Hussein to launder money from his various enterprises was called Montana Management after the Scarface (1983) main character.
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“Try that on… and I’ll introduce the world to the newest official member of the Avengers: Spider-Man.”
A marvellous, fun item of alternative movie poster art by Matt Ferguson. This is a sold out limited edition screen print for the Marvel Studios release “Spider-Man: Homecoming” released by Bottleneck Gallery in 2020. This is a hand numbered regular edition of only 300 with this being #241 printed on a heavy matt finish stock paper. Originally flat & unfolded (as issued) this superb example displays to impressive effect (honestly the photo does not do this justice…needs to be seen), perfectly suited to this portrait format. Highly detailed with Iron Man providing a great Marvel ‘Easter Egg’ it features Spider-Man (Tom Holland in his first big screen standalone “Spider-Man” role) in typical ‘wall-crawler pose. Very cool and very collectable this exceptional looking piece represents a fantastic item of ‘modern’ super-hero movie memorabilia.
Trivia: According to James Gunn, Stan Lee’s cameo in this film is one of the four Lee cameos filmed in one day itself alongside cameo appearances in Doctor Strange (2016), Guardians of the Galaxy: Vol. 2 (2017), and Thor: Ragnarok (2017)
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Printed on Mirri Rainbow Foil art paper, Matt Ferguson’s artwork for this Vice Press 2023 release for “Star Trek: The Motion Picture” is truly impressive. Literally changing colour depending on the light and viewing angle with imagery depicting key scenes from the movie and of course, center-stage the iconic USS Enterprise. The Japanese typeface adds an air of the exotic and adds to the overall appeal in what is a fitting visual tribute for the first big screen cinematic outing for Captain Kirk & the crew of the starship Enterprise. Released as a limited edition of 175 this has been hand-numbered #28 that displays superbly and represents a fine piece of artwork and a very collectable alternative poster movie from Gene Roddenberry’s much loved TV and Movie series.
Trivia: William Shatner, (Captain Kirk) who saw the completed movie for the first time at the world premiere, was struck by the overall sluggishness of the movie, and was convinced that the Star Trek franchise died there and then. He reminisced, “Well, that’s it. We gave it our best shot, it wasn’t good, and it will never happen again.” But, having recalled his reaction fifteen years later, he has added, “Shows you what I know.”
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An officially licensed, sold out “Star Wars: Episode IV – A New Hope” alternative movie poster released in 2022 through Bottleneck Gallery in conjunction with Acme Archives and a part of Bottleneck Gallery’s 10-Year Anniversary and Party. Titled “Trench Run”, artist Jason Raish created an exciting print featuring the iconic X-Wing fighter battling the equally iconic TIE fighters in the climatic Death Star trench chase sequence. Using to glow in the dark, fluorescent inks, the neon green lasers are particularly striking. This edition is hand-numbered #251/350. Scarce and highly sought after, Raish’s imagery is already firmly established as a fans favourite, and this fantastic, visually exciting art print represents a fine addition for any collector of movie posters or Star Wars fan memorabilia.
Trivia: The word “Jedi” is derived from the Japanese words “Jidai Geki,” which translate as “period adventure drama.” A period adventure drama is a Japanese television soap opera program set in the samurai days. George Lucas mentioned in an interview that he saw a “Jidai Geki” program on television while in Japan a year or so before the movie was made, and he liked the word.
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For the 40th Anniversary 2020 re-release of the George Lucas sci fi classic sequel “Star Wars: The Empire Strikes Back” Lucasfilm issued this amazing one-sheet featuring the artwork of Matt Ferguson, the hugely successful artist responsible for some of the most memorable recent Marvel cinematic releases. This ‘updated’ style features some of the best imagery from this instalment from the original trilogy with some fantastic key scene renditions and like many of the 1980 posters a dominant Darth Vader and the iconic Imperial Walkers. This eye-catching and desirable design was given a limited edition lenticular makeover in 2020 by Bottleneck Gallery and sold in 1 mm and 4mm editions. The poster offered here is printed on 1mm PET (Polyethylene Terephthalate) and mounted on high-density paper backing, numbered #200/300. Lenticular printing is a technology in which lenticular lenses (a technology used for 3D displays) are used to produce printed images with an illusion of depth or the ability to change or move as the image is viewed from different angles. Truly scarce and highly sought after, Ferguson’s imagery is already firmly established as a fans favourite, and this impressive item represents a fine addition for any collector of original movie posters or Star Wars fan memorabilia.
Trivia: In order to avoid sharing creative rights, George Lucas decided to avoid using a major studio to finance this movie. Instead, he bankrolled the $18 million production himself, using a combination of his profits from Star Wars: Episode IV – A New Hope (1977) and a bank loan. Although the move was risky, it paid off several times over. Lucas recovered his investment within three months of the movie’s release.
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“The Way” by Rory Kurtz for Mondo was released to celebrate Season One of the hit TV series, and it is such a cool poster. Hand-Annotated ‘Archive 2’ as it has come directly from the personal archive of the artist Rory Kurtz and printed using eleven colour inks on Domtar Lynx Opaque 100# cover paper. Kurtz has this to say about the design “The Mandalorian is mysterious and iconic in aesthetic, and I felt the art should mirror that, with Mando holstering his blaster stoically amidst the smoke, ash, and fallen enemies of the recently finished battle”. This is a truly scarce alternative movie poster and highly sought after. With Mando and Grogu already firmly established as a fans favourite this impressive item represents a fine addition for any poster or art collector or Star Wars fan memorabilia.
A beautiful alternative movie poster by Paul Mann for Roland Emmerich’s sci-fi actioner with an Egyptian mythology twist “Stargate”. Superb artwork for this highly enjoyable romp, resulting in one of the best looking alternative movie posters for the title. Printed in 2023 by Mad Duck this ‘Black’ edition is hand-numbered #25 from a run of 250. Mann’s beautifully detailed artwork and outstanding characterisations, combines with a beautiful colour palette to create an art print that certainly impresses. Presented in excellent (as issued) condition it represents a fine example of desirable and highly collectable cinematic movie memorabilia.
Trivia: The stargate is a system designed to open a wormhole. A wormhole is a hypothetical way of space travel called an “Einstein-Rosen bridge”, named after scientists Nathan Rosen and Albert Einstein. According to them, the wormhole should be capable to unite two distant points in the universe, altering space-time laws to cross from a point to another in a brief period of time. The name “wormhole” compares the universe to an apple, with a worm boring through it to reach a point on the other side instead of crawling the long way around on the outside.
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“WHO WILL SURVIVE AND WHAT WILL BE LEFT OF THEM ?”
Described by The News of the World as the ‘sickest carnival of slaughter ever seen’...“The Texas Chainsaw Massacre” has become one of the most debated films of all time bringing (at the time) nauseating, forceful horror to the screen with a focussed realism that was new to mainstream cinema. Arguments raged as most councils and cinemas across the country banned it’s release (The full fascinating story of the censorship battle is well worth checking out on the official BBFC website.) with only a handful of cinemas eventually bowing to public demand and showing the Film. Reimagined on an incredible scale and one of the most licensed titles for an alternative movie poster – it takes something special to stand out from the crowd and Graham Humphreys’ 2023 release certainly does that; horror art at its finest. Printed for Texas Frightmare Weekend and only available to purchase from the Mondo booth, this signed and hand-numbered (AP 28/30) artist proof print is an outstanding tribute to Tobe Hooper’s ground breaking movie, introducing one of the horror genre’s most iconic characters and a very rare and collectable alternative movie poster for perhaps the most influential cult horror film of the modern era…“There are moments when we cannot believe that what is happening is really true. Pinch yourself and you may find out that it is.”
Trivia: Ed Gein – on whom “Leatherface” was loosely based–was not a true serial killer, as he actually only killed two people, both of them women. He was however, a graverobber. He stole body parts–only female–from many different graves. He kept some of the parts in his refrigerator, and skinned one corpse and wore the skin as a dress.
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“An in-depth examination of the ways in which the Vietnam War impacts and disrupts the lives of several friends in a small steel mill town in Pennsylvania.”
Laurent Durieux’s 2018 screen print for Michael Cimino’s The Deer Hunter (1978). Released by Nautilus Art Prints, this print is signed and hand-numbered #43 from a limited print run of 375. It was voted Expresso Beans’ cinema poster of the year in 2018. Printed using eleven colour inks, Durieux’s illustration is a split mirror image composition showing Robert De Niro’s character Michael hunting in the tranquil mountains of Pennsylvania, and as a soldier in war torn Vietnam beset by explosions and helicopters. Beautiful colours and clever composition make for an impressive poster. Presented in excellent condition this rolled (as issued) example displays superbly and is an impressive piece of stylish poster artwork and is a hugely desirable alternative movie poster.
Trivia: According to Michael Cimino, Robert De Niro requested a live cartridge in the revolver for the scene in which Michael subjects Stanley to an impromptu game of Russian Roulette, to heighten the intensity of the situation. John Cazale agreed without protest, but obsessively rechecked the gun before each take, to make sure that the live round wasn’t next in the chamber.
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