Film
Cool Hand Luke
2025 Release
36″ x 24″ (91 x 61 cm) Single Sided, Limited Edition, Hand-Numbered (#69/100) Screen Print by Paul Mann
United States (USA)
Near Mint – Rolled (as issued) – Flat/Unfolded
Stuart Rosenberg
Clifton James, George Kennedy, J.D. Cannon, Jo Van Fleet, Morgan Woodward, Paul Newman, Robert Drivas, Strother Martin
An impressive and eye-catching item from the hand of master illustrator – Paul Mann, for the classic Paul Newman prison chain gang drama “Cool Hand Luke”. This stunning alternative movie poster features a beautiful image of Newman (dressed in prison fatigue double denim) along with the outstanding supporting cast in the background with Boss Godfrey (Morgan Woodward) one of the most prominent – He never removed the sunglasses throughout nor spoke a word and became known as ‘the man with no eyes’ one of the most significant and memorable characters from the Film. Hand-Numbered #69 from a print run of only 100, this originally rolled (as issued) example looks and displays to excellent effect. Unquestionably one of Newman’s finest roles, in a motion picture that has become near legendary and (rightly so) this modern re-imagining represents a highly collectable piece of artwork and a rare item of movie memorabilia.
Trivia: Two hundred hard-boiled eggs were provided for one of the film’s most famous sequences. Due to clever editing, Paul Newman only ate about eight altogether. The rest were consumed by the cast and crew, which led to extreme cases of flatulence the next day.
…more detailVintage Movie Posters Grading Criteria... read more +
“Luke Jackson is a cool, gutsy prisoner in a Southern chain gang, who, while refusing to buckle under to authority, keeps escaping and being recaptured. The prisoners admire Luke because, as Dragline explains it, ‘You’re an original, that’s what you are!’ Nevertheless, the camp staff actively works to crush Luke until he finally breaks.”
“Cool Hand Luke“ is a perfect movie in every way. Storyline, acting, settings…everything is perfect. Hollywood used to make great movies like this before it became the special effects driven computer generated movie making schlock capitol of the world.
Paul Newman plays a prisoner locked up in a Southern jail after a night of petty crimes. His constant struggle to be free even while locked up makes this one of the greatest roles ever seen in a film. Newman is at his absolute peak playing the anti-hero Lucas Jackson.
George Kennedy plays Jackson’s enemy turned buddy and he is absolutely perfect also. His portrayal of Dragline is Kennedy at his finest. The sublime Strother Martin plays the prison captain and damn is he good.
The whole movie is full of familiar faces that would go on to other big time roles in TV and the movies. Everyone meshes perfectly to create an unforgettable movie that will stay with you long after many other movies you’ve seen fade from memory.
Trivia: Morgan Woodward, who played Boss Godfrey, a.k.a. “The Man With No Eyes” remained in character during breaks between scenes. He would sit in his chair, still wearing his mirrored sunglasses, and not speak to anyone.
Trade Address:
Vintage Movie Posters (UK) Limited
The Malthouse
The Broadway
Old Amersham
HP7 0HL
© 2025 Vintage Movie Posters
Registered Office Address: Vintage Movie Posters (UK) Limited, Aston House, Cornwall Avenue, London N3 1LF GB
Registered Company No: 07664517
Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.
LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.
