Showing 37–48 of 127 results
“In a world without justice, one man was chosen to protect the innocent.”
“The Crow” is an excellent tragic film made even more tragic by the real life tragedies surrounding the film (Brandon Lee’s death during filming, and the fact that the story is a result of James O’Barr’s personal loss of his fiancée). Based on a very dark comic book, the film has the same dark feel and that same dark feel is very much in evidence in this excellent alternative movie poster by Paul Mann. This hand-numbered (#79/150) Saniose variant printing really is superb with Mann perfectly capturing the character – in likeness and tone with the coloured inks, separated by Saniose an incredible finishing touch. This is an impressive screen print that has to be seen in person as the photographs really don’t do it justice. Originally rolled (as issued) this magnificent example represents a hugely collectable item of movie memorabilia from a truly iconic cult movie.
Trivia: Even though the movie, based on the comic, is called ‘The Crow’, none of the birds used in the film were actually crows. All of them were in fact ravens, which are much larger than crows and have a longer, more impressive beak.
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Although a relatively recent release any paper for Nicolas Winding Refn’s 2011 violent car-themed actioner “DRIVE” is extremely scarce. His award winning film has been complemented by a series of alternative movie posters and in 2022 Mad Duck commissioned leading artist – Laurent Durieux to create his version. Durieux has produced an outstanding addition to the title, truly eye-catching and super stylish as he focuses on the inside of the Chevy Malibu, replacing the gearshift with a bloodied claw hammer (one of the key scenes from the movie). The deep, rich colours are predominantly blues and greys with ‘Ryan Gosling’ & ‘Drive’ printed in contrasting bright pink ink. Originally rolled (as issued) this looks and displays to excellent effect with very minimal handling wear. An extremely scarce, selling out in near record time modern art print collectable item of movie memorabilia from a truly talented director that looks very very cool !
Trivia: In preparation for his role, Ryan Gosling restored the 1973 Chevy Malibu that his character uses in the film.
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Although a relatively recent release any paper for Nicolas Winding Refn’s 2011 violent car-themed actioner “DRIVE” is extremely scarce. His award winning film has been complemented by a series of alternative movie posters and in 2021 Mad Duck commissioned leading artist – Paul Mann to create his version which has been hand-numbered #89/325. Mann has produced an outstanding addition to the title, truly eye-catching and super stylish as he focuses on the lead and supporting characters. The deep, rich colours are predominantly purple colour palette with ‘Drive’ printed in contrasting bright pink ink. Originally rolled (as issued) this looks and displays to excellent effect with very minimal handling wear. An extremely scarce, selling out in near record time modern art print collectable item of movie memorabilia that looks very very cool !
Trivia: In preparation for his role, Ryan Gosling restored the 1973 Chevy Malibu that his character uses in the film.
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“Scream as your nightmares come true”
Sam Raimi’s “The Evil Dead” is one of the best horror comedy movies ever made, full of dark humour and gory thrills. As most people know, this is one of the greatest performing films, dollar for dollar in cinematic history. One of the most popular film titles for alternative movie posters artists, this 2016 hand-numbered (#134/220) print by Francesco Francavilla is a standout piece and a proper horror poster as a chainsaw wielding Ash (Bruce Campbell) and the demonically possessed Cheryl (Ellen Sandweiss) dominate the blood red coloured imagery. Presented in excellent condition this rolled (as issued) example displays superbly that represents an impressive piece of horror artwork and is a hugely desirable alternative movie poster. “I know now that my wife has become host to a Kandarian demon. I fear that the only way to stop those possessed by the spirits of the book is through the act of… bodily dismemberment.”
Trivia: Over his years as a director, Raimi’s 1973 Oldsmobile Delta 88 (originally bought by Raimi’s father for the family when Sam was 14) has “played” Ash’s car in the Evil Dead movies, Uncle Ben and Aunt May’s car in the Spider-Man movies, Annie’s car in The Gift (2000), and Mrs. Ganoush’s car in Drag Me to Hell (2009), and has made cameos in nearly all of his other movies.
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“Scream as your nightmares come true”
Sam Raimi’s “The Evil Dead” is one of the best horror comedy movies ever made, full of dark humour and gory thrills. As most people know, this is one of the greatest performing films, dollar for dollar in cinematic history. One of the most popular film titles for alternative movie posters artists, this 2016 hand-numbered (#135/220) print by Francesco Francavilla is a standout piece and a proper horror poster as a chainsaw wielding Ash (Bruce Campbell) and the demonically possessed Cheryl (Ellen Sandweiss) dominate the blood red coloured imagery. This example has been autographed by the Movie’s acclaimed Director and Writer Sam Raimi and annotated ‘Scream! Scream!’ The signing was carried out in 2023 (June) at FanExpo, Philadelphia and is accompanied by an official JSA Certificate of Authenticity from the event numbered AK96625. Full verification on the certificate can be obtained by inputting the reference number at SpenceLOA.com.
Presented in excellent condition this rolled (as issued) example displays superbly that represents an impressive piece of signed horror artwork and is a hugely desirable alternative movie poster. “I know now that my wife has become host to a Kandarian demon. I fear that the only way to stop those possessed by the spirits of the book is through the act of… bodily dismemberment.”
Trivia: Over his years as a director, Raimi’s 1973 Oldsmobile Delta 88 (originally bought by Raimi’s father for the family when Sam was 14) has “played” Ash’s car in the Evil Dead movies, Uncle Ben and Aunt May’s car in the Spider-Man movies, Annie’s car in The Gift (2000), and Mrs. Ganoush’s car in Drag Me to Hell (2009), and has made cameos in nearly all of his other movies.
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“Scream as your nightmares come true”
Sam Raimi’s “The Evil Dead” is one of the best horror comedy movies ever made, full of dark humour and gory thrills. As most people know, this is one of the greatest performing films, dollar for dollar in cinematic history. One of the most popular film titles for alternative movie posters artists, this 2018 hand-numbered (#18/100) print by Paul Mann is a standout piece and a proper horror poster as a chainsaw wielding Ash (Bruce Campbell) accompanied by his demonically possessed supporting cast and as Mann has cleverly illustrated here includes the haunted cabin and the iconic yellow 1973 Oldsmobile Delta. Presented in excellent condition this rolled (as issued) example displays superbly that represents an impressive piece of horror artwork and is a hugely desirable alternative movie poster. “I know now that my wife has become host to a Kandarian demon. I fear that the only way to stop those possessed by the spirits of the book is through the act of… bodily dismemberment.”
Trivia: Over his years as a director, Raimi’s 1973 Oldsmobile Delta 88 (originally bought by Raimi’s father for the family when Sam was 14) has “played” Ash’s car in the Evil Dead movies, Uncle Ben and Aunt May’s car in the Spider-Man movies, Annie’s car in The Gift (2000), and Mrs. Ganoush’s car in Drag Me to Hell (2009), and has made cameos in nearly all of his other movies.
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“Kiss Your Nerves Good-Bye…The Sequel To The Ultimate Experience In Grueling Terror !”
Incredibly rare and much sought 2015 alternative movie poster for Sam Raimi’s Evil Dead sequel…“Evil Dead II” (Dead By Dawn). What makes this super special is that has been reimagined by the same artist responsible for the original cinema poster from from 1987 – Graham Humphreys. Printed with the approval of Sam Raimi, Bruce Campbell and Rob Tapert it’s a stunning piece of horror artwork, as a much more experienced, Graham Humphreys is given the chance to go back and recreate his original design from twenty-eight years earlier. The composition and subject matter are perfectly suited to this landscape format and the colours just amazing as they pop from the paper. This limited edition is hand-numbered #48/250 and signed by the Humphreys. Immediately selling out when launched, this originally rolled, flat-unfolded (as issued) example displays to exceptional effect and represents a truly outstanding and extremely desirable item of collectable horror movie memorabilia with a ‘modern’ twist.
For Eddie Shannon’s superb & informative interview with the artist Graham Humphreys click here.
Trivia: The large demonic head Ash battles in the climax of the film, which the crew nicknamed the “rotten applehead”, was too large and cumbersome for the crew to carry back to California, so it was left in North Carolina and soon disappeared. Its whereabouts were unknown for a number of years until it was found in a Halloween haunted house attraction just outside the original shooting location of Wadesboro, North Carolina.
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“This time he’s fighting for his life”
The isolation, violence and emotional intensity of Ted Kotcheff’s “First Blood” are captured in this richly detailed alternative movie poster by acclaimed Thai artist Wiwat (Wiwatchai Yuktavate). The sweeping composition places Sylvester Stallone’s John Rambo at its centre, surrounded by scenes charting the troubled veteran’s arrival in Hope and his escalating conflict with the local authorities.
Wiwat incorporates Colonel Trautman, Sheriff Teasle, Deputy Galt and the pursuing National Guard alongside the film’s mountain landscapes, motorcycle chase, police roadblock and burning service station. The contrasting fire-red and cold blue palette reflects both the explosive action and the bleak wilderness setting, while the intricate character portraiture rewards close inspection.
Screen-printed using 11 coloured inks on Fedrigoni Freelife Vellum White paper, the design is further enhanced by a spot-gloss varnish layer applied to the blood-red title, adding depth and contrast to the finish.Hand-numbered #31 from a limited edition of only 55, this scarce poster measures 24 x 36 inches, and is offered in excellent rolled (as issued) condition. With tremendous visual impact, it makes a superb display piece for collectors of Sylvester Stallone, “First Blood” and contemporary alternative movie-poster art.
Trivia: Rambo’s trademark combat knife was custom designed by the late Arkansas knife maker Jimmy Lile. The movie popularized knock-off hollow handled survival knives with compasses in the pommel.
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“H.G. Wells’ Astounding Adventure in Dynamation!”
Nautilus Art Prints wanted to pay tribute to H. G. Wells, so, we asked the talented French duo Stan & Vince to create a poster for a H. G. Wells title of their choice and they came up with “The First Men in the Moon”. Who better than Science Fiction comic book artists to tackle a science fiction novel and much loved Ray Harryhausen movie. Their rendition is truly beautiful and their sense of detail, composition, texture and use of colour is just wonderful. Visually influenced by the 1964 film adaptation in their version, the men use spacesuits, which wasn’t the case in Wells’ original novel. Signed and hand-numbered (219/300) by the artists this is an amazing nine ink screenprint by l’Atelier Vertical, Brussels, Belgium that presents to superb effect and represents an outstanding modern art interpretation of a science fiction classic.
Trivia: It was Nigel Kneale’s idea to frame the Wells story within a modern-day flashback following a moon landing in the 1960s. (The actual moon landing had not happened when the film was made; it occurred in 1969). Ray Harryhausen credited Kneale’s idea with giving the film an extra kick which everyone felt it needed to hook a modern audience.
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“Look! It’s moving. It’s alive. It’s alive… It’s alive, it’s moving, it’s alive, it’s alive, it’s alive, it’s alive, IT’S ALIVE!”
Artist Matthew Peak is no stranger to horror icons as it was his Freddy Krueger artwork that adorned the first Nightmare on Elm Street (1984) US One-Sheet and has now has created an award-winning “Frankenstein Monster” print for the 2018 exhibition Mondo Presents “Universal Studio Monsters”. This limited-edition example has been hand-numbered #6 from a print run of 325. In 2018, the leading and most respected alternative movie poster forum expressobeans.com made this print their “Cinema Poster of the Year”. Incredibly rare and highly collectible, an excellent example of modern cinematic movie memorabilia.
Trivia: Boris Karloff‘s Monster in this film does not physically resemble the character in Mary Shelley‘s novel. It was make-up artist Jack P. Pierce who came up with innovations such as the Monster’s flat head, the bolts through the neck, the droopy eyelids, and the poorly-fitted suit. Any future Frankenstein film that features any of these physical abnormalities is taking its inspiration from Pierce’s make-up work.
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“Look! It’s moving. It’s alive. It’s alive… It’s alive, it’s moving, it’s alive, it’s alive, it’s alive, it’s alive, IT’S ALIVE!”
Issued by Nakatomi Inc in 2013 as a series of high-quality silk-screen prints scanned directly from Berni Wrightson’s original pen and ink drawings used in the 25th-anniversary edition of his ‘Frankenstein’ book. This amazingly detailed and intricate illustration, titled ‘A Filthy Process’ shows Frankenstein working to bring his ‘creature’ to life in his laboratory. Printed onto 130lb Cougar Natural Cover paper, this print has been signed with a full ‘Bernie Wrightson’ signature and hand-numbered #45/100. Presented in excellent condition with minimal handling wear this incredibly rare and highly collectible screen print, is an excellent example of modern cinematic movie memorabilia. Note: A page of Wrightson’s original Frankenstein art for the comics adaptation (same series as this) sold at auction in 2019 for a world record price of $1.2 million.
About Bernie Wrightson: Bernard Albert Wrightson was an American artist, among his career high points were co-creating the Swamp Thing character for DC Comics, his unique illustrated interpretation of the novel Frankenstein and adapting classic horror tales for Warren Publications, which feature his trademark intricate pen and brushwork.
Trivia: Boris Karloff‘s Monster in this film does not physically resemble the character in Mary Shelley‘s novel. It was make-up artist Jack P. Pierce who came up with innovations such as the Monster’s flat head, the bolts through the neck, the droopy eyelids, and the poorly-fitted suit. Any future Frankenstein film that features any of these physical abnormalities is taking its inspiration from Pierce’s make-up work.
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“Look! It’s moving. It’s alive. It’s alive… It’s alive, it’s moving, it’s alive, it’s alive, it’s alive, it’s alive, IT’S ALIVE!”
Artist Tyler Stout is no stranger to horror icons and has now has created an award-winning “Frankenstein Monster” print for the 2025 Universal Monsters Art Show, held simultaneously at the Canopy Gallery, in Austin, Texas and Universal CityWalk in Los Angeles during October in 2025. Stout’s giant-sized tribute to Frankenstein is as bold and electrifying as the creature himself. It certainly isn’t your average print, and instead of sticking to standard alternative movie poster dimensions (24″ x 36″ – 61 x 91.5 cm), Stout went huge, and this piece stretches to an impressive 24″ x 72″ (61 x 193 cm) and is printed in two sections, echoing the towering presence of the Monster. Beautifully printed by DL Screenprinting on exclusive copper paper with copper-coloured title treatment and accents. This is a limited edition poster print set signed and dated by Stout from his personal AP (Artists Proof) edition of #125 with this being #82. Highly collectible, and an excellent example of movie art memorabilia.
Commissioned by Rob Jones, he had this to say about the project and Tyler Stout – “The work of Tyler Stout undoubtedly popularized the notion of alternate film posters more than other artists in the field. His work spoke to people with active relationships to cinema. Tyler hoped to evoke a pop culture icon that beckoned from the back pages of his childhood comic books: the Jack Davis ‘Life Size Frankenstein’ poster. To make that happen feasibly as a screenprint, he divided the image across two 24 x 36-inch sheets. Results are unlike any other AMP made for Frankenstein. I adore the result and perhaps overly identify with Henry Frankenstein, so consumed with personal pursuit that Tyler shows him living within the confines of his own work, i.e., the monster.”
Trivia: Boris Karloff‘s Monster in this film does not physically resemble the character in Mary Shelley‘s novel. It was make-up artist Jack P. Pierce who came up with innovations such as the Monster’s flat head, the bolts through the neck, the droopy eyelids, and the poorly-fitted suit. Any future Frankenstein film that features any of these physical abnormalities is taking its inspiration from Pierce’s make-up work.
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