Film
What We Do in the Shadows
2014, 2015 Release
36″ x 24″ – Single Sided – Limited Edition Release – Signed and Hand-Numbered Artist Proof #AP 39/40 by Graham Humphreys
UK / British
Near Mint – Rolled (as issued) – Flat/Unfolded
Jemaine Clement, Taika Waititi
Ben Fransham, Cori Gonzalez-Macuer, Jackie van Beek, Jemaine Clement, Jonny Brugh, Stu Rutherford, Taika Waititi
A superb and eye-catching alternative movie poster by Graham Humphreys’ for the cult dark comedy horror “What We Do in the Shadows”. Taika Waititi and Jemaine Clement.created the clever idea of a family of vampires living together under the same roof and the struggles they encounter in modern day life. Each vampire housemate bears some resemblance to a past screen vampire – Nosferatu, David (Lost Boys), Dracula (Gary Oldman), Edward (Twilight zone) and Louis fromInterview With the Vampire. And it’s these five who feature on this 2015 Hand-Numbered (#AP 39/40) Artist Proof print that has also been signed by the artist – Graham Humphrey. Presented in excellent unrestored, rolled (as issued) condition with amazingly vibrant colour tones that truly pop from the paper (the photo doesn’t do this justice)it almost appears to be painted. A super-cool piece of cinematic memorabilia and artwork.
Trivia: The hill where the vampires have a run-in with the werewolves is the same hill filmed in The Lord of the Rings: The Fellowship of the Ring (2001), where Frodo and the hobbits are running from the Black Rider and hiding under the roots of a tree.
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“Follow the lives of Viago (Taika Waititi), Deacon (Jonathan Brugh), and Vladislav (Jemaine Clement) – three flatmates who are just trying to get by and overcome life’s obstacles-like being immortal vampires who must feast on human blood. Hundreds of years old, the vampires are finding that beyond sunlight catastrophes, hitting the main artery, and not being able to get a sense of their wardrobe without a reflection-modern society has them struggling with the mundane like paying rent, keeping up with the chore wheel, trying to get into nightclubs, and overcoming flatmate conflicts”
“What We Do in the Shadows” is a mockumentary about four vampires sharing a flat together.
Going into this movie knowing nothing but the above, I did not have any idea what to expect. What I got was one of the funniest (horror) movies of this year or any year for that matter. The jokes were brilliant and more importantly, they were frequent and consistently brilliant. I loved the interaction of the main characters with each other and the supporting characters.
Each of the main vampires had their moments and were all equally funny. The movie even had werewolves and they were also hilarious. I was also surprised by the special effects which were really well done.
At one point it did feel like the jokes were getting old, but just as I had finished that thought, the movie changes and ends brilliantly. Even though there isn’t much of a story, it doesn’t really matter for this movie. Just watching some of the hilarious chaos that ensues in their everyday life is enough.
There are not many movies that make me actually laugh out loud, but this one did on several occasions (usually comedies, even great ones, just keep me grinning through out). This is easily one of the most enjoyable experiences I have had at the cinema.
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.
LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.
