Showing 1–12 of 61 results
“One person can change your life forever.”
Despite being caught in her imaginative world, Amelie (Audrey Tautou), a young waitress, decides to help people find happiness. Her quest to spread joy leads her on a journey where she finds true love. Jean-Pierre Jeunet’s is a truly heart warming cinematic experience, with the casting of Audrey Tautou as the titular Amelie or to give its full title Le Fabuleux Destin d’Amelie Poulain a masterstroke. So it’s no surprise to see her featured so prominently on the movie posters that accompanied the release in 2001. The UK quad from this first year of release was originally rolled and displays superbly – it really is a beautiful, character focused film poster that represents a fine item of cinematic movie memorabilia.
Trivia: The main colors in the film (green, yellow and red) are inspired by the paintings of the Brazilian artist Juarez Machado.
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“One person can change your life forever.”
Despite being caught in her imaginative world, Amelie (Audrey Tautou), a young waitress, decides to help people find happiness. Her quest to spread joy leads her on a journey where she finds true love. Jean-Pierre Jeunet’s is a truly heart warming cinematic experience, with the casting of Audrey Tautou as the titular Amelie or to give its full title Le Fabuleux Destin d’Amelie Poulain a masterstroke. Artist Javi Aznarez has created the definitive visual tribute to celebrate its 25th anniversary for the UK theatrical re-release. Commissioned by Curzon Film, Javi’s poster is an intricate, hand-drawn map of Montmartre that captures the whimsical soul of the 2001 classic. The poster serves as a meticulous “Ligne Claire” tapestry, weaving together the film’s many subplots and eccentricities into a singular, cohesive artwork. Javi’s focus on the fine details mirrors the film’s own obsession with life’s small treasures:
The Roster of Characters: From the patrons of the Café des Deux Moulins to the quiet intensity of Nino, every face is a character study in itself.
The Iconography: The traveling garden gnome, the photo booth reconstructions, and the warm, red-hued interiors of Amélie’s apartment are all present.
The Settings: The winding streets and hidden corners of Paris are brought to life through Javi’s signature hand-drawn Ligne Claire style.
.In a digital age, Javi’s work stands out for its craftsmanship and conceptual wit. By eschewing standard photographic layouts for a dense, illustrative narrative, he honours the artisanal spirit that made Amélie a global phenomenon.
Incredibly scarce as it was exclusive to Curzon cinemas, the UK quad offered here is presented in near perfect condition and represents one of the best looking film posters currently available and a future classic for collectors and fans of the movie – a visual delight.
Artist Javi Aznarez had this to say about the poster – “It was great fun drawing all the characters and settings from the film. I watched it loads of times when I was younger; I love @jeanpierrejeunet_officiel films, especially Delicatessen and Amélie. Thanks to @curzonfilm for the gift.“
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“One person can change your life forever.”
Despite being caught in her imaginative world, Amelie (Audrey Tautou), a young waitress, decides to help people find happiness. Her quest to spread joy leads her on a journey where she finds true love. Jean-Pierre Jeunet’s is a truly heart warming cinematic experience, with the casting of Audrey Tautou as the titular Amelie or to give its full title Le Fabuleux Destin d’Amelie Poulain a masterstroke. So it’s no surprise to see her featured so prominently on the movie posters that accompanied the release in 2001. This US one-sheet from this first year of release was originally rolled and displays very well with only minimal handling wear – it really is a beautiful, character focused film poster that represents a fine item of cinematic movie memorabilia.
Trivia: The main colors in the film (green, yellow and red) are inspired by the paintings of the Brazilian artist Juarez Machado.
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A truly influential genre classic…John Landis’ tongue in cheek werewolf horror romp “An American Werewolf in London”. This original 1982 (first year of release in Japan) Japan B2 film poster is stunning; great horror imagery and often referred to as the “monster montage style” featuring all of creatures from the Film and even a bit of saucy Jenny Agutter nudity . Full on and very in your face and not at all understated and restrained as is the US one sheet version. With unique Japan design this is an extremely desirable, very rare poster from a “golden age” of physical movie special effects. In near faultless original, unrestored condition this rolled example presents in investment grade condition and represents an exciting piece of original horror film movie memorabilia…“Be rational, sure. I’m a fucking werewolf, for Christ’s sake!”
Trivia: John Landis wrote the screenplay for this film following an incident while shooting Kelly’s Heroes (1970) (while he was a go-fer) in the countryside of Yugoslavia. While driving along a country road with a colleague, Landis encountered a gypsy funeral. The body was being buried in a massively deep grave, feet first, while wrapped in garlic, so he would not rise from the dead.
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“Stay on the road…Keep clear of the moors…Beware the moon, lads.”
A truly influential genre great…John Landis’ tongue in cheek werewolf horror romp “An American Werewolf in London”. This original 1981 UK quad film poster is stunning; great imagery as we see David before (very nude) and after (the best cinematic werewolf transformation ?) in incredible snarling wolf man mode. Very in your face and not at all as understated and restrained as the US one sheet version. With unique British design this is an extremely desirable, very rare poster from a “golden age” of physical movie special effects with Rick Baker winning the Oscar for Best Makeup. Presented in original, unrestored condition this folded (as issued) example displays very with only minor handling wear and represents a fantastic item of original horror movie memorabilia from a classic of the genre.…“I vote we go back to the Slaughtered Lamb”
Trivia: Rick Baker claimed to have been disappointed by the amount of time spent shooting the face changing shot for the transformation after having spent months working on the mechanism. John Landis only required one take lasting about seven seconds. Baker felt he had wasted his time until seeing the film with an audience that applauded during that one seven second shot.
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“Stay on the road…Keep clear of the moors…Beware the moon, lads.”
John Landis’ “An American Werewolf in London” is one of the best werewolf movies ever made, full of dark humour and gory thrills. As most people know, this has one of the best human/werewolf transformation scenes in cinematic history. Unlike modern monster/horror movies of today, this film has no CGI or computer-aided special effects; what you see on the screen is a physical production made piece for which Rick Baker won the Oscar. This ‘International’ style one-sheet, features totally different art than the ‘regular’ version, with imagery of a blood-red wolf against a black background – it is far more scarce and distinctive than the regular poster, and is far more desired by collectors. Presented in excellent condition this folded (as issued) example displays superbly and is an impressive piece of horror poster artwork and is a hugely desirable piece of cinematic movie memorabilia.
Trivia: Rick Baker claimed to have been disappointed by the amount of time spent shooting the face changing shot for the transformation after having spent months working on the mechanism. John Landis only required one take lasting about seven seconds. Baker felt he had wasted his time until seeing the film with an audience that applauded during that one seven second shot.
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“Stay on the road…Keep clear of the moors…Beware the moon, lads.”
John Landis’ “An American Werewolf in London” is one of the best werewolf movies ever made, full of dark humour and gory thrills. As most people know, this has one of the best human/werewolf transformation scenes in cinematic history. Unlike modern monster/horror movies of today, this film has no CGI or computer-aided special effects; what you see on the screen is a physical production made piece for which Rick Baker won the Oscar. This 2021 alternative movie poster by the American graphic artist Todd Alcott shows a very understated and restrained design for a horror poster as David (David Naughton), Jack (Griffin Dunne), Nurse Alex Price (Jenny Agutter) plus a number of London landmarks are represented as characters on what appears to be a beaten up paperback book cover. Presented in excellent condition this rolled (as issued) example displays superbly and has been printed too look distressed. Alcott’s impressive piece of poster artwork represents a great twist on traditional horror movie memorabilia and is a great example in the rapidly expanding area of alternative movie posters. “I vote we go back to the Slaughtered Lamb”
Trivia: Rick Baker claimed to have been disappointed by the amount of time spent shooting the face changing shot for the transformation after having spent months working on the mechanism. John Landis only required one take lasting about seven seconds. Baker felt he had wasted his time until seeing the film with an audience that applauded during that one seven second shot.
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“Stay on the road…Keep clear of the moors…Beware the moon, lads.”
John Landis’ “An American Werewolf in London” is one of the best werewolf movies ever made, full of dark humour and gory thrills. As most people know, this has one of the best human/werewolf transformation scenes in cinematic history. Unlike modern monster/horror movies of today, this film has no CGI or computer-aided special effects; what you see on the screen is a physical production made piece for which Rick Baker won the Oscar. This 2019 hand-numbered (#102/300) alternative movie poster by Vance Kelly is a proper horror poster as David (David Naughton) and Jack (Griffin Dunne) are bathed in the blood dripping from the werewolf’s fanged mouth with a number of Rick Baker’s other monstrous creations blended into the background. Kelly has even included a pentagram (a staple symbol of werewolf folklore) in the title design. Presented in excellent condition this rolled (as issued) example displays superbly and is an impressive piece of horror poster artwork and is a hugely desirable alternative movie poster. “I vote we go back to the Slaughtered Lamb”
Trivia: Rick Baker claimed to have been disappointed by the amount of time spent shooting the face changing shot for the transformation after having spent months working on the mechanism. John Landis only required one take lasting about seven seconds. Baker felt he had wasted his time until seeing the film with an audience that applauded during that one seven second shot.
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John Landis’ “An American Werewolf in London” is one of the best werewolf movies ever made, full of dark humour and gory thrills. As most people know, this has one of the best human/werewolf transformation scenes in cinematic history. Unlike modern monster/horror movies of today, this film has no CGI or computer-aided special effects; what you see on the screen is a physical production made piece for which Rick Baker won the Oscar. This 2011 hand-numbered (#31/380) and signed by the artist – Olly Moss alternative movie poster is a very clever design as the werewolf’s head is incorporated into a silhouette map of the British Isles. Presented in excellent condition this rolled (as issued) example displays superbly and is an impressive piece of horror poster artwork and is a hugely desirable alternative movie poster by one of the leading artists working in the medium. “I vote we go back to the Slaughtered Lamb”
Trivia: John Landis wrote the screenplay for this film following an incident while shooting Kelly’s Heroes (1970) (while he was a go-fer) in the countryside of Yugoslavia. While driving along a country road with a colleague, Landis encountered a gypsy funeral. The body was being buried in a massively deep grave, feet first, while wrapped in garlic so he would not rise from the dead.
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“Stay on the road…Keep clear of the moors…Beware the moon, lads.”
John Landis’ “An American Werewolf in London” is one of the best werewolf movies ever made, full of dark humour and gory thrills. As most people know, this has one of the best human/werewolf transformation scenes in cinematic history. Unlike modern monster/horror movies of today, this film has no CGI or computer-aided special effects; what you see on the screen is a physical production made piece for which Rick Baker won the Academy Award and that’s perfectly illustrated here on this Australian one-sheet as the said transformation of David (David Naughton) is fully featured. It appears the Australian poster designers weren’t worried about spoilers. Presented in unrestored condition this folded (as issued) example displays to very good effect and represents a fantastic item of original horror movie memorabilia from a classic of the genre with some truly eye-catching imagery. “I vote we go back to the Slaughtered Lamb”
Trivia: Rick Baker claimed to have been disappointed by the amount of time spent shooting the face changing shot for the transformation after having spent months working on the mechanism. John Landis only required one take lasting about seven seconds. Baker felt he had wasted his time until seeing the film with an audience that applauded during that one seven second shot.
…more detail
“Stay on the road…Keep clear of the moors…Beware the moon, lads.”
John Landis’ “An American Werewolf in London” is one of the best werewolf movies ever made, full of dark humour and gory thrills. As most people know, this has one of the best human/werewolf transformation scenes in cinematic history. Unlike modern monster/horror movies of today, this film has no CGI or computer-aided special effects; what you see on the screen is a physical production made piece for which Rick Baker won the Oscar. This signed Artist Proof (AP) alternative movie poster by Graham Humphreys is a proper horror poster. Humphreys has cleverly included all the main characters, David (Naughton) becoming the werewolf and the suitably named ‘Slaughtered Lamb’. Presented in excellent condition this rolled (as issued) example displays superbly and is an impressive piece of horror poster artwork and is a hugely desirable alternative movie poster.
For Graham’s thoughts and inspiration for the poster design checkout this superb interview with Dread Central.
Trivia: Rick Baker claimed to have been disappointed by the amount of time spent shooting the face changing shot for the transformation after having spent months working on the mechanism. John Landis only required one take lasting about seven seconds. Baker felt he had wasted his time until seeing the film with an audience that applauded during that one seven second shot.
…more detail
“Stay on the road…Keep clear of the moors…Beware the moon, lads.”
John Landis’ “An American Werewolf in London” is one of the best werewolf movies ever made, full of dark humour and gory thrills. As most people know, this has one of the best human/werewolf transformation scenes in cinematic history. Unlike modern monster/horror movies of today, this film has no CGI or computer-aided special effects; what you see on the screen is a physical production made piece for which Rick Baker won the Oscar. This 2022 Artist Proof has not only been signed by the artist Matt Ferguson, but also the two main actors David Naughton, who played David Kessler and his best friend Jack, played by Griffin Dunne. Both actors have signed in red ink and added their character names and annotations – Naughton has written “Lovely stroll on the Moors!” and Dunne “I vote we go back to the Slaughtered Lamb”. It’s a proper horror poster as David (David Naughton) and Jack (Griffin Dunne) are seen walking across the fog bathed moors with the title finished with a spot varnish in a bright red dripping blood style. Presented in excellent condition with only minimal wear from the signings, this rolled (as issued) example is an impressive piece of horror poster artwork and is a hugely desirable alternative movie poster autographed by the actors depicted on the poster. “I vote we go back to the Slaughtered Lamb”
Griffin Dunne signed at Horrorcon (6-7th June) 2024 and David Naughton (photo proof) at Horrorhound Weekend (20-22nd March) 2026. A full letter of authenticity accompanies this item.
Trivia: Rick Baker claimed to have been disappointed by the amount of time spent shooting the face changing shot for the transformation after having spent months working on the mechanism. John Landis only required one take lasting about seven seconds. Baker felt he had wasted his time until seeing the film with an audience that applauded during that one seven second shot.
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