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The Thing (Supplied Framed)

£95.00

Film

The Thing (Supplied Framed)

Additional information

Year

1982

Size/Type

Black & White Publicity Still – Framed, Still 10″ x 8″ (25.5 x 20 cm) – Frame 14″ x 11″ (35.5 x 28 cm)

Country of Origin

United States (USA)

Condition

Near mint minus; originally flat/unfolded (as issued)

Director

John Carpenter

Actor/Actress

Kurt Russell, David Clennon, Keith David, Richard Dysart, Richard Masur, TK Carter, Wilford Brimley

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“Man is The Warmest Place to Hide”

This original publicity still is priced and supplied framed

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An outstanding original 1982 black & white press publicity still for John Carpenter’s horror, sci-fi classic “The Thing”. This superb example features Kurt Russell’s character MacReady as he discovers the macabre frozen remains of a member of the Norwegian expedition – Alien terror never looked better than this. This original black & white publicity still is flat and unfolded (as issued), in exceptional condition, presented in a custom made black frame finished with UV plexiglass. A movie that is highly regarded as a true classic of the genre and a hugely collectable piece of horror, sci-fi film memorabilia…“Did you notice anything strange about the dog that arrived yesterday? Anything at all?”

Trivia: Unused music composed for this film was later used by Ennio Morricone in Quentin Tarantino‘s The Hateful Eight (2015). Ironically, Morricone’s Thing score was nominated for a Razzie for worst score, while his score for Hateful Eight won him an Oscar.

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Film Description

The Thing Movie Poster

“I know I’m human. And if you were all these things, then you’d just attack me right now, so some of you are still human. This thing doesn’t want to show itself, it wants to hide inside an imitation. It’ll fight if it has to, but it’s vulnerable out in the open. If it takes us over, then it has no more enemies, nobody left to kill it. And then it’s won.”

John Carpenter‘s The Thing is a remake of the classic 1951 The Thing From Another World. 12 men are in a completely isolated station in Antartica. They are invaded by a thing from outer space–it devours and completely duplicates anything it chooses to. It starts off as a dog but gets loose–and has a chance to duplicate any of the men. Soon, nobody trusts anyone else–they’re isolated–the radio is destroyed–their helicopter likewise. What are they going to do?…The 1951 film had the thing just be a big, super human monster. That movie was scary. This one is too–but the story is different (and based more closely on the source material–the novelette “Who Goes There?”) and it’s scary in a different way. The movie starts right off with Ennio Morricone‘s extremely eerie score setting just the right tone and–when the Thing gets attacked–the amount of gore is astounding. There’s blood and body parts flying all over–arms are bitten off, heads detach and–in the strongest one–one man is devoured face first by the Thing. The gore effects are STRONG and real nightmare material. I don’t scare easy but I had to sleep with the lights on when I saw this originally back in 1982. Rob Bottin‘s effects are just incredible–how this picture got by with an R rating is beyond me!…It also has a very creepy feel-gore aside, it is very suspenseful. You’re not sure who is what and Carpenter’s direction and the score really build up the tension…This was a critical and commercial disaster in 1982–it competed with “E.T.” and MANY critics complained about the amount of gore and there being no female characters in the movie. It’s now considered one of John Carpenter’s best. A must-see…for strong stomaches. NOT a date film!…An amusing note: When this was released Universal sent a note along with all prints of the film. They suggested to theatre owners that they play the film in an auditorium near the rest rooms. They were afraid that people would be so sickened by the violence that they’d have to be close to a facility to throw up!

Vintage Movie Posters Grading Criteria

Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.

Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.

Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.

Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.

Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.

Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.

Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.

All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.

Most Popular Poster Types

US Posters

LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.

WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.

HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.

INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.

STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.

ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.

THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.

BRITISH Posters

BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.

BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.

ITALIAN Posters

ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.

ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.

2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.

4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.

FRENCH Posters

FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.