Film
Westworld
1973
UK Quad (30" x 40") Single Sided, Printed in England by W.E.Berry Ltd. Bradford
UK / British
Near Mint minus / originally folded (as issued)
Michael Crichton
Alan Oppenheimer, Dick Van Patten, James Brolin, Majel Barrett, Norman Bartold, Richard Benjamin, Victoria Shaw, Yul Brynner
Acclaimed comic book and fantasy artist Neal Adams produced a superb ‘Terminator’ image of Yul Brynner (a good 10 years before James Cameron’s cult classic movie would be released) for this original 1973 original UK quad movie poster for “Westworld”. Known as the ‘Monitors’ style it is extremely coveted by collectors of the genre and fans of the artist. Written & Directed by Michael Crichton this “robots gone mad” science fiction horror film was one of the most memorable key titles of the 70’s retaining a huge fanbase to this day. Totally original & unrestored this originally folded (as issued) UK quad film poster is from first year of release, 1973. It displays & presents to excellent effect with beautiful bright white background and vibrant unfaded colours, with the orange of the title particularly vivid. Scarce and very very collectable, this original UK quad film poster would make a fine addition to any movie memorabilia collection or a great starting point for someone new to the market.
Trivia: Director John Carpenter based the “indestructable” nature of his killer Michael Myers in Halloween (1978) on Yul Brynner‘s character in this film. Similarly, Arnold Schwarzenegger used Brynner’s performance as the basis of his performance in The Terminator (1984).
…more detailVintage Movie Posters Grading Criteria... read more +
Writer/Director Michael Crichton clearly has an interest in amusement theme parks where things go horribly wrong! His most successful achievement “Jurassic Park“ revolves on this ingenious premise, but so does this “Westworld“ which predates Steven Spielberg‘s box-office hit by 20 years! And maybe I don’t know anything about cinema, but I sure think this film is at least ten times better and more unsettling than “Jurassic Park”. Despite some flaws and script-errors, Crichton’s science fiction masterpiece is a tense milestone that is ultimately compelling and far ahead of its time. In a near future, a couple of slick marketeers have developed a holiday resort where rich tourists are offered imaginative vacations in perfect copies of the ancient Rome, a medieval countryside or the Wild West. The story mainly focuses on Westworld, where robot gunslingers like Yul Brynner (even more brilliant than usual) are programmed to die bloodily whenever a jolly tourist challenges them to a duel. That is, until suddenly the central computer begins the malfunction and the robots stand up for themselves. The last half hour is amazingly suspenseful and contains some gruesome images that’ll definitely excite horror fans. The set pieces and costumes are excellent and with a great eye for detail. For the legendary actor Yul Brunner, this was an ideal movie to conclude his brilliant career and simultaneously a great opportunity to bring homage his entire repertoire.
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HP7 0HL
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.
LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.
