Film
Star Trek IV The Voyage Home
1986
UK Quad (30" x 40") Single Sided
UK / British
Very Fine plus; originally folded (as issued)
Leonard Nimoy
Catherine Hicks, DeForest Kelley, George Takei, James Doohan, Leonard Nimoy, Nichelle Nichols, Walter Koenig, William Shatner
Sunset over San Francisco’s skyline and the Golden Gate Bridge are not normally associated with one of sci-fi’s greatest ever franchises; Star Trek. But throw in a Klingon battle cruiser and the legendary original crew of the USS Enterprise and it all comes together perfectly in the masterful artistic hands of Bob Peak. This rare 1986 UK Quad movie poster for “Star Trek IV The Voyage Home” is a beautifully produced piece of cinematic artwork. Originally folded (as issued) this fantastic looking poster displays superbly with lovely vivid colour tones and first rate Star Trek imagery that represents a fine piece of very collectable original film poster movie memorabilia. A personal favourite…Kirk, Spock and the crew of USS Enterprise never looked better.
…more detailVintage Movie Posters Grading Criteria... read more +
‘Star Trek IV The Voyage Home‘ is the most popular of the Trek films and quite right too. Not only does it appeal to both fans and non-fans of the show but it revels in the spirit of what Trek has always been about: how perfect and Utopian the citizens of the twenty-third century are compared to their Neanderthal ancestors of the late twentieth century!
The film sees Kirk (William Shatner) and his crew, in disgrace after disobeying Starfleet orders to save Spock (Leonard Nimoy) following the events of ‘Star Trek III: The Search for Spock‘, travel to 1986 San Francisco to retrieve a pair of hump-back whales, a species extinct by Kirk’s era. The whales are the key to communicating with an alien probe that is in the process of destroying Earth. As well as the non-too-subtle eco-message (‘don’t allow any animal be hunted to extinction as they may save us all in the future!’), there is much fun to be had as Kirk, McCoy (DeForest Kelley), Uhura (Nichelle Nichols), Sulu (George Takei), Scotty (James Doohan) and the ever-logical Spock struggle to integrate themselves into most alien situation they have ever been in. They are clueless about exact-change buses, pizzas and why 1986 doctors think it’s a good idea to drill into someone’s head.
It is very light-hearted at times but I imagine this is the film Gene Roddenberry is most proud of given the way it portrays the best of all our favourite characters and reaches the heart of the ethos of ‘Star Trek’. When I first watched this as a child, I wished Kirk would come and let me join him in the twenty-third century. In fact, the only thing that could improve this film would be if the probe had aimed its venegeance entirely at Japan and Norway in retaliation for the sins of these countries’ backward twenty-first century ‘ancestors’. After all, it’s these two countries who will surely bring about the extinction of whales.
While this doesn’t delve too much into the mythology and background of Trek, it is a great film and deserves to be counted as one of the best of the films. It is also an excellent option for Trek fans trying to convert friends and family to ‘seeing the light’ and loving Trek!
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HP7 0HL
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.
LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.
