Film
Star Trek II:The Wrath of Khan
1982
Japanese B2 – 20.25″ x 28.5″ (51 x 73 cm) / Single Sided
Japan
Near mint minus; originally rolled (as issued)
Nicholas Meyer
Bibi Besch, DeForest Kelley, George Takei, James Doohan, Leonard Nimoy, Nichelle Nichols, Ricardo Montalban, Walter Koenig, William Shatner
“Beyond the darkness…beyond the human evolution…is Khan. A genetically superior tyrant. Exhiled to a barren planet; banished by a Starship Commander he is destined to destroy. Left for dead, Khan has survived”.
Original 1982 Japanese B2 movie poster for the best original series Star Trek movie ever “Star Trek II: The Wrath of Khan”. Originally rolled (as issued) this fantastic looking poster displays to excellent effect with no fold lines, lovely deep, unfaded colours and fantastic photo-montage imagery featuring all the key cast members, Kirk, Spock and the crew of USS Enterprise never looked better. A fine piece of sci-fi movie memorabilia and one of the best looking and most collectable film posters for the much loved franchise.
Trivia: The famous “Space, the final frontier” monologue is heard for the first time since Star Trek (1966), now narrated by Leonard Nimoy, however this has been changed slightly. Instead of saying, “…its five-year mission…” and “to seek out new life,” this now says, “her ongoing mission…” and “to seek out new lifeforms”.
…more detailVintage Movie Posters Grading Criteria... read more +
“It is the 23rd century. Admiral James T. Kirk is an instructor at Starfleet Academy and feeling old; the prospect of attending his ship, the USS Enterprise–now a training ship–on a two-week cadet cruise does not make him feel any younger. But the training cruise becomes a deadly serious mission when his nemesis Khan Noonien Singh–infamous conqueror from late 20th century Earth–appears after years of exile. Khan later revealed that the planet Ceti Alpha VI exploded, and shifted the orbit of the fifth planet as a Mars-like haven. He begins capturing Project Genesis, a top secret device holding the power of creation itself, and schemes the utter destruction of Kirk.”
“Star Trek II: The Wrath of Khan” is the sequel to the Star Trek TV series and first “Star Trek” movie and is the ultimate film for any Sci-fi fan and a riveting drama for movie fans in general. More action packed and interesting than the original Star Trek movie, it brings the TV show cast onto the big screen by meeting a villain from the TV show (Khan), obsessively portrayed by Ricardo Montalban. Equally obsessive is William Shatner in his finest role playing Admiral Kirk, an ageing man reluctant to return to command of the USS Enterprise, but a man who finds his first, best destiny is at the helm of his ship. The battle scenes are the most engaging of any movie, and the action only lets up long enough for the audience to catch their breath and to advance the storyline. Witty characters, clever plot devices and ingenious writing and, by late 1990s standards, subdued use of special effects make this movie meet and often exceed the quality of the original show.
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.
LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.
