Film
Pitch Black
2000
US One Sheet (27" x 40") Double Sided
United States (USA)
Near mint minus; originally rolled (as issued)
David N. Twohy
Claudia Black, Cole Hauser, Keith David, Lewis Fitz-Gerald, Radha Mitchell, Rhiana Griffith, Vin Diesel
“Don’t be afraid of the dark. Be afraid of what’s in the dark”
An original 2000 US one-sheet movie poster for Vin Diesel’s breakthrough movie “Pitch Black” and the first film to feature Vin’s character Richard B. Riddick which to date (there is talk of a fourth in the works) has spawned three sequels, The Chronicles of Riddick: Dark Fury (2004) (animated), The Chronicles of Riddick (2004), and Riddick (2013).Diesel is brilliant as Riddick, truly menacing but forced to help people who otherwise would only see him as a threat. There is also an underlying humour in his performance as well, which adds another dimension to the character. This is the sort of role that Vin excels in, the anti-hero, whos character is not as one-dimensional as first appears. The poster, designed by New Wave Creative is super stylish with a black and silver colour palette, with the example offered here presented in excellent rolled (as issued) condition. It represents an impressive item of movie memorabilia that looks fantastic and also represents the first movie for one of cinemas most recognisable and successful actors.
Trivia: The film developed from David Twohy‘s unused idea for Alien³ (1992) involving a space prison.
…more detailVintage Movie Posters Grading Criteria... read more +
“The space transport vessel “Hunter-Gratzner” carrying 40 people on-board crashes on a desert planet when the ship is struck in a meteor storm. There are only 11 survivors, among them are pilot Carolyn Fry (Who has assumed command after the ship’s captain is killed), bounty hunter William J. Johns, religious man Abu Al-Walid, Antiques dealer Paris P. Ogilvie, runaway teenager Jack, settlers John ‘Zeke’ Ezekiel and his lover Sharon ‘Shazza’ Montgomery, and Richard B. Riddick, a dangerous escaped convict. Marooned, the survivors discover the barren and hot desert-scape has sunlight from three suns. Not only must they find food and water and worry about Riddick, the survivors find themselves being hunted by the planet’s flesh-eating inhabitants when the planet is engulfed in darkness, which happens every 22 years, as they emerge from underground to hunt and eat all signs of life. Fry and the survivors find Riddick is their best chance of survival, as Riddick has surgically-enhanced eyes that allow him to see in the dark as they set out to find a way of escaping from the planet and getting to an escape shuttle, before they all get eaten by the creatures on the surface”
Even though Pitch Black starts off with the usual – something goes wrong, spacecraft crashes, people are stranded etc. it still pulls off and introduces the viewer to some new ideas. Richard B. Riddick (Vin Diesel) is somewhat of a bad-ass convict and has modified his eyes so he is able to see in the dark which is a much sought after ability due to the situation the ship-crew and he gets in. The cutting in the movie is very good and emphasizes the mystique that shrouds around the anti-hero and male protagonist – Riddick. The story in Pitch Black is, as already mentioned, to some extent very unoriginal and dissatisfied, but the clipping and cutting in the movie blended with some surprising elements which has been added to the story helps it to still support itself very well and one is afterward left behind with a hybrid feeling of satisfaction and hunger for more. Vin Diesel acts really well in his breakthrough role as Riddick and even though his character is a hardcore, tough survivor he still takes morale decisions almost on the verge of good, but that does not mean his decisions do not turn in his favour at the very end. Why destroy an already perfect reputation? All in all this is a very good movie though not perfect. The story seems very unoriginal at the surface, but underneath it shines with enough originality to entertain. Some scenes has that wow factor while it as a whole is a bit better than average. It could maybe be described as a cult movie and it is definitely a recommendation for people who wants a spiced up sci-fi story blended with some minor psychological moments and an intriguing protagonist, namely Riddick
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
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LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.
