£1,595.00
Film
Once Upon a Time in Hollywood
2019
Special Wilding Poster – Single Sided – 48″ x 72″ (122 x 183 cm)
United States (USA)
Near mint minus; originally rolled (as issued)
Quentin Tarantino
Al Pacino, Brad Pitt, Dakota Fanning, Damian Lewis, Kurt Russel, Leonardo DiCaprio, Luke Perry, Margot Robbie, Timothy Olyphant
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There is no doubting the cinematic and cultural influence and impact of Quentin Tarantino with his ninth feature “Once Upon a Time in Hollywood” as he presents his own unique take on the end of ‘Hollywood’s Golden Age’ as the notorious Manson Family murders spelt the end of the hippie era of ‘Peace & Love’. With incredibly high production values and unique design dynamics (QT personally supervises the selection process) it is difficult to imagine a Tarantino movie where any of the posters and merchandising produced isn’t so hugely collectable and sought after. Tarantino hired three classic poster artists (Steven Chorney, Martin Duhovic, and Renato Casaro, who Tarantino had to coax out of retirement) to create four great wilding posters that are ‘faux’ posters, designed to look like they were from a movie that the lead character (Rick Dalton) had made in the 1970s. This particular poster was designed by Renato Casaro for the faux western movie “Uccidimi Subito Ringo, disse il Gringo” and looks magnificent in this large format. Originally rolled (as issued) this totally unrestored example presents and displays to excellent effect without a blemish of note and represents a hugely collectable and totally cool piece of movie memorabilia from a truly iconic movie maker… “Hey! You’re Rick fucking Dalton, don’t you forget it.”
Trivia: Tarantino described Leonardo DiCaprio and Brad Pitt as “the most exciting star dynamic duo since Robert Redford and Paul Newman.”
Watch the Trailer HERE
Vintage Movie Posters Grading Criteria... read more +
“Once Upon a Time in Hollywood“ is a Quentin Tarantino Picture that comes full circle, it references a few of his past movies and uses a series of ‘mis-matched’ characters similar to Pulp Fiction, creating a web where they are all intricately connected within Hollywood in 1969 film industry. Cameos by a very realistic Bruce Lee (Mike Moh), Charles Manson (Damon Herriman) and Steve McQueen (Damian Lewis) … with Leonardo DiCaprio and Brad Pitt for the first time on screen together with great supporting roles by Al Pacino and Margot Robbie as the ‘doomed’ Sharon Tate …. a masterclass that will stand the test of time head and shoulders above anything that has come before it.
Quentin Tarantino‘s ninth film is a sprawling masterwork of nostalgia, violence, and movie references. Click HERE to find out why Once Upon a Time in Hollywood has everyone talking.
Trivia: When Tarantino finished writing the screenplay, he only kept one copy of the entire finished version. Only leading actors Leonardo DiCaprio and Brad Pitt were able to read the full script from start to finish. Everyone else on the project, including Margot Robbie, only got to read the parts of the script pertaining to their character. Both Pitt and DiCaprio had to go to Tarantino’s house to read the screenplay. Because there was only one copy, Tarantino said the pages got stained and stayed that way.
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.
LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.