Film
Killer Fish
1979
UK Quad / (30″ x 40″) / Single Sided / Printed in England by Leonard Ripley & Co Ltd. London
British / UK
Very Fine Plus / Originally Folded (as issued)
Anthony M. Dawson
Dan Pastorini, Frank Pesce, James Franciscus, Karen Black, Lee Majors, Margaux Hemingway, Marisa Berenson
Exploitation film posters don’t get better than Tom Beauvais’ artwork for the 1979 UK quad “Jaws/Piranha” rip-off for “Killer Fish”. Italian financing and production at its finest with an all-star (TV) cast filming on location in Brazil and Rio De Janeiro. Cashing in on his kudos as “The Six Million Dollar Man”, Majors is prominent on this British movie poster which contains a great mix of characters and action. The rare original UK quad film poster offered here is from first year of release 1979. Originally folded (as issued) this scarce unrestored example presents to excellent effect with impressive ‘B’ movie action monster art and bright vivid colours. A fine piece of very desirable collectable original movie memorabilia for a much loved cult classic.
Brilliant interview with the artist Tom Beauvais by Eddie Shannon.
…more detailVintage Movie Posters Grading Criteria... read more +
“Jewel thieves attempt to recover treasure from piranha infested waters. Mistrust and betrayals happen amongst the gang in the quest for gold !”
Next to Joe Dante‘s minor exploitation classic, this is already the second “Jaws“-rip off that revolves on piranhas, but the comparison stops right there with the mutual choice of killer fish as the sea monsters. Dante’s film is of course better and more relevant, but “Killer Fish“ is a typical Italian exploitation product and thus delivers too many grotesque story lines, some neat gore and an unusual cast. Heck, I’m not even sure this film fully qualifies as a “Jaws“-rip off since the main plot involves a diamond heist instead of a besieged tourist resort. Although… it has that, too! A well-organized bunch of thieves successfully complete their diamond robbery and lower the loot to the bottom of the lake for safety reasons. After 60 days – if the police give up their search – they will collect the diamonds again and split. In order to guard his precious jewels, criminal mastermind Paul Diller infested the lake with ravenous piranhas that can regularly nibble from the double-crossing team members. Meanwhile, one of the crooks falls for a model with a speech-defect and a tropical hurricane busts a large dam, allowing the piranhas to spread themselves all across the touristy waters. Antonio Margheriti’s “Killer Fish“ suffers from a slightly tedious and hesitant opening half hour, but it get more adventurous once the first victim is devoured under the water. The piranha effects as well as the underwater cinematography are a bit disappointing but this film has an irresistible 70’s charm, complete with cool soundtrack and stereotypical characters. Lee Majors is excellent as the macho with more hair on his chest than brains in his skull and Karen Black is a great shrew. A fun and entertaining piece of Italian exploitation ‘trash’ nonetheless.
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.
LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.
