Film
Goodfellas
1990, 2022 Vice Press ‘Vault’ Release
36″ x 24″ (91 x 61 cm) Single Sided, Hand-Numbered #20/200
UK / British
Near Mint – Rolled (as issued) – Flat/Unfolded
Martin Scorsese
Frank DiLeo, Frank Vincent, Joe Pesci, Lorraine Bracco, Michael Imperioli, Paul Sorvino, Ray Liotta, Robert De Niro
Martin Scorsese’s “Goodfellas” is an iconic motion picture and a giant of the gangster genre that will stand the test of time for years and years to come. The movie poster imagery that accompanied the 1990 release was equally as striking. The central imagery of the three stars (De Niro, Pesci & Liotta) was used for the worldwide advertising campaign and those three characters are featured here, staring into the trunk of the car on this 2022 alternative movie poster by Florey and Matt Ferguson in one of the most memorable scenes from the movie as they get set to bury Billy Batts in the forest. A clever and eye-catching design this originally rolled (as issued) example displays & presents to excellent effect with beautiful dark colour tones and a red brake light that pops from the paper. Accompanied by a Certificate of Authenticity signed by both artists with a number (#20/200) matching that hand-written on the poster. Hugely desirable and a must have title for the serious poster collector or Goodfellas fan it represents a premium piece of quality collectable movie memorabilia.
Trivia: The “How am I funny?” scene is based on something that actually happened to Joe Pesci. While working in a restaurant, a young Pesci apparently told a mobster that he was funny, a compliment that was met with a less-than-enthusiastic response. Pesci relayed the anecdote to Martin Scorsese, who decided to include it in the film. Scorsese didn’t include the scene in the shooting script, so that Pesci and Ray Liotta‘s interactions would elicit genuinely surprised reactions from the supporting cast.
…more detailVintage Movie Posters Grading Criteria... read more +
After you see “Goodfellas“, all other mobster movies you see or ever have seen will seem like garbage. They and their cast of characters will all appear cartoonish in comparison. Of course, this is a movie about the mafia from the working man/gangster point of view, where “The Godfather“ was a mafia movie filmed from the viewpoint of the executive suite, so there really is no valid comparison there. “Goodfellas“ really does seem ahead of its time when you realize that the only artistic work about the mafia that compares to it in quality is the HBO series “The Sopranos“, which debuted nine years after this movie was made.
“Goodfellas“ tells the real-life story of mobster Henry Hill (Ray Liotta), and it is largely true, although there are individual scenes that are out of sequence and others that were added for dramatic effect, such as Karen Hill (Lorraine Bracco) flushing the cocaine down the toilet during the drug bust. Also, Tommy, the character that Joe Pesci played and the part for which he won an Oscar, was actually a composite of two separate gangsters. Other details are omitted completely, probably because they would have spun the movie off in too many different directions. For example, crime boss “Big Paulie” (Paul Sorvino) actually was having an affair with Henry Hill’s wife, Karen. When Tommy tried to rape her and Paulie found out, that was when he alerted the Gambinos to the fact that Tommy had killed their missing crew member, “made man” Billy Batts, nine years earlier. This is the true reason that it took so long for Tommy to be killed over that incident. Thus, masterful direction of the story by Martin Scorsese in what was probably his finest film is why the audience has a more cohesive view of the mobsters portrayed in this movie than if we had been told every last detail.
What really makes this movie great is all of the personal details that enable you to see these mobsters living a largely suburban life, concerned about kids’ birthday parties and getting the sauce just right for dinner, and all the while completely immersed in a completely amoral lifestyle in which murder and bribes solve everything- a lifestyle to which they would never voluntarily choose an alternative.
Trade Address:
Vintage Movie Posters (UK) Limited
The Malthouse
The Broadway
Old Amersham
HP7 0HL
© 2024 Vintage Movie Posters
Registered Office Address: Vintage Movie Posters (UK) Limited, Aston House, Cornwall Avenue, London N3 1LF GB
Registered Company No: 07664517
Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.
LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.
