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Ghostbusters

£225.00

Film

Ghostbusters

Additional information

Year

1984, 2019 Release

Size/Type

36″ x 24″ (91 x 61 cm) Single Sided – Hand-Numbered #311/325 Limited Edition Print by Robert Sammelin

Country of Origin

United States (USA)

Condition

Near mint minus – Very fine plus / originally folded (as issued)

Director

Ivan Reitman

Actor/Actress

Bill Murray, Dan Aykroyd, Ernie Hudson, Harold Ramis, Rick Moranis, Sigourney Weaver

SOLD - this item is sold. Please browse our currently available stock

“Gozer the Gozerian, good evening. As a duly designated representative of the city, county, and state of New York, I order you to cease any and all supernatural activity and return forthwith to your place of origin or to the nearest convenient parallel dimension.”

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One of the best must hummable theme tunes and a truly apocalyptic finale, it is no surprising that “Ghostbusters” was the biggest film of 1984. A supernatural summer blockbuster with humour, thrills, spills and some of the best special effects money could buy at the time. Ivan Reitman’s masterpiece is a much loved genuine classic that has been complemented by a series of alternative movie posters and in 2019 Mondo commissioned leading artist – Robert Sammelin to create his version. Sammelin has produced an outstanding addition to the title, truly eye-catching and super stylish as Gozer the Gozerian and the Stay Puft Marshmallow man take centre stage in the streams of the Ghostbusters’ proton packs. Originally rolled (as issued) this looks and displays to excellent effect being hand-numbered #311/325. An extremely scarce example and an impressive item of collectable film movie memorabilia from one the best movies to come out of the 1980’s.

Trivia: Almost none of the scenes were filmed as scripted; most had at least one ad-lib. Most of Bill Murray‘s lines are ad-libs.

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Film Description

Ghostbusters Alternative Movie Poster

“Three eccentric scientists get kicked out of their cushy positions at a university in New York City where they studied the occult. They decide to set up shop in an old firehouse and become Ghostbusters, trapping pesky ghosts, spirits, haunts, and poltergeists for money. They wise-crack their way through the city, and stumble upon a gateway to another dimension, one which will release untold evil upon the city. The Ghostbusters are called on to save the Big Apple.”

Ghostbusters was so great because it took the science fiction and fantasy part seriously (considering how Dan Aykroyd is a strong believer in the paranormal this makes sense), so the humor was almost entirely from dialogue and the performance of the cast. It takes the simple concept of “people who start a ghost catching business” and adds things like multidimensional gods and giant killer corporate mascots. These are things you wouldn’t expect from a comedy movie at the time. Apparently, Aykroyd’s original draft of the story was almost entirely sci-fi action with little humor.

The resulting story was dead serious, and rather terrifying. A woman becoming possessed by a demon just because of where her apartment is? Being transformed into a monster, then into stone while she was unwillingly in service to a dark god? That is scary, not funny. What MADE the movie funny was how the actors responded to the situation. They were just like normal people, put in an abnormal situation, and responded in line with their own personal character, which was mainly to crack jokes so they could handle the fear. It was just four guys, out of their depth, going in with a grin because backing down wasn’t an option for them.

Bill Murray just shows outstanding comedic timing in this one. He had me from the opening scene where he is shocking a male subject in an experiment while simultaneously trying to “get the girl” by convincing her she is psychic.

There is no set definition of the word “classic movie” but I’m sure this film qualifies as such.

 

Vintage Movie Posters Grading Criteria

Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.

Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.

Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.

Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.

Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.

Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.

Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.

All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.

Most Popular Poster Types

US Posters

LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.

WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.

HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.

INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.

STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.

ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.

THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.

BRITISH Posters

BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.

BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.

ITALIAN Posters

ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.

ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.

2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.

4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.

FRENCH Posters

FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.