Showing 1–12 of 29 results
“You don’t talk to Colonel Kurtz…You listen to him.”
A personal favourite and quite simply a stunning film poster for Francis Ford Coppola’s multi award winning Vietnam war epic “Apocalypse Now”. There is no doubting the influence and impact of Coppola’s 1979 masterpiece with any paper hugely desirable and the German A1 film poster offered here is no exception. This design was created by Bob Peak featuring an outstanding close up image of a shaven headed Colonel Kurtz (Marlon Brando) offset against a dark black background…truly memorable imagery for Coppola’s voyage into the ‘Heart of Darkness’. Peak’s campaign artwork for Francis Ford Coppola’s Apocalypse Now is widely regarded as one of the great and most iconic poster designs, winning an Award of Excellence from The Society of Illustrators in 1980. So it was no surprise that in 2021 when Mondo issued a remastered screenprint licensed by Zoetrope Productions with production and colour separations handled by Jason Edmiston, Jon Smith, Shane Mahn and Peak’s son Alex, it sold out immediately. From a hand-numbered edition of 425, this is #335. Originally rolled (as issued) with an amazing colour palette this outstanding example presents and displays to excellent effect and represents a beautiful alternative movie poster from one of the finest film’s ever made…“Napalm, son. Nothing else in the world smells like that”
Trivia: Filming, originally scheduled for six weeks, took 16 months.
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“Why would a nice guy like you want to kill a genius? Why? Because they told you he was crazy? The Colonel is not crazy. The man is clear in his mind, but his soul is mad.”
An outstanding alternative movie poster for Francis Ford Coppola’s multi award winning Vietnam war epic “Apocalypse Now”. There is no doubting the influence and impact of Coppola’s 1979 masterpiece with any paper hugely desirable and the German A1 film poster offered here is no exception. This design was one of several created by Bob Peak with this style featuring stylised images of Brando as Colonel Kurtz and Sheen, remarkable artwork for Coppola’s voyage into the ‘Heart of Darkness’. Peak’s designs for “Apocalypse Now” is widely regarded as one of the great and most iconic movie poster campaigns, winning an Award of Excellence from The Society of Illustrators in 1980. So it was no surprise that in 2021 when Mondo issued a remastered screenprint licensed by Zoetrope Productions with production and colour separations handled by Jason Edmiston, Jon Smith, Shane Mahn and Peak’s son Alex, it sold out immediately. From a hand-numbered edition of 425, this is #72. Originally rolled (as issued) with a amazing detail and depth of colour, this outstanding example presents and displays to excellent effect and represents a beautiful alternative movie poster from one of the finest film’s ever made…“Napalm, son. Nothing else in the world smells like that”
Trivia: John Milius explained how he had come up with the title “Apocalypse Now”. Apparently, this was derived from a very popular tattoo among the hippie community of a peace sign that said “Nirvana Now”. Milius, by adding just a couple of extra lines, edited the peace symbol to make it look like a circle with a B52 bomber in the middle, and changed the slogan to “Apocalypse Now”.
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“I’ve seen horrors… horrors that you’ve seen. But you have no right to call me a murderer. You have a right to kill me. You have a right to do that… but you have no right to judge me. It’s impossible for words to describe what is necessary to those who do not know what horror means. Horror… Horror has a face… and you must make a friend of horror. Horror and moral terror are your friends. If they are not, then they are enemies to be feared.”
There is no doubting the influence and impact of Francis Ford Coppola’s 1979 masterpiece “Apocalypse Now” with any paper hugely desirable and the original US lobby card offered here is no exception. This lobby card (#3) is the only one from the set of eight to feature Marlon Brando, and it is a fantastic close up image of him as a shaven headed Colonel Kurtz. A truly memorable image from Coppola’s voyage into the ‘Heart of Darkness’. Originally flat/unfolded (as issued) this impressive example presents and displays to excellent effect and represents a fine piece of cinematic memorabilia from one of the finest film’s ever made…“You don’t talk to Colonel Kurtz…You listen to him.”
Trivia: Marlon Brando improvised the line “You’re an errand boy, sent by grocery clerks, to collect a bill.”
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“You don’t talk to Colonel Kurtz…You listen to him.”
A personal favourite and quite simply a stunning alternative movie poster for Francis Ford Coppola’s multi award winning Vietnam war epic “Apocalypse Now” by Jock. Like something out of a widescreen images handbook, the grandiose and all-consuming art within this limited edition giclee art print for Apocalypse Now is as visually masterful as the film it depicts. Truly an impressive piece; the range of red colour tones for the sky is incredible (the photo does not do it justice). This print is both Hand-Signed and Hand-Numbered #110/150 in the bottom right corner in pencil. Originally rolled (as issued) with an amazing colour palette this outstanding example presents and displays to excellent effect and represents a beautiful alternative movie poster from one of the best artist’s currently working and the finest film’s ever made. When launched in 2015 this was a sold out, fully subscribed private commission and is rarely offered for sale on the secondary market. “Napalm, son. Nothing else in the world smells like that”
Trivia: Filming, originally scheduled for six weeks, took 16 months.
What is Giclee ?
Derived from the French term gicler – meaning ‘to squirt or spray’, the term describes a printing process whereby microscopic dots of pigment-based ink are sprayed onto archival-quality paper to ensure the fidelity of a limited edition print to an original artwork.
The richness, accuracy and depth of colour is thanks to the method’s potential to achieve a huge colour gamut (the spectrum of colours distinguishable by the human eye). Unlike the four tones used in lithography, giclées often use five: light cyan, cyan, light magenta, yellow and black.
Fantastic for reproductions which require maximum detail, giclées are most commonly found on watercolour paper or canvas, but can also be created on glass. Different types of paper will produce different effects. Matte paper works well behind glass due its lack of reflectivity, whilst the shine of a glossy finish can give an artwork a brighter appearance.
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“MEN DIE! WOMEN SIGH! Beneath that Batcape – he’s all man!”
Long before Tim Burton re-invented him and Chris Chris Nolan re-imagined him there was “Batman” 1960’s style, as the decade’s most popular TV show was bat-ransported to the big screen. Such a gloriously camp, cheesy movie deserves a special poster and this original Limited Edition Martin Ansin lithograph doesn’t disappoint. Produced by Mondo Galleries for the “75 Years of Batman” anniversary these specially commissioned posters sold out immediately on release to the public. Featuring Batman, Robin and a gallery of all their nefarious villains it certainly is a WOW factor poster; unrestored with deep rich colours and beautiful graphics, this originally rolled example is numbered #4 from a print run of only 375 and a very cool looking poster…I am a huge Batman fan (all incarnations) and this is one of my favourite Batman posters…A rare chance to purchase one of the scarcest Batman posters ever produced and a magnificent item of collectable movie memorabilia from an icon of modern pop culture.
“Robin, hand down the shark-repellent Batspray !”
Trivia: Adam West has often referred to Batman as one of the three big “B”s to have made an impact during the 1960s, the other two being The Beatles and Bond, James Bond.
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“Higher ! Further ! Faster !”
An absolutely stunning piece of alternative movie poster art by Matt Taylor. This is a sold out screen print for the Marvel Studios release “Captain Marvel” released by Mondo in 2019. The character depicted is the cosmically powered super-heroine Carol Danvers sporting her red, white, and blue Earth uniform. This is a hand numbered regular edition of 1725 with this being #1008. Originally flat & unfolded (as issued) this superb example displays to impressive effect (honestly the photo does not do this justice…needs to be seen), perfectly suited to this portrait format. Captain Marvel AKA Carol Danvers (Brie Larson) looks truly cosmic and takes centre stage in a full on ‘power’ pose. Very cool and very collectable this exceptional looking piece represents a fantastic item of ‘modern’ super-hero movie memorabilia.
Trivia: This was the twenty-first film to be released by Marvel Studios for the Marvel Cinematic Universe and the first to have a female lead being released at cinemas on International Women’s Day.
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“Forget it, Jake. It’s Chinatown.”
Roman Polanski’s “Chinatown” is one of cinemas finest detective movies accompanied by an incredible marketing campaign headed by Jim Pearsall in 1974. This multi-award winning film has been complemented by a series of alternative movie posters over the years with this most recent commission by Laurent Durieux is the best and destined as a future classic. Much like a fine wine Durieux’s art prints age very well, getting better and better with each viewing. and he has produced an outstanding addition to the title, truly eye-catching and super stylish. The deep, rich colours are predominantly blues and purples with ‘Chinatown’ printed in contrasting bright pink ink. Originally rolled (as issued) this signed and hand-numbered offering (#175/500) looks and displays to excellent effect with very minimal handling wear. An extremely scarce, selling out in near record time modern art print, collectable item of movie memorabilia from a true Hollywood classic.
Trivia: There is a rumour that this was the first part of a planned trilogy written by Robert Towne about J.J. “Jake” Gittes and Los Angeles. The second part, The Two Jakes (1990), was directed by Jack Nicholson. The supposed third part never existed, as later confirmed by the writer; however, certain elements and details of the story (a corrupt company called Cloverleaf tries to buy up all public transportation in order to replace it with freeways) would later end up in Who Framed Roger Rabbit (1988), which was a film-noir spoof/homage of Chinatown.
The interesting thing about the trilogy concept is that they focused on the three things that were instrumental in making Los Angeles grow the way that it did, which is via the control of water, real estate, and transportation.
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“When you play the game of thrones, you win or you die.”
“When the snows fall and the white winds blow, the lone wolf dies but the pack survives”. An early alternative lithograph for the phenomenally succesful HBO TV series “Game of Thrones”. Titled “The Harbinger”, this 2013 ‘Mondo’ screenprint features artwork by Ken Taylor and depicts the ‘three-eyed crow’, so significant in Bran Stark’s dreams. The landscape format perfectly suits the subject matter with the bright blood red sky of this ‘regular’ edition making it the best version to own. Limited to a print run of 440 this is hand-numbered #2. Originally rolled (as issued) it presents and displays to excellent effect and represents an outstanding piece of alternative movie memorabilia from one of the biggest TV shows in recent memory.
Trivia: Game of Thrones is the first television series in history to be screened in IMAX theaters.
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“The Trick Was To Stay Alive”
John Carpenter’s masterpiece of modern horror “Halloween” was the first and by far the best of this enduring film franchise which acted as the definitive slasher flick. The artwork for any of the film poster produced are all extremely collectable and strikingly individual in design; from the ‘Jack O’Lantern’ US one sheet to the UK quad film poster featuring a screaming Jamie Lee Curtis as Michael Myers’ hand appears at the car window; all seen through an icy blue haze. Offered here is one of the best of the more modern alternative movie poster designs by the artist Tyler Stout. Stout’s unique linear style and use of autumnal colour tones makes for a truly distinctive piece. Released in 2021 as a timed limited edition of only 2,170 (this is hand-numbered #1073) it immediately became a huge fan favourite. Originally rolled, flat-unfolded (as issued) the example offered displays to exceptional effect and represents a truly outstanding and extremely desirable item of collectable John Carpenter horror movie memorabilia.
Trivia: John Carpenter considered the hiring of Jamie Lee Curtis as the ultimate tribute to Sir Alfred Hitchcock who had given her mother, Janet Leigh, legendary status in Psycho (1960) (for the same reason, Dr. Sam Loomis was named after Sam Loomis from Psycho). During the same period, Universal studio producers and director Richard Franklin were trying to enroll Jamie Lee in the new production of Psycho II (1983).
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“The Trick Was To Stay Alive”
John Carpenter’s masterpiece of modern horror “Halloween” was the first and by far the best of this enduring film franchise which acted as the definitive slasher flick. The artwork for any of the film poster produced are all extremely collectable and strikingly individual in design; from the ‘Jack O’Lantern’ US one sheet to the UK quad film poster featuring a screaming Jamie Lee Curtis as Michael Myers’ hand appears at the car window; all seen through an icy blue haze. Offered here is one of the best of the more modern alternative movie poster designs by the artist Rich Davies that has been signed by Michael Myers himself – NICK CASTLE with character name of The Shape (as he was credited at the time of release) in a blue pen to match the colours in the imagery. Davies’ stunning imagery and use of dark blue colour tones makes for a truly eye-catching piece. Released in 2018 for the 40th anniversary as a limited edition giclee print of 250, this originally rolled, flat-unfolded (as issued) example displays to exceptional effect and represents a truly outstanding and extremely desirable item of collectable John Carpenter horror movie memorabilia signed by The Shape – Nick castle.
Trivia: John Carpenter considered the hiring of Jamie Lee Curtis as the ultimate tribute to Sir Alfred Hitchcock who had given her mother, Janet Leigh, legendary status in Psycho (1960) (for the same reason, Dr. Sam Loomis was named after Sam Loomis from Psycho). During the same period, Universal studio producers and director Richard Franklin were trying to enroll Jamie Lee in the new production of Psycho II (1983).
What is Giclee ?
Derived from the French term gicler – meaning ‘to squirt or spray’, the term describes a printing process whereby microscopic dots of pigment-based ink are sprayed onto archival-quality paper to ensure the fidelity of a limited edition print to an original artwork.
The richness, accuracy and depth of colour is thanks to the method’s potential to achieve a huge colour gamut (the spectrum of colours distinguishable by the human eye). Unlike the four tones used in lithography, giclées often use five: light cyan, cyan, light magenta, yellow and black.
Fantastic for reproductions which require maximum detail, giclées are most commonly found on watercolour paper or canvas, but can also be created on glass. Different types of paper will produce different effects. Matte paper works well behind glass due its lack of reflectivity, whilst the shine of a glossy finish can give an artwork a brighter appearance.
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“Witchcraft enters the computer age, and a different terror begins.”
John Carpenter’s masterpiece of modern horror “Halloween” spawned a multitude of sequels which included this 1982 offering “Halloween III: Season of the Witch”. A sequel in name only as it didn’t feature Michael Myers but took a new take on the mythos as ancient witchcraft meets modern technology in the form of Silver Shamrock masks. Who better then to take on the artistic duties than the modern maestro of horror artwork – Graham Humphreys. The content and characterisations are super realistic, layout and colours perfectly balanced and a near perfect example of a re-imagined poster. Released in 2024 as an exclusive Private Commission, this strictly limited Artist Proof edition is hand-numbered AP 11/15 and signed by the artist. Immediately selling out when launched, this originally rolled, flat-unfolded (as issued) example displays to exceptional effect and represents a truly outstanding and extremely desirable item of collectable movie memorabilia with a ‘modern’ twist. Originally rolled, flat-unfolded (as issued) the example offered displays to exceptional effect and represents a truly outstanding and extremely desirable item of collectable John Carpenter horror movie memorabilia.
Trivia: The tagline “The night no one comes home” is a play on the original Halloween movie’s tagline “The night HE came home.”
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