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“Sleep all day. Party all night. Never grow old. Never die. It’s fun to be a vampire.”
Artist Casey Booth is back from a trip to Santa Carla with a stunning giclee print that bites for Joel Schumacher’s “The Lost Boys”. This 2026 hand-numbered (#25/75) limited edition release is a proper horror poster as leader of The Lost Boys – David (Kiefer Sutherland) is the main focus with the would be vampire hunters blended into the background and printed using an incredible colour palette of blood reds inks. Presented in excellent condition this rolled, flat and unfolded (as issued) example displays superbly and is an impressive piece of artwork and a hugely desirable alternative movie poster. This is THE teenage angst vampire movie with this high grade poster showcasing the teen vampires in all their undead glory…“Something I never could stomach about Santa Carla, all the damn vampires!”
Trivia: In the cave of the Lost Boys, you can see a poster of Jim Morrison, who recorded the original version of “People are Strange” with The Doors. Also, when Star and Laddie are being carried into Sam’s room, you can see a poster of Echo & The Bunnymen, who recorded the version used in the movie.
What is Giclee ?
Derived from the French term gicler – meaning ‘to squirt or spray’, the term describes a printing process whereby microscopic dots of pigment-based ink are sprayed onto archival-quality paper to ensure the fidelity of a limited edition print to an original artwork.
The richness, accuracy and depth of colour is thanks to the method’s potential to achieve a huge colour gamut (the spectrum of colours distinguishable by the human eye). Unlike the four tones used in lithography, giclées often use five: light cyan, cyan, light magenta, yellow and black.
Fantastic for reproductions which require maximum detail, giclées are most commonly found on watercolour paper or canvas, but can also be created on glass. Different types of paper will produce different effects. Matte paper works well behind glass due its lack of reflectivity, whilst the shine of a glossy finish can give an artwork a brighter appearance.
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“Sleep all day. Party all night. Never grow old. Never die. It’s fun to be a vampire.”
Striking alternative movie poster for Joel Schumacher’s cult 1987 vampire classic “The Lost Boys”, featuring artwork by celebrated British illustrator Graham Humphreys.
Humphreys is one of Britain’s most recognisable horror film illustrators, with a career spanning more than four decades. He became closely associated with the genre during the 1980s through his work for Palace Pictures, creating memorable British poster artwork for films including “The Evil Dead”, “Evil Dead II” and “A Nightmare on Elm Street”. Influenced by horror cinema and the visual energy of the British punk scene, Humphreys developed a distinctive painted style that has become particularly associated with the golden age of 1980s horror. Remarkably, he continues to produce his artwork using traditional paint on paper rather than digital illustration.
For “The Lost Boys”, Humphreys’ wonderfully atmospheric composition brings together the film’s principal characters, with Kiefer Sutherland as David dominating the artwork in full vampire form, surrounded by Corey Haim, Jami Gertz and members of the vampire gang. The dark blue and blood-red palette perfectly captures the stylish gothic horror of the film, while the famous tagline, “Sleep all day. Party all night. Never grow old. Never die. It’s fun to be a vampire.”, appears across the top.
This beautiful poster measures 24 x 36 inches and is hand-numbered 33/87 from the limited edition. It is rolled (as issued) and presented in excellent condition.
A fantastic combination of one of the defining vampire films of the 1980s and the work of an artist whose imagery has become synonymous with British horror poster design…“Something I never could stomach about Santa Carla, all the damn vampires!”
Trivia: In the cave of the Lost Boys, you can see a poster of Jim Morrison, who recorded the original version of “People are Strange” with The Doors. Also, when Star and Laddie are being carried into Sam’s room, you can see a poster of Echo & The Bunnymen, who recorded the version used in the movie.
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“Sleep all day. Party all night. Never grow old. Never die. It’s fun to be a vampire.”
Trivia: In the cave of the Lost Boys, you can see a poster of Jim Morrison, who recorded the original version of “People are Strange” with The Doors. Also, when Star and Laddie are being carried into Sam’s room, you can see a poster of Echo & The Bunnymen, who recorded the version used in the movie.
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“It seems that you’ve been living two lives. One life, you’re Thomas A. Anderson, program writer for a respectable software company. You have a social security number, pay your taxes, and you… help your landlady carry out her garbage. The other life is lived in computers, where you go by the hacker alias “Neo” and are guilty of virtually every computer crime we have a law for. One of these lives has a future, and one of them does not.”
On its release at the dawn of a new Millenia the Wachowski Brother’s ground breaking science fiction blockbuster “The Matrix” influenced everything from fashion, technology, how movies are made and introducing us to…Bullet-Time. This 2025 alternative movie poster by Pablo Olivera is an outstanding re-design that takes you to the heart of the matrix with its wealth of lore and symbology from the mega-hit, Pablo’s print is a thrilling look back at the film’s imagery and themes – “You take the blue pill – the story ends, you wake up in your bed and believe whatever you want to believe. You take the red pill – you stay in Wonderland and I show you how deep the rabbit hole goes.”. It is a fine art giclee print where the colours literally pop from the paper and one of best examples I have seen that uses this printing process – the colours, in this case neon pinks, purples and blues are incredibly rich giving a true hand painted effect. This Purple Variant edition has been Hand-Numbered #11/75 that represents a cool looking film poster from a “game-changing” movie. A true modern classic that displays superbly and is presented in excellent rolled condition.
Trivia: All scenes that take place within the Matrix have a green tint, as if watching them through a computer monitor. Scenes in the real world have a blue tint. Blue was also used at a minimum within the Matrix, since the directors thought blue was more of a real-world color (despite, ironically, blue being often the least-occurring color in nature). The fight scene between Morpheus and Neo, which is neither in the real world, nor in the Matrix, is tinted yellow.
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“It seems that you’ve been living two lives. One life, you’re Thomas A. Anderson, program writer for a respectable software company. You have a social security number, pay your taxes, and you… help your landlady carry out her garbage. The other life is lived in computers, where you go by the hacker alias “Neo” and are guilty of virtually every computer crime we have a law for. One of these lives has a future, and one of them does not.”
This original black and white press still was produced in 1999 to promote the release of the groundbreaking science-fiction action film “The Matrix.”
The photograph features Keanu Reeves as Neo alongside Carrie-Anne Moss as Trinity, both dressed in the distinctive black costumes that became such an iconic part of the film’s visual style. The image is particularly effective in black and white and perfectly captures the sleek, futuristic look that helped make “The Matrix” instantly recognisable.
Written and directed by Lana and Lilly Wachowski, “The Matrix” was released in 1999 and became one of the most influential science-fiction films of its generation. The film combined martial arts, cyberpunk imagery and groundbreaking visual effects with a story questioning the nature of reality, and went on to win four Academy Awards.
The lower border carries the original Warner Bros. Distributors publicity caption identifying Carrie-Anne Moss and Keanu Reeves as Trinity and Neo, together with the 1999 Warner Bros. copyright and the instruction that the photograph was to be used for advertising, promotion, publicity or reviews of the film.
Measuring 8 x 10 inches (20.25 x 25.5 cm), this authentic original 1999 studio press photograph is flat and unfolded (as issued) and in excellent high grade condition.
A superb piece of original Warner Bros. promotional material from one of the defining science-fiction films of the 1990s.
Trivia: All scenes that take place within the Matrix have a green tint, as if watching them through a computer monitor. Scenes in the real world have a blue tint. Blue was also used at a minimum within the Matrix, since the directors thought blue was more of a real-world color (despite, ironically, blue being often the least-occurring color in nature). The fight scene between Morpheus and Neo, which is neither in the real world, nor in the Matrix, is tinted yellow.
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Jonathan Demme’s “The Silence of the Lambs” is one of the best horror thriller movies ever made; excellent Award winning performances, full of dark humour and gory thrills. This 2020 alternative movie poster by the American graphic artist Todd Alcott is a truly outstanding piece as he re-imagines and pays homage to the classic 1962 one-sheet for another horror thriller “Whatever Happened to Baby Jane”. It really is a clever and visually stunning piece of artwork that appears as a beaten up old poster. Presented in excellent condition this rolled (as issued) example displays superbly and has been printed to look aged and distressed. Alcott’s artwork represents a great twist on traditional horror movie memorabilia and is a great example in the rapidly expanding area of alternative movie posters being one of the best looking alternative movie posters I have seen.
Trivia: When Sir Anthony Hopkins‘s agent called him in London, to tell him that he was sending him a script called “The Silence of the Lambs,” Hopkins immediately thought he might be going up for a children’s movie.
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“A reclusive, morbidly obese English teacher attempts to reconnect with his estranged teenage daughter.”
The poster marketing campaign for any Darren Aronofsky movie is always special, with Aronofsky himself always personally involved with the design. For his Academy Award winning “The Whale” in 2022, a signed and numbered limited edition giclée print by James Jean was commissioned for the film. The print features a custom embossment and gold foil embellishments, each signed by both the artistJames Jean and Darren Aronofsky. There are very few in existence, with the example offered here, an even scarcer Artist Proof, hand-numbered #22/50 HC. One of the best looking movie related posters of recent years presented in high grade investment condition.
James Jean had this to say on the commission – “After Darren screened The Whale for me last year and asked me to create its poster, I immediately thought of Lucien Freud’s paintings of Leigh Bowery, and Kiki Smith’s self portrait, My Blue Lake. In the latter, Smith used a special camera to capture the periphery of her torso, resulting in an image that reads like a topographical map of her skin. While drawing Charlie (Brendan Fraser), I tried to channel Freud’s intimate yet unforgiving observations of Bowery. The depth of Charlie’s grief in the film is manifest in the expansive landscape of his body, barely able to contain all the feeling within. The skin is but a thin boundary between the external and internal worlds. In my drawing, his pain is full bleed and stretches beyond the margins, but his humanity and optimism breach the surface in the peaks and valleys of his face. A subtle texture of crumpled paper is embedded in the portrait, referencing the essay Charlie clutches in his hands throughout the film, an artifact from his daughter’s childhood that he cherishes for years and keeps him anchored away from the brink”
Trivia: Following its debut screening at the Venice Film Festival, both the movie and lead actor, Brendan Fraser, were given a six-minute standing ovation. The moment, caught on camera, brought Fraser to tears.
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“Flesh to touch…Flesh to burn! Don’t keep the Wicker Man waiting !”
An outstanding modern reimagined example of a true British classic. A limited edition alternative movie poster by Laurent Durieux for Robin Hardy’s cult horror masterpiece “The Wicker Man”. One of the most sought after titles of the horror genre. The unmistakable style of Durieux makes for a truly outstanding art print. Hand-numbered 136 from a print run of 275, with a rich colour palette, this rolled (as issued) poster displays and presents to excellent effect and represents a super rare & sought item of British horror movie memorabilia…“Come…It is time to keep your appointment with the Wicker Man.”
Trivia: Many years after making this movie, Edward Woodward re-visited some of the locations and claimed that he found the makeshift cross (that Howie makes out of some pieces of wood) still intact where it was left in the original scene.
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“You see them on the street. You watch them on TV. You might even vote for one. You think they’re people just like you. You’re wrong. Dead wrong.”
John Carpenter’s tale of alien occupation “They Live” is part horror, part sci-fi and part social satire, all viewed through dark sun-glasses of Nada played by ex-professional wrestler Roddy Piper. Considered one of Carpenter’s best it was one of four seminal movies by the director re-released by Studio Canal in 2018, remastered in 4K, with the others being “Escape From New York”, “Prince of Darkness” and “The Fog”. All four movies had a strictly limited cinematic release and were accompanied a newly designed poster campaign (quads and one-sheets) by leading artist Matt Ferguson. Ferguson’s unique artistic style is evident throughout the four, each with its very own unique colour palette. A number of these full-size 30″ x 40″ UK quad styles were also released as a limited edition art print by Vice Press. Identical to the cinematic quad, in fact exactly the same – same paper, printer etc these were issued as timed releases each signed and hand-numbered by Matt Ferguson. Offered here is one of these signed art prints numbered #48 from a print run of only 216. Originally rolled (as issued) it presents in excellent condition. A cool, cult poster that represents very collectable & desirable original film memorabilia from one of the greatest and most influential director’s who is still actively working in the film industry.
Trivia: Artist Shepard Fairey credits the film as a major source of inspiration, sharing a similar logo to his “OBEY” campaign. “They Live was…the basis for my use of the word ‘obey’,” Fairey said. “The movie has a very strong message about the power of commercialism and the way that people are manipulated by advertising.”
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Featuring a multitude of highly detailed character and scene shots, you would expect no less from the talented artist Tyler Stout. This limited edition alternative movie poster lithograph from 2018. for Tony Scott’s 1993 all-star crime actioner “True Romance”…Written by Quentin Tarantino to raise the funds for Reservoir Dogs this hugely under-rated ‘heist/car chase’ film retains a truly loyal cult following. Grey Matter Art are one of a handful of design/art studios currently creating limited edition prints for classic and contemporary films, representing the most creative and visually striking art the medium has to offer. Offered here is Tyler Stout’s eye-catching interpretation which is limited to only 750 Prints – this example is hand-numbered #117 and signed by the artist. Long sold out (like the vast majority of the best alternative ‘Mondo’ movie posters) this originally rolled, flat-unfolded (as issued) example displays to exceptional effect that represents a truly outstanding and extremely desirable item of collectable movie memorabilia with a ‘modern’ twist.
Trivia: Although this movie was not directed by Quentin Tarantino, it is still considered part of the Tarantino universe. The two key pieces of evidence, is Lee Donowitz being the grandson of Sergeant Donnie Donowitz from Inglourious Basterds (2009), this being confirmed by Tarantino. The second piece of evidence, is the fact that Mr. White from Reservoir Dogs(1992) mentioned working with a girl named “Alabama”.
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Featuring the two lead characters – Clarence (Christian Slater) and Alabama (Patricia Arquette), set against a colourful heart, action backed backdrop from the talented artist Matt Ryan Tobin. This limited edition alternative movie poster lithograph from 2022. for Tony Scott’s 1993 all-star crime actioner “True Romance”…Written by Quentin Tarantino to raise the funds for Reservoir Dogs this hugely under-rated ‘heist/car chase’ film retains a truly loyal cult following. Hero Complex Gallery are one of a handful of design/art studios currently creating limited edition prints for classic and contemporary films, representing the most creative and visually striking art the medium has to offer. Offered here is Matt Ryan Tobin’s eye-catching interpretation which is limited to only 165 Prints – this example is hand-numbered #70. Long sold out (like the vast majority of the best alternative movie posters) this originally rolled, flat-unfolded (as issued) example displays to exceptional effect that represents a truly outstanding and extremely desirable item of collectable movie memorabilia with a ‘modern’ twist.
Trivia: Although this movie was not directed by Quentin Tarantino, it is still considered part of the Tarantino universe. The two key pieces of evidence, is Lee Donowitz being the grandson of Sergeant Donnie Donowitz from Inglourious Basterds (2009), this being confirmed by Tarantino. The second piece of evidence, is the fact that Mr. White from Reservoir Dogs(1992) mentioned working with a girl named “Alabama”.
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Featuring stunning rich, neon hued colours, the two lead characters – Clarence (Christian Slater) and Alabama (Patricia Arquette) are seated front and centre in a beautiful Cadillac Eldorado as Elvis looks on from the back seat. This limited edition alternative movie poster from 2026 for Tony Scott’s 1993 all-star crime actioner “True Romance”…Written by Quentin Tarantino to raise the funds for Reservoir Dogs this hugely under-rated ‘heist/car chase’ film retains a truly loyal cult following. Mad Duck Posters are one of a handful of design/art studios currently creating limited edition prints for classic and contemporary films, representing the most creative and visually striking art the medium has to offer. Offered here is Laurent Durieux’s breath taking interpretation which is limited to only 325 Prints – this example is hand-numbered #168. Long sold out (like the vast majority of the best alternative movie posters) this originally rolled, flat-unfolded (as issued) example displays to exceptional effect that represents a truly outstanding and extremely desirable item of collectable movie memorabilia with a ‘modern’ twist.
Trivia: Although this movie was not directed by Quentin Tarantino, it is still considered part of the Tarantino universe. The two key pieces of evidence, is Lee Donowitz being the grandson of Sergeant Donnie Donowitz from Inglourious Basterds (2009), this being confirmed by Tarantino. The second piece of evidence, is the fact that Mr. White from Reservoir Dogs(1992) mentioned working with a girl named “Alabama”.
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