Showing 25–36 of 84 results
“Scream as your nightmares come true”
Sam Raimi’s “The Evil Dead” is one of the best horror comedy movies ever made, full of dark humour and gory thrills. As most people know, this is one of the greatest performing films, dollar for dollar in cinematic history. One of the most popular film titles for alternative movie posters artists, this 2016 hand-numbered (#135/220) print by Francesco Francavilla is a standout piece and a proper horror poster as a chainsaw wielding Ash (Bruce Campbell) and the demonically possessed Cheryl (Ellen Sandweiss) dominate the blood red coloured imagery. This example has been autographed by the Movie’s acclaimed Director and Writer Sam Raimi and annotated ‘Scream! Scream!’ The signing was carried out in 2023 (June) at FanExpo, Philadelphia and is accompanied by an official JSA Certificate of Authenticity from the event numbered AK96625. Full verification on the certificate can be obtained by inputting the reference number at SpenceLOA.com.
Presented in excellent condition this rolled (as issued) example displays superbly that represents an impressive piece of signed horror artwork and is a hugely desirable alternative movie poster. “I know now that my wife has become host to a Kandarian demon. I fear that the only way to stop those possessed by the spirits of the book is through the act of… bodily dismemberment.”
Trivia: Over his years as a director, Raimi’s 1973 Oldsmobile Delta 88 (originally bought by Raimi’s father for the family when Sam was 14) has “played” Ash’s car in the Evil Dead movies, Uncle Ben and Aunt May’s car in the Spider-Man movies, Annie’s car in The Gift (2000), and Mrs. Ganoush’s car in Drag Me to Hell (2009), and has made cameos in nearly all of his other movies.
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“Scream as your nightmares come true”
Sam Raimi’s “The Evil Dead” is one of the best horror comedy movies ever made, full of dark humour and gory thrills. As most people know, this is one of the greatest performing films, dollar for dollar in cinematic history. One of the most popular film titles for alternative movie posters artists, this 2018 hand-numbered (#18/100) print by Paul Mann is a standout piece and a proper horror poster as a chainsaw wielding Ash (Bruce Campbell) accompanied by his demonically possessed supporting cast and as Mann has cleverly illustrated here includes the haunted cabin and the iconic yellow 1973 Oldsmobile Delta. Presented in excellent condition this rolled (as issued) example displays superbly that represents an impressive piece of horror artwork and is a hugely desirable alternative movie poster. “I know now that my wife has become host to a Kandarian demon. I fear that the only way to stop those possessed by the spirits of the book is through the act of… bodily dismemberment.”
Trivia: Over his years as a director, Raimi’s 1973 Oldsmobile Delta 88 (originally bought by Raimi’s father for the family when Sam was 14) has “played” Ash’s car in the Evil Dead movies, Uncle Ben and Aunt May’s car in the Spider-Man movies, Annie’s car in The Gift (2000), and Mrs. Ganoush’s car in Drag Me to Hell (2009), and has made cameos in nearly all of his other movies.
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“Kiss Your Nerves Good-Bye…The Sequel To The Ultimate Experience In Grueling Terror !”
Incredibly rare and much sought 2015 alternative movie poster for Sam Raimi’s Evil Dead sequel…“Evil Dead II” (Dead By Dawn). What makes this super special is that has been reimagined by the same artist responsible for the original cinema poster from from 1987 – Graham Humphreys. Printed with the approval of Sam Raimi, Bruce Campbell and Rob Tapert it’s a stunning piece of horror artwork, as a much more experienced, Graham Humphreys is given the chance to go back and recreate his original design from twenty-eight years earlier. The composition and subject matter are perfectly suited to this landscape format and the colours just amazing as they pop from the paper. This limited edition is hand-numbered #48/250 and signed by the Humphreys. Immediately selling out when launched, this originally rolled, flat-unfolded (as issued) example displays to exceptional effect and represents a truly outstanding and extremely desirable item of collectable horror movie memorabilia with a ‘modern’ twist.
For Eddie Shannon’s superb & informative interview with the artist Graham Humphreys click here.
Trivia: The large demonic head Ash battles in the climax of the film, which the crew nicknamed the “rotten applehead”, was too large and cumbersome for the crew to carry back to California, so it was left in North Carolina and soon disappeared. Its whereabouts were unknown for a number of years until it was found in a Halloween haunted house attraction just outside the original shooting location of Wadesboro, North Carolina.
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“The incredible true story of how the world’s greatest Street Art movie was never made…”
“Exit Through the Giftshop” is an Oscar nominated documentary of how an eccentric French amateur film maker attempted to locate and befriend the anonymous British graffiti/street artist Banksy. The documentary also featured other giants of the street art movement, including Shepard Fairey, Invader, Sweet Toof, Cyclops, Swoon, Ron English, and Buff Monster. The finished movie is a remarkable piece of film-making. The Belgian Affiche offered here was printed entirely in English and distributed to the Benelux countries of Belgium, Luxembourg and The Netherlands. and represents a Banksy designed piece that is often referred to as the ‘Mona Lisa in a shopping trolley’ style. Printed in remarkably small numbers for release in art-house cinemas, this is a marvellous opportunity to own an affordable example of Banksy’s artwork and a piece of original cinematic memorabilia presented in excellent original condition.
Trivia: The film had its unofficial UK premiere in an abandoned rail tunnel underneath London’s Waterloo station, an area devoted to graffiti and street art. Tickets for this sold out in a minute. A red carpet was spraypainted on the ground especially for the occasion, while spectators were all presented with tins of spray paint as they left the screening.
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“The incredible true story of how the world’s greatest Street Art movie was never made…”
“Exit Through the Giftshop” is an Oscar nominated documentary of how an eccentric French amateur film maker attempted to locate and befriend the anonymous British graffiti/street artist Banksy. The documentary also featured other giants of the street art movement, including Shepard Fairey, Invader, Sweet Toof, Cyclops, Swoon, Ron English, and Buff Monster. The finished movie is a remarkable piece of film-making. The UK quad offered here represents a Banksy designed piece that is often referred to as the ‘Mona Lisa in a shopping trolley’ style. Printed in remarkably small numbers for release in art-house cinemas, this is a marvellous opportunity to own an affordable example of Banksy’s artwork and a piece of original cinematic memorabilia presented in excellent condition.
Trivia: The film had its unofficial UK premiere in an abandoned rail tunnel underneath London’s Waterloo station, an area devoted to graffiti and street art. Tickets for this sold out in a minute. A red carpet was spraypainted on the ground especially for the occasion, while spectators were all presented with tins of spray paint as they left the screening.
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“How much can you know about yourself if you’ve never been in a fight ?”
An original country of origin US alternative movie poster from 2022 by the artist Vance Kelly for David Fincher’s cult drama thriller “Fight Club” featuring Brad Pitt, Edward Norton with some amazing artwork and glow in dark pink ink detailing. Rarely has a film been so keyed into its time, in ways that, commercially, will be both advantageous and damaging as “Fight Club” and despite certain hostility from some sectors, especially in the U.S., this bold, inventive, sustained adrenaline rush of a movie about a guru (Pitt) who advocates brutality and mayhem excited and exhilarated audiences everywhere in significant numbers. Presented in excellent rolled (as issued) condition this limited edition print is hand-numbered #30 from a print run of only 65 and was originally made available as an exclusive New York Comic Con print that represents a distinctive and collectable item of movie memorabilia.
Trivia: The visible breath in the cave scene is recycled Leonardo DiCaprio breath from Titanic(1997), which was composited into the shot.
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“Look! It’s moving. It’s alive. It’s alive… It’s alive, it’s moving, it’s alive, it’s alive, it’s alive, it’s alive, IT’S ALIVE!”
Artist Matthew Peak is no stranger to horror icons as it was his Freddy Krueger artwork that adorned the first Nightmare on Elm Street (1984) US One-Sheet and has now has created an award-winning “Frankenstein Monster” print for the 2018 exhibition Mondo Presents “Universal Studio Monsters”. This limited-edition example has been hand-numbered #6 from a print run of 325. In 2018, the leading and most respected alternative movie poster forum expressobeans.com made this print their “Cinema Poster of the Year”. Incredibly rare and highly collectible, an excellent example of modern cinematic movie memorabilia.
Trivia: Boris Karloff‘s Monster in this film does not physically resemble the character in Mary Shelley‘s novel. It was make-up artist Jack P. Pierce who came up with innovations such as the Monster’s flat head, the bolts through the neck, the droopy eyelids, and the poorly-fitted suit. Any future Frankenstein film that features any of these physical abnormalities is taking its inspiration from Pierce’s make-up work.
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“On Friday The 13th, They Began To Die Horribly, One……By One”
Distinctive Alex Ebel artwork makes this original 1980 country of original US one sheet movie poster for Sean S. Cunningham’s slasher masterpiece “Friday the 13th” extremely sought after by collector’s of the horror genre. Introducing Jason Voorhees as one of the triumvirate of 80’s slasher horror icons that includes Wes Craven’s Freddy Kruger & John Carpenter’s Michael Myers. A multitude of sequels, match ups and remakes have been released since this premiered but none match this genre defining classic. Originally folded (as issued) this unrestored example displays and presents to excellent effect with only minimal age and handling wear with bright & unfaded colours. It represents a fine piece of sought after cinema memorabilia from one of the defining ‘slasher’ flick Film’s.
Trivia: The filmmakers never intended to make this the launching pad for the franchise that followed. According to Victor Miller, Jason Voorhees was only meant as a plot device, and not intended to continue on his mother’s grisly work.
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“When you play the game of thrones, you win or you die.”
“When the snows fall and the white winds blow, the lone wolf dies but the pack survives”. An early alternative lithograph for the phenomenally succesful HBO TV series “Game of Thrones”. Titled “The Harbinger”, this 2013 ‘Mondo’ screenprint features artwork by Ken Taylor and depicts the ‘three-eyed crow’, so significant in Bran Stark’s dreams. The landscape format perfectly suits the subject matter with the bright blood red sky of this ‘regular’ edition making it the best version to own. Limited to a print run of 440 this is hand-numbered #2. Originally rolled (as issued) it presents and displays to excellent effect and represents an outstanding piece of alternative movie memorabilia from one of the biggest TV shows in recent memory.
Trivia: Game of Thrones is the first television series in history to be screened in IMAX theaters.
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Martin Scorsese’s “Goodfellas” is an iconic motion picture and a giant of the crime genre that will stand the test of time for years and years to come. An absolutely beautiful complete set of all eight (8) US front of house lobby cards for one of the best gangster films ever made…Martin Scorsese’s “Goodfellas”. Featuring a series of eight fantastic full colour images with our highlight card – Robert De Niro, Joe Pesci and RayLiotta from the famous card playing scene where Tommy (Pesci) shoots Spider (Michael Imperioli). Originally flat and unfolded (as issued) all eight (8) appear unused and present to excellent effect. Hugely desirable and a must have title for the serious poster collector or Goodfellas fan it represents a premium piece of quality collectable movie memorabilia.
Trivia: The “How am I funny?” scene is based on something that actually happened to Joe Pesci. While working in a restaurant, a young Pesci apparently told a mobster that he was funny, a compliment that was met with a less-than-enthusiastic response. Pesci relayed the anecdote to Martin Scorsese, who decided to include it in the film. Scorsese didn’t include the scene in the shooting script, so that Pesci and Ray Liotta‘s interactions would elicit genuinely surprised reactions from the supporting cast.
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Martin Scorsese’s “Goodfellas” is an iconic motion picture and a giant of the gangster genre that will stand the test of time for years and years to come. Designed by Territory Studios advertising agency the movie poster imagery that accompanied the 2016 BFI release was equally as memorable. The imagery of the three stars (De Niro, Pesci & Liotta) accompanied by one of their key scenes makes for a stylish design with the red filter particularly effective. The BFI are renowned for producing excellent and ‘fresh’ poster designs for their limited run releases and this is considered one of the best. As with all BFI screenings they are very limited (sometimes only a single showing) with an incredibly small print run. making the posters very hard to come by. This originally rolled (as issued) example displays & presents to fine effect. Hugely desirable and a must have title for the serious poster collector or Goodfellas fan it represents a premium piece of quality collectable movie memorabilia.
Trivia: The “How am I funny?” scene is based on something that actually happened to Joe Pesci. While working in a restaurant, a young Pesci apparently told a mobster that he was funny, a compliment that was met with a less-than-enthusiastic response. Pesci relayed the anecdote to Martin Scorsese, who decided to include it in the film. Scorsese didn’t include the scene in the shooting script, so that Pesci and Ray Liotta‘s interactions would elicit genuinely surprised reactions from the supporting cast.
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