Showing 13–24 of 84 results
“Riddle me this, riddle me that, who’s afraid of the big, black bat?“
Riddle me this – how can you get the most colourful Batmobile yet in your living room? Simple, purchase this incredible, hand-numbered (#96/275) screen print from Matt Ferguson for Joel Schumacher’s 1995 comic book caper “Batman Forever”. Ferguson’s ongoing Batman and Batmobile series continues, and this time, he’s got Seal’s Kiss from a Rose blaring out of the Bat-stereo. “Batman Forever” is a visually spectacular movie combining a colourful cast, and a bonkers plot that while divisive, is undoubtedly wildly entertaining and whilst Jim Carrey is no Jack Nicholson, his Riddler steals the show from one-time Batman – Val KIlmer. Ferguson’s Batmobile series focuses on Bruce Wayne’s incredible rides from throughout Batman’s history, and he’s added a ton of fun details and Easter eggs from both the film and general Ferguson lore. Originally rolled (as issued) this displays to excellent effect with the day glo, neon coloured inks adding a real kinetic energy to the imagery and represents a truly eye-catching alternative movie poster from one of the most memorable Batman movies.
Trivia: This is the first movie to refer to Batman as “The Dark Knight”.
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Adapted from Philip K. Dick’s novel ‘Do Androids Dream of Electric Sheep?’, Ridley Scott’s “Blade Runner” iconic dystopian classic is unquestionably one of the greatest sci-fi films ever made. So, it was no surprise a sequel was made, what was surprising was the follow-up never happened until 2017, thirty-five years after the original was released. Still, it’s fair to say the wait was worth it – “Blade Runner 2049” sees Harrison Ford reprise his role as Rick Deckard and a new Blade Runner is introduced, ‘K’ played by Ryan Gosling. And it’s Ryan Gosling’s ‘K’ who takes centre stage on this outstanding, 2025 limited edition screen print by Alfons Kiefer. It’s a visually beautiful movie perfectly orchestrated by director, Denis Villeneuve and the visual impact is certainly evident here with this hand-numbered #78/85 private commission. Printed on Fedrigoni Old Mill Stucco Premium White art paper using eleven (11) coloured inks and finished with a fluorescent UV Layer it looks absolutely stunning and it’s no surprise this sold out immediately when released. Rolled (as issued) this alternative movie poster displays and presents to excellent effect and represents an impressive piece of cinematic movie memorabilia for one of the most influential film series not just of the sci-fi genre but modern culture in general.
Trivia: The first letter of the names of each of the wooden animals that Rick Deckard carved in this movie: Rhino, Antelope, Cat, Horse, Elephant, Lion, spell “RACHEL”.
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Legendary creator Brian Clemens writes and directs this stylish, revisionist Hammer Horror – pitting a swashbuckling hero (Horst Janson), his hunchbacked assistant (John Cater) and a feisty gypsy (Caroline Munro) ingenue against a cunning and malevolent vampire. 2025 sees the cult classic “Captain Kronos: Vampire Hunter” makings its worldwide debut as a brand-new 4K restoration from the original negative film elements. The release was accompanied (with certain orders) by a highly exclusive, limited-edition Captain Kronos Vampire Hunter poster, masterfully illustrated world-renowned artist and horror maestro Graham Humphreys. Limited to just 70 meticulously crafted copies with the official Hammer certificate accompanying this poster number #31. Although officially a print run of 70, the number of actual posters surviving in very good or better condition is much, much less due to issues with damage caused by shipping. This piece is the ultimate collector’s item, capturing the legendary vampire slayer and his full supporting cast in stunning detail and vibrant colour. Hammer horror memorabilia is always popular and desirable and this original rolled (as issued) special British full size (30′ x 40′) quad is no exception that displays to beautiful effect.
Trivia: Although no further movies of Kronos were made, his adventures were continued in two comic books published 40 years apart. “The House of Hammer #1-3” (October 1976-January 1977) and “Captain Kronos – Vampire Hunter #1-4” (Titan Comics 2017).
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“Higher ! Further ! Faster !”
An absolutely stunning piece of alternative movie poster art by Matt Taylor. This is a sold out screen print for the Marvel Studios release “Captain Marvel” released by Mondo in 2019. The character depicted is the cosmically powered super-heroine Carol Danvers sporting her red, white, and blue Earth uniform. This is a hand numbered regular edition of 1725 with this being #1008. Originally flat & unfolded (as issued) this superb example displays to impressive effect (honestly the photo does not do this justice…needs to be seen), perfectly suited to this portrait format. Captain Marvel AKA Carol Danvers (Brie Larson) looks truly cosmic and takes centre stage in a full on ‘power’ pose. Very cool and very collectable this exceptional looking piece represents a fantastic item of ‘modern’ super-hero movie memorabilia.
Trivia: This was the twenty-first film to be released by Marvel Studios for the Marvel Cinematic Universe and the first to have a female lead being released at cinemas on International Women’s Day.
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“Penguin, Joker, Riddler and Catwoman, too ! The sum of the angles of that rectangle is too monstrous to contemplate !”
Released in 2014 as the third instalment of The Art of Ken Taylor through Mondo. This screenprint depiction of Julie Newmar as Catwoman is stunning and a great tribute to the Feline Femme Fatale. It captures the seduction Newmar brought to the character while conveying the light-hearted feel of the beloved 1960s Batman TV series. This is the Regular orange background edition which is hand-numbered #124 out of 275 and signed by the artist. I am a huge Batman fan (all incarnations) and this is one of my favourite Batman posters, a great fun item and a fantastict item of collectable memorabilia from an icon of modern pop culture.
Trivia: Originally planned as the pilot film for the Batman (1966) TV series, the movie was instead produced between the show’s first and second seasons. The producers took advantage of the larger budget to have a number of new Bat-gadgets constructed, such as the BatBoat.
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“Forget it, Jake. It’s Chinatown.”
Roman Polanski’s “Chinatown” is one of cinemas finest detective movies accompanied by an incredible marketing campaign headed by Jim Pearsall in 1974. This multi-award winning film has been complemented by a series of alternative movie posters over the years with this most recent commission by Laurent Durieux is the best and destined as a future classic. Much like a fine wine Durieux’s art prints age very well, getting better and better with each viewing. and he has produced an outstanding addition to the title, truly eye-catching and super stylish. The deep, rich colours are predominantly blues and purples with ‘Chinatown’ printed in contrasting bright pink ink. Originally rolled (as issued) this signed and hand-numbered offering (#175/500) looks and displays to excellent effect with very minimal handling wear. An extremely scarce, selling out in near record time modern art print, collectable item of movie memorabilia from a true Hollywood classic.
Trivia: There is a rumour that this was the first part of a planned trilogy written by Robert Towne about J.J. “Jake” Gittes and Los Angeles. The second part, The Two Jakes (1990), was directed by Jack Nicholson. The supposed third part never existed, as later confirmed by the writer; however, certain elements and details of the story (a corrupt company called Cloverleaf tries to buy up all public transportation in order to replace it with freeways) would later end up in Who Framed Roger Rabbit (1988), which was a film-noir spoof/homage of Chinatown.
The interesting thing about the trilogy concept is that they focused on the three things that were instrumental in making Los Angeles grow the way that it did, which is via the control of water, real estate, and transportation.
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“Being the adventures of a young man whose principal interests are rape, ultra-violence and Beethoven.”
Without doubt the most controversial film of its day, and that’s saying something when you consider it was released alongside “The Exorcist” and “Last Tango in Paris”. Often the subject matter for many up and coming artists looking to make a name for themselves in the up and coming Alternative Movie Poster market, this offering by Greg Ruth really is a cut above the rest. This 2019 release for Stanley Kubrick’s ultra-violent masterpiece “Clockwork Orange” is quite simply a stunning piece of artwork, with a strictly limited print run of only 150 this is numbered #11. This orange (naturally) coloured variant edition is a less is more style featuring Malcolm McDowell character Alex with the title cleverly incorporated into his signature bowler hat. The film still remains Kubrick’s most controversial work; quite a feat when one considers the range of topics the filmmaker explored across his remarkable career. This superb unrestored example is presented rolled (as issued) and displays to excellent effect. A superb addition to any collection and an incredibly scarce piece of modern film art and cultural memorabilia.
Trivia: The film was unavailable for public viewing in the UK from 1973 until 2000, the year after Stanley Kubrick‘s death. British video stores were so inundated with requests for the movie that some took to putting up signs that read: ‘No, we do not have A Clockwork Orange (1971).’
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“Being the adventures of a young man whose principal interests are rape, ultra-violence and Beethoven.”
Without doubt the most controversial film of it’s day, and that’s saying something when you consider it was released alongside “The Exorcist” and “Last Tango in Paris”. Often the subject matter for many up and coming artists looking to make a name for themselves in the up and coming Alternative Movie Poster market, this offering by Stella Ygris really is a cut above the rest. This 2022 release for Stanley Kubrick’s ultra-violent masterpiece “Clockwork Orange” is quite simply a stunning piece of artwork, with a strictly limited print run of only 50 this is numbered #25. Malcolm McDowell’s character Alex provides the focal point. Visual impact and artistic design are key aspects of any Kibrick production and this beautiful example perfectly illustrates that. Absolutely stunning, the photograph really doesn’t do this example justice – being a giclee print (see below) the vibrant colours pop from the paper. The film still remains Kubrick’s most controversial work; quite a feat when one considers the range of topics the filmmaker explored across his remarkable career. This superb unrestored example is presented rolled (as issued) and displays to excellent effect. A superb addition to any collection and an incredible piece of modern film art and cultural memorabilia.
Trivia: The film was unavailable for public viewing in the UK from 1973 until 2000, the year after Stanley Kubrick‘s death. British video stores were so inundated with requests for the movie that some took to putting up signs that read: ‘No, we do not have A Clockwork Orange (1971).’
What is Giclee ?
Derived from the French term gicler – meaning ‘to squirt or spray’, the term describes a printing process whereby microscopic dots of pigment-based ink are sprayed onto archival-quality paper to ensure the fidelity of a limited edition print to an original artwork.
The richness, accuracy and depth of colour is thanks to the method’s potential to achieve a huge colour gamut (the spectrum of colours distinguishable by the human eye). Unlike the four tones used in lithography, giclées often use five: light cyan, cyan, light magenta, yellow and black.
Fantastic for reproductions which require maximum detail, giclées are most commonly found on watercolour paper or canvas, but can also be created on glass. Different types of paper will produce different effects. Matte paper works well behind glass due its lack of reflectivity, whilst the shine of a glossy finish can give an artwork a brighter appearance.
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“In a world without justice, one man was chosen to protect the innocent.”
“The Crow” is an excellent tragic film made even more tragic by the real life tragedies surrounding the film (Brandon Lee’s death during filming, and the fact that the story is a result of James O’Barr’s personal loss of his fiancée). Based on a very dark comic book, the film has the same dark feel and that same dark feel is very much in evidence in this excellent alternative movie poster by Paul Mann. This hand-numbered (#79/150) Saniose variant printing really is superb with Mann perfectly capturing the character – in likeness and tone with the coloured inks, separated by Saniose an incredible finishing touch. This is an impressive screen print that has to be seen in person as the photographs really don’t do it justice. Originally rolled (as issued) this magnificent example represents a hugely collectable item of movie memorabilia from a truly iconic cult movie.
Trivia: Even though the movie, based on the comic, is called ‘The Crow’, none of the birds used in the film were actually crows. All of them were in fact ravens, which are much larger than crows and have a longer, more impressive beak.
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“Enter the Dragon” is rightly regarded as one of the key and most influential movie’s from the 1970’s, creating it’s own unique genre and provided the vehicle to launch Bruce Lee (albeit briefly) as a screen & cultural icon. Unsurprisingly, it is one of the most popular licences when looking to have artwork commissioned. This 2024 offering from Thai artist Kwow is one of the best of these. Kwow’s impressive artwork beautifully portrays the most memorable scenes from the film and is beautifully complemented by some amazing realistic likenesses of the main cast members, particularly Lee who takes prominence. This very limited release of only 100, has been hand-numbered #57 in pencil and is offered in beautiful rolled, unfolded (as issued) condition that displays and presents to excellent effect – colours are very vibrant and truly pop from the paper. A truly outstanding art print that represents a key item of highly sought after modern cinematic memorabilia and a fitting tribute to the martial arts legend BRUCE LEE.
TRIVIA: ENTER THE DRAGON due to its huge popularity was consistently re-released and shown after its 1973 debut yet no new standalone posters were ever printed & it was down to the cinema owners to re-use the posters from 1973. Making original unrestored 1973 posters of this quality extremely scarce.
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“The world’s greatest leader is a hostage in the most dangerous place on Earth. Now only the deadliest man alive can save him.”
You probably couldn’t find better movie from the 1980’s that introduces such an iconic cult character in Kurt Russell’s Snake Plissken (criminally only used in one more movie) or sums up the period quite like John Carpenter’s quintessential sci-fi actioner “Escape From New York”. Carpenter always a well regarded and popular film maker has enjoyed a huge renaissance in more recent years so it was no surprise that this title was one of four seminal movies by the director re-released by Studio Canal in 2018, remastered in 4K, with the others being “They Live”, “Prince of Darkness” and “The Fog”. All four movies had a strictly limited cinematic release and were accompanied a newly designed poster campaign (quads and one-sheets) by leading artist Matt Ferguson. Ferguson’s unique artistic style is evident throughout the four, each with its very own unique colour palette. A number of these full-size 30″ x 40″ UK quad styles were also released as a limited edition art print by Vice Press. Identical to the cinematic quad, in fact exactly the same – same paper, printer etc these were issued as timed releases each signed and hand-numbered by Matt Ferguson. Offered here is one of these signed art prints numbered #48 from a print run of only 231. Originally rolled (as issued) it presents in excellent condition. A cool, cult poster that represents very collectable & desirable original film memorabilia from one of the greatest and most influential director’s who is still actively working in the film industry.
Trivia: The model of the city set was repainted and reused for Ridley Scott’s Blade Runner.
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“Scream as your nightmares come true”
Sam Raimi’s “The Evil Dead” is one of the best horror comedy movies ever made, full of dark humour and gory thrills. As most people know, this is one of the greatest performing films, dollar for dollar in cinematic history. One of the most popular film titles for alternative movie posters artists, this 2016 hand-numbered (#134/220) print by Francesco Francavilla is a standout piece and a proper horror poster as a chainsaw wielding Ash (Bruce Campbell) and the demonically possessed Cheryl (Ellen Sandweiss) dominate the blood red coloured imagery. Presented in excellent condition this rolled (as issued) example displays superbly that represents an impressive piece of horror artwork and is a hugely desirable alternative movie poster. “I know now that my wife has become host to a Kandarian demon. I fear that the only way to stop those possessed by the spirits of the book is through the act of… bodily dismemberment.”
Trivia: Over his years as a director, Raimi’s 1973 Oldsmobile Delta 88 (originally bought by Raimi’s father for the family when Sam was 14) has “played” Ash’s car in the Evil Dead movies, Uncle Ben and Aunt May’s car in the Spider-Man movies, Annie’s car in The Gift (2000), and Mrs. Ganoush’s car in Drag Me to Hell (2009), and has made cameos in nearly all of his other movies.
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