Showing 97–108 of 115 results
Hand-signed by Linda Blair, who has added her character name ‘Regan’ and the annotation ‘Sweet Dreams’.
Perhaps one of the most defining images in cinematic history and certainly up there with Karloff’s Frankenstein monster as the most memorable of the horror genre – Linda Blair as the possessed Regan. This alternative movie poster by horror artist supreme, Graham Humphreys for William Friedkin’s Oscar winning horror masterpiece “The Exorcist” is a striking example of horror artwork, featuring some incredible characterisations and an amazing colour palette – from orange to sickly green/grey. The limited edition fine art print offered here has been signed by the artist, Humphreys and hand-numbered #9 from a print run of only 59 and in addition hand-signed by Linda Blair, who has added her character name ‘Regan’ and the annotation ‘Sweet Dreams’. All of Blair’s handwriting has been written in silver ink pen again a dark background and absolutely pops from the imagery. The poster was signed by Blair at Horrorfied 2, Crawley, Surrey on March 28th. Hugely oversubscribed, this scarce print was sold out prior to release and presents and displays to excellent effect. Originally flat and unfolded (as issued) this beautiful example represents a hard to find piece of cinematic horror memorabilia for this much revered and hugely influential Oscar winning horror movie.
Trivia: When Regan projectile vomits at Father Karras, the vomit was intended to hit Jason Miller in the chest, but the plastic tubing misfired, hitting him in the face. His reaction of shock and disgust while wiping away the vomit is genuine, and Miller admitted in interviews that he was very angered by this mistake.
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Hand-signed by Linda Blair, who has added her character name ‘Regan’ and the annotation ‘Sweet Dreams’.
Perhaps one of the most defining images in cinematic history and certainly up there with Karloff’s Frankenstein monster as the most memorable of the horror genre – Linda Blair as the possessed Regan. This alternative movie poster by horror artist, Andrew Rowland for William Friedkin’s Oscar winning horror masterpiece “The Exorcist” is an impressive example of horror artwork, featuring an amazing image of the possessed Regan and a homage to the more familiar poster design as Father Merrin (Max von Sydow) is bathed in the street light outside the Georgetown townhouse. Finished in a beautiful sepia toned colour palette, the limited edition fine art print offered here has been hand-numbered #2/5 from the the artist’s own edition PP. In addition it has been hand-signed by Linda Blair, who has added her character name ‘Regan’ and the annotation ‘Sweet Dreams’. All of Blair’s handwriting has been written in silver ink pen against a dark background and absolutely pops from the imagery. The poster was signed by Blair at Horrorfied 2, Crawley, Surrey on March 28th. Hugely oversubscribed, this scarce print was sold out prior to release and presents and displays to excellent effect. Originally flat and unfolded (as issued) this beautiful example represents a hard to find piece of cinematic horror memorabilia for this much revered and hugely influential Oscar winning horror movie.
Trivia: When Regan projectile vomits at Father Karras, the vomit was intended to hit Jason Miller in the chest, but the plastic tubing misfired, hitting him in the face. His reaction of shock and disgust while wiping away the vomit is genuine, and Miller admitted in interviews that he was very angered by this mistake.
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“Bolt Your Doors. Lock Your Windows. There’s something in The Fog !”
After the huge success of “Halloween” John Carpenter quickly followed up with the equally memorable horror “The Fog” – a guilty pleasure film of mine as I love how well Carpenter develops the tension and tells the story with great cinematography, sound, and use of locations. Carpenter always a well regarded and popular film maker has enjoyed a huge renaissance in more recent years so it was no surprise that this title was one of four seminal movies by the director re-released by Studio Canal in 2018, remastered in 4K, with the others being “They Live”, “Escape From New York” and “Prince of Darkness”. All four movies had a strictly limited cinematic release and were accompanied a newly designed poster campaign (quads and one-sheets) by leading artist Matt Ferguson. Ferguson’s unique artistic style is evident throughout the four, each with its very own unique colour palette. A number of these full-size 30″ x 40″ UK quad styles were also released as a limited edition art print by Vice Press. Identical to the cinematic quad, in fact exactly the same – same paper, printer etc these were issued as timed releases each signed and hand-numbered by Matt Ferguson. Offered here is one of these signed art prints numbered #48 from a print run of only 224. Originally rolled (as issued) it presents in excellent condition. A cool, cult poster that represents very collectable & desirable original film memorabilia from one of the greatest and most influential director’s who is still actively working in the film industry.
Trivia: Although this was essentially a low budget independent movie, John Carpenter chose to shoot the movie in anamorphic widescreen Panavision. This decision gave the movie a grander feel for the viewer so this didn’t seem like a low budget horror movie.
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“If by chance an honest man like yourself should make enemies, then they would become my enemies. And then they would fear you.”
Francis Ford Coppola’s multi Oscar winning masterpiece “The Godfather” is THE GREATEST FILM EVER MADE with this limited edition art print by the artist Paul Mann, the best ever poster produced for this crime classic. Mann’s artwork and use of colour is breath taking, and this needs to be seen in person to fully appreciate the quality. Printed onto Platinum Etching Paper with a giclee finish it appears painted. A private commission with a print run of only 150 this has been hand-numbered #23. This example displays to excellent effect and is an outstanding example of an alternative movie poster for a film, that is a phenomenon. An exquisite Mafia epic with outstanding performances, Coppola got everything right, creating a cinematic event with an immeasurable influence on everyday culture and life.
Trivia: The smack that Vito gives Johnny Fontane was not in the script. Marlon Brando improvised the smack and Al Martino‘s confused reaction was real. According to James Caan, “Martino didn’t know whether to laugh or cry.”
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“If by chance an honest man like yourself should make enemies, then they would become my enemies. And then they would fear you.”
Francis Ford Coppola’s multi Oscar winning masterpiece “The Godfather” is THE GREATEST FILM EVER MADE. Re-released in 2022 for its 5oth Anniversary, renowned artist Paul Shipper was commissioned to create a new poster for the event. Shipper’s artwork is superb with an incredible cast montage poster, with as you would expect Brando & Pacino taking centre stage. This British one-sheet displays to excellent effect and is an outstanding movie poster for a film, that is a phenomenon. An exquisite Mafia epic with outstanding performances, Coppola got everything right, creating a cinematic event with an immeasurable influence on everyday culture and life.
Trivia: The smack that Vito gives Johnny Fontane was not in the script. Marlon Brando improvised the smack and Al Martino‘s confused reaction was real. According to James Caan, “Martino didn’t know whether to laugh or cry.”
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“If by chance an honest man like yourself should make enemies, then they would become my enemies. And then they would fear you.”
Francis Ford Coppola’s multi Oscar winning masterpiece “The Godfather” is THE GREATEST FILM EVER MADE with this limited edition alternative movie poster by the artist Jeff Kleinsmith, a truly memorable and eye-catching design for this crime classic. Kleinsmith’s artwork and use of bold colour is very clever with more than a nod to the Eastern European school of poster design. Full of classic Godfather symbolism – the severed horse’s head, oranges from the Don’s garden and a blood splatter that features all of the Corleone Family – subtly stating that the Family has blood in its history. Commissioned for a limited screening at the Alamo Drafthouse theatre in 2009, this fine example has been hand-numbered #253 from a print run of only 285. It displays to excellent effect and is an outstanding example of an alternative movie poster for a film, that is a phenomenon. An exquisite Mafia epic with outstanding performances, Coppola got everything right, creating a cinematic event with an immeasurable influence on everyday culture and life.
Trivia: The smack that Vito gives Johnny Fontane was not in the script. Marlon Brando improvised the smack and Al Martino‘s confused reaction was real. According to James Caan, “Martino didn’t know whether to laugh or cry.”
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“…when Johnny was first starting out, he was signed to a personal services contract with this big-band leader. And as his career got better and better, he wanted to get out of it. But the band leader wouldn’t let him. Now, Johnny is my father’s godson. So my father went to see this bandleader and offered him $10,000 to let Johnny go, but the bandleader said no. So the next day, my father went back, only this time with Luca Brasi. Within an hour, he had a signed release for a certified check of $1000.”
Francis Ford Coppola’s multi Oscar winning masterpiece “The Godfather” is THE GREATEST FILM EVER MADE with this limited edition art print by the artist Paul Mann, one of the best ever poster produced for this crime classic. Mann’s artwork and use of colour is breath taking, and this needs to be seen in person to fully appreciate the quality. Described as the Italian variant it was printed using “Il Padrino” as the title with gold ink detailing against a black background. Printed onto Fotospeed Platinum Etching Paper with a giclee finish it appears painted. A private commission with a print run of only 50 this has been hand-numbered #12. This example displays to excellent effect and is an outstanding example of an alternative movie poster for a film, that is a phenomenon. An exquisite Mafia epic with outstanding performances, Coppola got everything right, creating a cinematic event with an immeasurable influence on everyday culture and life.
Trivia: Marlon Brando wanted to make Don Corleone “look like a bulldog,” so he stuffed his cheeks with cotton wool for the audition. For the actual filming, he wore a mouthpiece made by Dick Smith. This appliance is on display in the American Museum of the Academy Museum of Motion Pictures in Los Angeles in a special Godfather exhibition
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“…when Johnny was first starting out, he was signed to a personal services contract with this big-band leader. And as his career got better and better, he wanted to get out of it. But the band leader wouldn’t let him. Now, Johnny is my father’s godson. So my father went to see this bandleader and offered him $10,000 to let Johnny go, but the bandleader said no. So the next day, my father went back, only this time with Luca Brasi. Within an hour, he had a signed release for a certified check of $1000.”
Francis Ford Coppola’s multi Oscar winning masterpiece “The Godfather” is THE GREATEST FILM EVER MADE with any original, first release 1972 paper hugely sought after, with this Japanese B2, with its country unique artwork, one of the most desired for this crime classic. S.Neil Fujita’s iconic puppet-hand logo against stark black background, is complemented by colour stills imagery to produce a truly eye-catching design. Originally rolled (as issued) this example displays to excellent effect and is an impressive item of original cinematic movie memorabilia for an exquisite Mafia epic with outstanding performances. Coppola got everything right, creating a cinematic event with an immeasurable influence on everyday culture and life.
Trivia: Marlon Brando wanted to make Don Corleone “look like a bulldog,” so he stuffed his cheeks with cotton wool for the audition. For the actual filming, he wore a mouthpiece made by Dick Smith. This appliance is on display in the American Museum of the Academy Museum of Motion Pictures in Los Angeles in a special Godfather exhibition
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“From a barbed-wire camp to a barbed-wire country, they made…THE GREAT ESCAPE !”
A very rare find, an original 2022 alternative movie poster by Steve Chorney for John Sturges’ wartime adventure “The Great Escape”. One of the biggest films of all times certainly deserves a striking poster and Chorney’s limited edition offering certainly impresses. As a homage to posters of the 60s and 70s the great ensemble cast have their headshots in a row towards the bottom of the design, Hendley -“The Scrounger” (James Garner), Danny – “The Tunnel King” (Charles Bronson), Danny – “The Tunnel King” (Charles Bronson), Ashley-Pitt “Dispersal” (David McCallum), Blythe – The Forger” (Donald Pleasence), Bartlett “Big X” (Richard Attenbrough), Sedgwick “Manufacturer” (James Coburn) and of course dominating the imagery Hilts-“Cooler King” (Steve McQueen), not just an incredible headshot, but McQueen in action (from the finale of the movie) attempting his legendary motorbike jump escape. Although the most memorable scene from the film it doesn’t feature on any of the original 1963 paper and only on a handful or later release posters, making this artwork, super desirable. A nice touch is the inclusion of Hannes Messemer who played the Kamp Kommandant Von Luger. Released as a limited edition, hand-numbered (#88/90) fine art print, the giclee finish gives a freshly painted effect. The portrait format makes for a truly stunning piece that presents to excellent effect and represents a superb example of very rare collectable film memorabilia from one of the greatest film’s ever made and featuring a character and final scene that has become synonymous with screen legend Steve McQueen and is regarded as a much loved classic and one of McQueen’s signature roles.
Trivia: During the climactic motorcycle chase, director John Sturges allowed Steve McQueen to ride (in disguise) as one of the pursuing German soldiers, so that in the final sequence, through the magic of editing, he’s actually chasing himself. McQueen played the German motorcyclist who hits the wire.
What is Giclee ?
Derived from the French term gicler – meaning ‘to squirt or spray’, the term describes a printing process whereby microscopic dots of pigment-based ink are sprayed onto archival-quality paper to ensure the fidelity of a limited edition print to an original artwork.
The richness, accuracy and depth of colour is thanks to the method’s potential to achieve a huge colour gamut (the spectrum of colours distinguishable by the human eye). Unlike the four tones used in lithography, giclées often use five: light cyan, cyan, light magenta, yellow and black.
Fantastic for reproductions which require maximum detail, giclées are most commonly found on watercolour paper or canvas, but can also be created on glass. Different types of paper will produce different effects. Matte paper works well behind glass due its lack of reflectivity, whilst the shine of a glossy finish can give an artwork a brighter appearance.
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“Sleep all day. Party all night. Never grow old. Never die. It’s fun to be a vampire.”
Artist Casey Booth is back from a trip to Santa Carla with a stunning giclee print that bites for Joel Schumacher’s “The Lost Boys”. This 2026 hand-numbered (#25/75) limited edition release is a proper horror poster as leader of The Lost Boys – David (Kiefer Sutherland) is the main focus with the would be vampire hunters blended into the background and printed using an incredible colour palette of blood reds inks. Presented in excellent condition this rolled, flat and unfolded (as issued) example displays superbly and is an impressive piece of artwork and a hugely desirable alternative movie poster. This is THE teenage angst vampire movie with this high grade poster showcasing the teen vampires in all their undead glory…“Something I never could stomach about Santa Carla, all the damn vampires!”
Trivia: In the cave of the Lost Boys, you can see a poster of Jim Morrison, who recorded the original version of “People are Strange” with The Doors. Also, when Star and Laddie are being carried into Sam’s room, you can see a poster of Echo & The Bunnymen, who recorded the version used in the movie.
What is Giclee ?
Derived from the French term gicler – meaning ‘to squirt or spray’, the term describes a printing process whereby microscopic dots of pigment-based ink are sprayed onto archival-quality paper to ensure the fidelity of a limited edition print to an original artwork.
The richness, accuracy and depth of colour is thanks to the method’s potential to achieve a huge colour gamut (the spectrum of colours distinguishable by the human eye). Unlike the four tones used in lithography, giclées often use five: light cyan, cyan, light magenta, yellow and black.
Fantastic for reproductions which require maximum detail, giclées are most commonly found on watercolour paper or canvas, but can also be created on glass. Different types of paper will produce different effects. Matte paper works well behind glass due its lack of reflectivity, whilst the shine of a glossy finish can give an artwork a brighter appearance.
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“It seems that you’ve been living two lives. One life, you’re Thomas A. Anderson, program writer for a respectable software company. You have a social security number, pay your taxes, and you… help your landlady carry out her garbage. The other life is lived in computers, where you go by the hacker alias “Neo” and are guilty of virtually every computer crime we have a law for. One of these lives has a future, and one of them does not.”
On its release at the dawn of a new Millenia the Wachowski Brother’s ground breaking science fiction blockbuster “The Matrix” influenced everything from fashion, technology, how movies are made and introducing us to…Bullet-Time. This 2025 alternative movie poster by Pablo Olivera is an outstanding re-design that takes you to the heart of the matrix with its wealth of lore and symbology from the mega-hit, Pablo’s print is a thrilling look back at the film’s imagery and themes – “You take the blue pill – the story ends, you wake up in your bed and believe whatever you want to believe. You take the red pill – you stay in Wonderland and I show you how deep the rabbit hole goes.”. It is a fine art giclee print where the colours literally pop from the paper and one of best examples I have seen that uses this printing process – the colours, in this case neon pinks, purples and blues are incredibly rich giving a true hand painted effect. This Purple Variant edition has been Hand-Numbered #11/75 that represents a cool looking film poster from a “game-changing” movie. A true modern classic that displays superbly and is presented in excellent rolled condition.
Trivia: All scenes that take place within the Matrix have a green tint, as if watching them through a computer monitor. Scenes in the real world have a blue tint. Blue was also used at a minimum within the Matrix, since the directors thought blue was more of a real-world color (despite, ironically, blue being often the least-occurring color in nature). The fight scene between Morpheus and Neo, which is neither in the real world, nor in the Matrix, is tinted yellow.
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Jonathan Demme’s “The Silence of the Lambs” is one of the best horror thriller movies ever made; excellent Award winning performances, full of dark humour and gory thrills. This 2020 alternative movie poster by the American graphic artist Todd Alcott is a truly outstanding piece as he re-imagines and pays homage to the classic 1962 one-sheet for another horror thriller “Whatever Happened to Baby Jane”. It really is a clever and visually stunning piece of artwork that appears as a beaten up old poster. Presented in excellent condition this rolled (as issued) example displays superbly and has been printed to look aged and distressed. Alcott’s artwork represents a great twist on traditional horror movie memorabilia and is a great example in the rapidly expanding area of alternative movie posters being one of the best looking alternative movie posters I have seen.
Trivia: When Sir Anthony Hopkins‘s agent called him in London, to tell him that he was sending him a script called “The Silence of the Lambs,” Hopkins immediately thought he might be going up for a children’s movie.
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