Showing 13–24 of 116 results
“You don’t talk to Colonel Kurtz…You listen to him.”
A personal favourite and quite simply a stunning film poster for Francis Ford Coppola’s multi award winning Vietnam war epic “Apocalypse Now”. There is no doubting the influence and impact of Coppola’s 1979 masterpiece with any paper hugely desirable and the German A1 film poster offered here is no exception. This design was created by Bob Peak featuring an outstanding close up image of a shaven headed Colonel Kurtz (Marlon Brando) offset against a dark black background…truly memorable imagery for Coppola’s voyage into the ‘Heart of Darkness’. Peak’s campaign artwork for Francis Ford Coppola’s Apocalypse Now is widely regarded as one of the great and most iconic poster designs, winning an Award of Excellence from The Society of Illustrators in 1980. So it was no surprise that in 2021 when Mondo issued a remastered screenprint licensed by Zoetrope Productions with production and colour separations handled by Jason Edmiston, Jon Smith, Shane Mahn and Peak’s son Alex, it sold out immediately. From a hand-numbered edition of 425, this is #335. Originally rolled (as issued) with an amazing colour palette this outstanding example presents and displays to excellent effect and represents a beautiful alternative movie poster from one of the finest film’s ever made…“Napalm, son. Nothing else in the world smells like that”
Trivia: Filming, originally scheduled for six weeks, took 16 months.
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“Why would a nice guy like you want to kill a genius? Why? Because they told you he was crazy? The Colonel is not crazy. The man is clear in his mind, but his soul is mad.”
An outstanding alternative movie poster for Francis Ford Coppola’s multi award winning Vietnam war epic “Apocalypse Now”. There is no doubting the influence and impact of Coppola’s 1979 masterpiece with any paper hugely desirable and the German A1 film poster offered here is no exception. This design was one of several created by Bob Peak with this style featuring stylised images of Brando as Colonel Kurtz and Sheen, remarkable artwork for Coppola’s voyage into the ‘Heart of Darkness’. Peak’s designs for “Apocalypse Now” is widely regarded as one of the great and most iconic movie poster campaigns, winning an Award of Excellence from The Society of Illustrators in 1980. So it was no surprise that in 2021 when Mondo issued a remastered screenprint licensed by Zoetrope Productions with production and colour separations handled by Jason Edmiston, Jon Smith, Shane Mahn and Peak’s son Alex, it sold out immediately. From a hand-numbered edition of 425, this is #72. Originally rolled (as issued) with a amazing detail and depth of colour, this outstanding example presents and displays to excellent effect and represents a beautiful alternative movie poster from one of the finest film’s ever made…“Napalm, son. Nothing else in the world smells like that”
Trivia: John Milius explained how he had come up with the title “Apocalypse Now”. Apparently, this was derived from a very popular tattoo among the hippie community of a peace sign that said “Nirvana Now”. Milius, by adding just a couple of extra lines, edited the peace symbol to make it look like a circle with a B52 bomber in the middle, and changed the slogan to “Apocalypse Now”.
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“I’ve seen horrors… horrors that you’ve seen. But you have no right to call me a murderer. You have a right to kill me. You have a right to do that… but you have no right to judge me. It’s impossible for words to describe what is necessary to those who do not know what horror means. Horror… Horror has a face… and you must make a friend of horror. Horror and moral terror are your friends. If they are not, then they are enemies to be feared.”
There is no doubting the influence and impact of Francis Ford Coppola’s 1979 masterpiece “Apocalypse Now” with any paper hugely desirable and the original US lobby card offered here is no exception. This lobby card (#3) is the only one from the set of eight to feature Marlon Brando, and it is a fantastic close up image of him as a shaven headed Colonel Kurtz. A truly memorable image from Coppola’s voyage into the ‘Heart of Darkness’. Originally flat/unfolded (as issued) this impressive example presents and displays to excellent effect and represents a fine piece of cinematic memorabilia from one of the finest film’s ever made…“You don’t talk to Colonel Kurtz…You listen to him.”
Trivia: Marlon Brando improvised the line “You’re an errand boy, sent by grocery clerks, to collect a bill.”
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“You don’t talk to Colonel Kurtz…You listen to him.”
A personal favourite and quite simply a stunning alternative movie poster for Francis Ford Coppola’s multi award winning Vietnam war epic “Apocalypse Now” by Jock. Like something out of a widescreen images handbook, the grandiose and all-consuming art within this limited edition giclee art print for Apocalypse Now is as visually masterful as the film it depicts. Truly an impressive piece; the range of red colour tones for the sky is incredible (the photo does not do it justice). This print is both Hand-Signed and Hand-Numbered #110/150 in the bottom right corner in pencil. Originally rolled (as issued) with an amazing colour palette this outstanding example presents and displays to excellent effect and represents a beautiful alternative movie poster from one of the best artist’s currently working and the finest film’s ever made. When launched in 2015 this was a sold out, fully subscribed private commission and is rarely offered for sale on the secondary market. “Napalm, son. Nothing else in the world smells like that”
Trivia: Filming, originally scheduled for six weeks, took 16 months.
What is Giclee ?
Derived from the French term gicler – meaning ‘to squirt or spray’, the term describes a printing process whereby microscopic dots of pigment-based ink are sprayed onto archival-quality paper to ensure the fidelity of a limited edition print to an original artwork.
The richness, accuracy and depth of colour is thanks to the method’s potential to achieve a huge colour gamut (the spectrum of colours distinguishable by the human eye). Unlike the four tones used in lithography, giclées often use five: light cyan, cyan, light magenta, yellow and black.
Fantastic for reproductions which require maximum detail, giclées are most commonly found on watercolour paper or canvas, but can also be created on glass. Different types of paper will produce different effects. Matte paper works well behind glass due its lack of reflectivity, whilst the shine of a glossy finish can give an artwork a brighter appearance.
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“Trapped in time. Surrounded by evil. Low on gas”
Sam Raimi’s “Army of Darkness: Evil Dead 3” is not as rooted in the horror genre as its predecessors – although it has its horrific elements, it seems to be first and foremost a dark fantasy comedy – with lots of one-liners and slapstick and gore. It’s kind of a delirious combination of horror, comedy, fantasy, action, and adventure, but it’s definitely the horror element that comes across in this 2017 alternative movie poster from Graham Humphreys. The medieval dead and undead never looked scarier and are out in full force as the hero from the previous two instalments – Ash (Bruce Campbell) cuts a worried looking figure. Originally rolled (as issued) the example offered here is truly exceptional; This limited edition it has been signed by Humphreys and hand-numbered #48/100 and displays and presents to excellent effect with amazing imagery and deep, rich colours. The horror ‘fan-boy’ love for Sam Raimi & Bruce Campbell is well deserved with related memorabilia much sought after, making this a hugely collectable piece.
Trivia: Released in Japan as “Captain Supermarket”.
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“Who seduces an angel? Who strips in space? Who conveys love by hand? Who gives up the pill? Who takes sex to outer space? Who’s the girl of the 21st century? Who nearly dies of pleasure?”
In arguably the most famous role of her career, Jane Fonda stars as “Barbarella” in Roger Vadim’s, campy, sci-fi fantasy. Based on the hugely popular French comic strip by Jean-Claude Forest the film is considered one of the 1960s quintessential cult movies. And it’s the titular Barbarella, who is featured in close up clutching a ray gun, in a very pop art looking alternative movie poster design by Tim Jordan (Blunt Graffix). Created in 2013, exclusively for the Weapon of Choice II convention with a very limited print run of only twenty (20) – this is hand-numbered #2 and also signed by the artist. Originally rolled (as issued) this beautiful example displays to excellent effect with vibrant, unfaded colours that pop from the paper and a stylish design. It would make for a fantastic addition to any collection or as a one-off display piece that represents a highly collectable piece of cinematic and artistic memorabilia for a much admired cult, sci-fi classic.
Trivia: Barbarella was the first science fiction hero from comics to be adapted into a feature film, as opposed to a serial. Flash Gordon and Buck Rogers, her male predecessors, had only appeared in serials.
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“Now comes the part where I relieve you, the little people, of the burden of your failed and useless lives. But, as my plastic surgeon always said: if you gotta go, go with a smile.”
Tim Burton was the perfect choice at the time to re-invent this major screen character & for me this is the definitive Batman movie. Posters for Burton’s “Batman” have always been hugely collectable since it was released in 1989 with the original marketing campaign basically just using the Batman logo. This has left a huge scope for artists since, to re-imagine and re-interpret their own unique take on the movie and character – making it perfect content for the alternative movie poster market. Batman (in all of his guises) is one of the most popular subjects for commissions – admittedly some better than others. Offered here is one of the better examples as Alberto Reyes presents his variant edition. Known as the Joker style or the Jokerized version it sees Jack Nicholson’s Joker in a clever spin from one of the key scenes from the film. Enigmatic and stylish, hand-numbered (#69/89) and signed by the artist, Alberto Reyes is truly impressive. Originally rolled (as issued) this displays to excellent effect and represents a superb Joker image from one of the defining Batman films.
Trivia: Jack Nicholson said of his role, “The thing I like about the Joker is that his sense of humor is completely tasteless.” He later said The Joker was one of his favorite roles he played.
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“Bruce Wayne – Y’see, my life is really… complex.”
Tim Burton was the perfect choice at the time to re-invent this major screen character & for me this is the definitive Batman movie. Posters for Burton’s “Batman” have always been hugely collectable since it was released in 1989 with the original marketing campaign basically just using the Batman logo. This has left a huge scope for artists since, to re-imagine and re-interpret their own unique take on the movie and character – making it perfect content for the alternative movie poster market. Batman (in all of his guises) is one of the most popular subjects for commissions – admittedly some better than others. Offered here is one of the better examples as Alberto Reyes presents his Batman, fully costumed (it’s nice to see an artist present a screen accurate costume for a change) in the Batcave. Enigmatic and stylish, hand-numbered (#69/89) and signed by the artist, Alberto Reyes is truly impressive. Originally rolled (as issued) this displays to excellent effect and represents a memorable image from one of the defining Batman films.
Trivia: Michael Keaton, who calls himself a “logic freak”, was concerned that Batman’s secret identity would, in reality, be fairly easy to uncover, and discussed ideas with Tim Burton to better disguise the character, including the use of contact lenses. Ultimately, Keaton decided to perform Batman’s voice at a lower register than when he was portraying Bruce Wayne. This technique became a staple of future portrayals of Batman in film, television, and video games, especially those of Kevin Conroy and Christian Bale.
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“Penguin, Joker, Riddler and Catwoman, too ! The sum of the angles of that rectangle is too monstrous to contemplate !”
Long before Tim Burton re-invented him, Chris Chris Nolan re-imagined him and Ben Affleck played him as an older more mature Caped Crusader there was BATMAN 1960’s style, as the decade’s most popular TV show was bat-ransported to this alternative movie poster. “Batman ’66” by Mark Pagacz. A truly exciting poster with imagery that appears photographic, but is actually illustration. Pagacz’ dynamic and colourful artwork perfectly encapsulates the swinging 60’s vibe and light-hearted tone of the film. His design and layout is superb featuring all the iconic bat-villains – Joker, Riddler, Penguin, Catwoman with Batman & Robin (rightly so) taking centre stage. It is a WOW factor poster; Printed by in 2022 this limited edition art print is hand-numbered #50/215 that presents and displays near perfectly and represents a fantastic piece of collectable movie memorabilia. I am a huge Batman fan (all incarnations) and this is one of my favourite Batman posters.
Trivia: Originally planned as the pilot film for the Batman (1966) TV series, the movie was instead produced between the show’s first and second seasons. The producers took advantage of the larger budget to have a number of new Bat-gadgets constructed, such as the BatBoat.
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“Penguin, Joker, Riddler and Catwoman, too ! The sum of the angles of that rectangle is too monstrous to contemplate !”
Long before Tim Burton re-invented him, Chris Chris Nolan re-imagined him and Ben Affleck played him as an older more mature Caped Crusader there was BATMAN 1960’s style, as the decade’s most popular TV show was bat-ransported to this alternative movie poster. “Batman ’66” by Matt Ferguson. A truly feel good, nostalgic poster with classic Batmobile imagery. Ferguson’s artwork perfectly encapsulates the swinging 60’s vibe and light-hearted tone of the film. His design and layout is superb featuring perhaps the most famous and recognisable Batmobile with the Batcave acting as the backdrop. It is a WOW factor poster. Released by Vice Press and Bottleneck Gallery in 2020 this limited edition art print is hand-numbered #169/200 that presents and displays near perfectly and represents a fantastic piece of collectable movie memorabilia. I am a huge Batman fan (all incarnations) and this is one of my favourite Batman posters.
Trivia: The Batmobile was a customized 1955 Lincoln Futura, which had been used in It Started with a Kiss (1959). According to George Barris, five Batmobiles were made during the series.
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“Riddle me this, riddle me that, who’s afraid of the big, black bat?“
Riddle me this – how can you get the most colourful Batmobile yet in your living room? Simple, purchase this incredible, hand-numbered (#96/275) screen print from Matt Ferguson for Joel Schumacher’s 1995 comic book caper “Batman Forever”. Ferguson’s ongoing Batman and Batmobile series continues, and this time, he’s got Seal’s Kiss from a Rose blaring out of the Bat-stereo. “Batman Forever” is a visually spectacular movie combining a colourful cast, and a bonkers plot that while divisive, is undoubtedly wildly entertaining and whilst Jim Carrey is no Jack Nicholson, his Riddler steals the show from one-time Batman – Val KIlmer. Ferguson’s Batmobile series focuses on Bruce Wayne’s incredible rides from throughout Batman’s history, and he’s added a ton of fun details and Easter eggs from both the film and general Ferguson lore. Originally rolled (as issued) this displays to excellent effect with the day glo, neon coloured inks adding a real kinetic energy to the imagery and represents a truly eye-catching alternative movie poster from one of the most memorable Batman movies.
Trivia: This is the first movie to refer to Batman as “The Dark Knight”.
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“It has a long uninteresting name. I just took to calling it… The Bat, and yes, Mr. Wayne, it does come in black.”
Posters for Christopher Nolan’s Batman franchise have always been of the highest quality and when independent publishers Mondo asked acclaimed alternative artist Olly Moss to design something special he didn’t disappoint…for the first time in Mondos history, a print was made available to anyone and everyone who wants to purchase it. So, in 2012 for 24 hours only, beginning at 12:01am CT on Wednesday, July 18 Olly Moss’ The Dark Knight Rises was available for only 24 hours at MondoTees.com. This Limited Edition Hand Numbered (#2200/9350) original rolled example from that first (and only) release is presented in excellent original condition. Olly Moss, is arguably one of the most popular alternative movie poster artists, whose artwork sees some incredible aftermarket prices and is also some of the best and most innovative to be offered for sale.
Trivia: As with the previous two movies, Bruce Wayne’s main car is a Lamborghini. (Batman Begins (2005): Lamborghini Murciélago Roadster, The Dark Knight (2008): Lamborghini Murciélago LP640, this movie: Lamborghini Aventador LP 700-4. The name “Murciélago” means “bat” in Spanish.
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