Showing 13–24 of 101 results
“Trapped in time. Surrounded by evil. Low on gas”
Sam Raimi’s “Army of Darkness: Evil Dead 3” is not as rooted in the horror genre as its predecessors – although it has its horrific elements, it seems to be first and foremost a dark fantasy comedy – with lots of one-liners and slapstick and gore. It’s kind of a delirious combination of horror, comedy, fantasy, action, and adventure, but it’s definitely the horror element that comes across in this 2017 alternative movie poster from Graham Humphreys. The medieval dead and undead never looked scarier and are out in full force as the hero from the previous two instalments – Ash (Bruce Campbell) cuts a worried looking figure. Originally rolled (as issued) the example offered here is truly exceptional; This limited edition it has been signed by Humphreys and hand-numbered #48/100 and displays and presents to excellent effect with amazing imagery and deep, rich colours. The horror ‘fan-boy’ love for Sam Raimi & Bruce Campbell is well deserved with related memorabilia much sought after, making this a hugely collectable piece.
Trivia: Released in Japan as “Captain Supermarket”.
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“Who seduces an angel? Who strips in space? Who conveys love by hand? Who gives up the pill? Who takes sex to outer space? Who’s the girl of the 21st century? Who nearly dies of pleasure?”
In arguably the most famous role of her career, Jane Fonda stars as “Barbarella” in Roger Vadim’s, campy, sci-fi fantasy. Based on the hugely popular French comic strip by Jean-Claude Forest the film is considered one of the 1960s quintessential cult movies. And it’s the titular Barbarella, who is featured in close up clutching a ray gun, in a very pop art looking alternative movie poster design by Tim Jordan (Blunt Graffix). Created in 2013, exclusively for the Weapon of Choice II convention with a very limited print run of only twenty (20) – this is hand-numbered #2 and also signed by the artist. Originally rolled (as issued) this beautiful example displays to excellent effect with vibrant, unfaded colours that pop from the paper and a stylish design. It would make for a fantastic addition to any collection or as a one-off display piece that represents a highly collectable piece of cinematic and artistic memorabilia for a much admired cult, sci-fi classic.
Trivia: Barbarella was the first science fiction hero from comics to be adapted into a feature film, as opposed to a serial. Flash Gordon and Buck Rogers, her male predecessors, had only appeared in serials.
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“Now comes the part where I relieve you, the little people, of the burden of your failed and useless lives. But, as my plastic surgeon always said: if you gotta go, go with a smile.”
Tim Burton was the perfect choice at the time to re-invent this major screen character & for me this is the definitive Batman movie. Posters for Burton’s “Batman” have always been hugely collectable since it was released in 1989 with the original marketing campaign basically just using the Batman logo. This has left a huge scope for artists since, to re-imagine and re-interpret their own unique take on the movie and character – making it perfect content for the alternative movie poster market. Batman (in all of his guises) is one of the most popular subjects for commissions – admittedly some better than others. Offered here is one of the better examples as Alberto Reyes presents his variant edition. Known as the Joker style or the Jokerized version it sees Jack Nicholson’s Joker in a clever spin from one of the key scenes from the film. Enigmatic and stylish, hand-numbered (#69/89) and signed by the artist, Alberto Reyes is truly impressive. Originally rolled (as issued) this displays to excellent effect and represents a superb Joker image from one of the defining Batman films.
Trivia: Jack Nicholson said of his role, “The thing I like about the Joker is that his sense of humor is completely tasteless.” He later said The Joker was one of his favorite roles he played.
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“Bruce Wayne – Y’see, my life is really… complex.”
Tim Burton was the perfect choice at the time to re-invent this major screen character & for me this is the definitive Batman movie. Posters for Burton’s “Batman” have always been hugely collectable since it was released in 1989 with the original marketing campaign basically just using the Batman logo. This has left a huge scope for artists since, to re-imagine and re-interpret their own unique take on the movie and character – making it perfect content for the alternative movie poster market. Batman (in all of his guises) is one of the most popular subjects for commissions – admittedly some better than others. Offered here is one of the better examples as Alberto Reyes presents his Batman, fully costumed (it’s nice to see an artist present a screen accurate costume for a change) in the Batcave. Enigmatic and stylish, hand-numbered (#69/89) and signed by the artist, Alberto Reyes is truly impressive. Originally rolled (as issued) this displays to excellent effect and represents a memorable image from one of the defining Batman films.
Trivia: Michael Keaton, who calls himself a “logic freak”, was concerned that Batman’s secret identity would, in reality, be fairly easy to uncover, and discussed ideas with Tim Burton to better disguise the character, including the use of contact lenses. Ultimately, Keaton decided to perform Batman’s voice at a lower register than when he was portraying Bruce Wayne. This technique became a staple of future portrayals of Batman in film, television, and video games, especially those of Kevin Conroy and Christian Bale.
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“Penguin, Joker, Riddler and Catwoman, too ! The sum of the angles of that rectangle is too monstrous to contemplate !”
Long before Tim Burton re-invented him, Chris Chris Nolan re-imagined him and Ben Affleck played him as an older more mature Caped Crusader there was BATMAN 1960’s style, as the decade’s most popular TV show was bat-ransported to this alternative movie poster. “Batman ’66” by Mark Pagacz. A truly exciting poster with imagery that appears photographic, but is actually illustration. Pagacz’ dynamic and colourful artwork perfectly encapsulates the swinging 60’s vibe and light-hearted tone of the film. His design and layout is superb featuring all the iconic bat-villains – Joker, Riddler, Penguin, Catwoman with Batman & Robin (rightly so) taking centre stage. It is a WOW factor poster; Printed by in 2022 this limited edition art print is hand-numbered #50/215 that presents and displays near perfectly and represents a fantastic piece of collectable movie memorabilia. I am a huge Batman fan (all incarnations) and this is one of my favourite Batman posters.
Trivia: Originally planned as the pilot film for the Batman (1966) TV series, the movie was instead produced between the show’s first and second seasons. The producers took advantage of the larger budget to have a number of new Bat-gadgets constructed, such as the BatBoat.
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“Penguin, Joker, Riddler and Catwoman, too ! The sum of the angles of that rectangle is too monstrous to contemplate !”
Long before Tim Burton re-invented him, Chris Chris Nolan re-imagined him and Ben Affleck played him as an older more mature Caped Crusader there was BATMAN 1960’s style, as the decade’s most popular TV show was bat-ransported to this alternative movie poster. “Batman ’66” by Matt Ferguson. A truly feel good, nostalgic poster with classic Batmobile imagery. Ferguson’s artwork perfectly encapsulates the swinging 60’s vibe and light-hearted tone of the film. His design and layout is superb featuring perhaps the most famous and recognisable Batmobile with the Batcave acting as the backdrop. It is a WOW factor poster. Released by Vice Press and Bottleneck Gallery in 2020 this limited edition art print is hand-numbered #169/200 that presents and displays near perfectly and represents a fantastic piece of collectable movie memorabilia. I am a huge Batman fan (all incarnations) and this is one of my favourite Batman posters.
Trivia: The Batmobile was a customized 1955 Lincoln Futura, which had been used in It Started with a Kiss (1959). According to George Barris, five Batmobiles were made during the series.
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“Riddle me this, riddle me that, who’s afraid of the big, black bat?“
Riddle me this – how can you get the most colourful Batmobile yet in your living room? Simple, purchase this incredible, hand-numbered (#96/275) screen print from Matt Ferguson for Joel Schumacher’s 1995 comic book caper “Batman Forever”. Ferguson’s ongoing Batman and Batmobile series continues, and this time, he’s got Seal’s Kiss from a Rose blaring out of the Bat-stereo. “Batman Forever” is a visually spectacular movie combining a colourful cast, and a bonkers plot that while divisive, is undoubtedly wildly entertaining and whilst Jim Carrey is no Jack Nicholson, his Riddler steals the show from one-time Batman – Val KIlmer. Ferguson’s Batmobile series focuses on Bruce Wayne’s incredible rides from throughout Batman’s history, and he’s added a ton of fun details and Easter eggs from both the film and general Ferguson lore. Originally rolled (as issued) this displays to excellent effect with the day glo, neon coloured inks adding a real kinetic energy to the imagery and represents a truly eye-catching alternative movie poster from one of the most memorable Batman movies.
Trivia: This is the first movie to refer to Batman as “The Dark Knight”.
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“It has a long uninteresting name. I just took to calling it… The Bat, and yes, Mr. Wayne, it does come in black.”
Posters for Christopher Nolan’s Batman franchise have always been of the highest quality and when independent publishers Mondo asked acclaimed alternative artist Olly Moss to design something special he didn’t disappoint…for the first time in Mondos history, a print was made available to anyone and everyone who wants to purchase it. So, in 2012 for 24 hours only, beginning at 12:01am CT on Wednesday, July 18 Olly Moss’ The Dark Knight Rises was available for only 24 hours at MondoTees.com. This Limited Edition Hand Numbered (#2200/9350) original rolled example from that first (and only) release is presented in excellent original condition. Olly Moss, is arguably one of the most popular alternative movie poster artists, whose artwork sees some incredible aftermarket prices and is also some of the best and most innovative to be offered for sale.
Trivia: As with the previous two movies, Bruce Wayne’s main car is a Lamborghini. (Batman Begins (2005): Lamborghini Murciélago Roadster, The Dark Knight (2008): Lamborghini Murciélago LP640, this movie: Lamborghini Aventador LP 700-4. The name “Murciélago” means “bat” in Spanish.
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“It has a long uninteresting name. I just took to calling it… The Bat, and yes, Mr. Wayne, it does come in black.”
Posters for Christopher Nolan’s Batman franchise have always been of the highest quality and when independent publishers Mondo asked acclaimed Batman comic book artist Jock to design something special he didn’t disappoint. Jock’s imagery is stunning as a giant image of The Dark Knight composed of bats is seen looming over Gotham City. The minimal use of colour with just black, white and light grey being used only enhances the overall impact and makes for a nice change with most Batman imagery opting for the more typical dark coloured inks and a shadowy style. Of particular note and although a small detail (and easily overlooked) is the lettering, credits and logos as these are all hand drawn by Jock in a style that mimics the original typography. This Limited Edition, Hand Numbered (#16/375) edition for “The Dark Knight Rises” was only ever made available through Mondo at the 2012 San Diego Comic Con. Original rolled it is presented in excellent original condition. Jock, is arguably one of the most popular and talented comic book and poster artists, whose work sees some incredible aftermarket prices and is also some of the best and most innovative to be offered for sale.
Trivia: As with the previous two movies, Bruce Wayne’s main car is a Lamborghini. (Batman Begins (2005): Lamborghini Murciélago Roadster, The Dark Knight (2008): Lamborghini Murciélago LP640, this movie: Lamborghini Aventador LP 700-4. The name “Murciélago” means “bat” in Spanish.
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Adapted from Philip K. Dick’s novel ‘Do Androids Dream of Electric Sheep?’, Ridley Scott’s “Blade Runner” iconic dystopian classic is unquestionably one of the greatest sci-fi films ever made. So, it was no surprise a sequel was made, what was surprising was the follow-up never happened until 2017, thirty-five years after the original was released. Still, it’s fair to say the wait was worth it – “Blade Runner 2049” sees Harrison Ford reprise his role as Rick Deckard and a new Blade Runner is introduced, ‘K’ played by Ryan Gosling. And it’s Ryan Gosling’s ‘K’ who takes centre stage on this outstanding, 2025 limited edition screen print by Alfons Kiefer. It’s a visually beautiful movie perfectly orchestrated by director, Denis Villeneuve and the visual impact is certainly evident here with this hand-numbered #78/85 private commission. Printed on Fedrigoni Old Mill Stucco Premium White art paper using eleven (11) coloured inks and finished with a fluorescent UV Layer it looks absolutely stunning and it’s no surprise this sold out immediately when released. Rolled (as issued) this alternative movie poster displays and presents to excellent effect and represents an impressive piece of cinematic movie memorabilia for one of the most influential film series not just of the sci-fi genre but modern culture in general.
Trivia: The first letter of the names of each of the wooden animals that Rick Deckard carved in this movie: Rhino, Antelope, Cat, Horse, Elephant, Lion, spell “RACHEL”.
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“Higher ! Further ! Faster !”
An absolutely stunning piece of alternative movie poster art by Matt Taylor. This is a sold out screen print for the Marvel Studios release “Captain Marvel” released by Mondo in 2019. The character depicted is the cosmically powered super-heroine Carol Danvers sporting her red, white, and blue Earth uniform. This is a hand numbered regular edition of 1725 with this being #1008. Originally flat & unfolded (as issued) this superb example displays to impressive effect (honestly the photo does not do this justice…needs to be seen), perfectly suited to this portrait format. Captain Marvel AKA Carol Danvers (Brie Larson) looks truly cosmic and takes centre stage in a full on ‘power’ pose. Very cool and very collectable this exceptional looking piece represents a fantastic item of ‘modern’ super-hero movie memorabilia.
Trivia: This was the twenty-first film to be released by Marvel Studios for the Marvel Cinematic Universe and the first to have a female lead being released at cinemas on International Women’s Day.
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“Forget it, Jake. It’s Chinatown.”
Roman Polanski’s “Chinatown” is one of cinemas finest detective movies accompanied by an incredible marketing campaign headed by Jim Pearsall in 1974. This multi-award winning film has been complemented by a series of alternative movie posters over the years with this most recent commission by Laurent Durieux is the best and destined as a future classic. Much like a fine wine Durieux’s art prints age very well, getting better and better with each viewing. and he has produced an outstanding addition to the title, truly eye-catching and super stylish. The deep, rich colours are predominantly blues and purples with ‘Chinatown’ printed in contrasting bright pink ink. Originally rolled (as issued) this signed and hand-numbered offering (#175/500) looks and displays to excellent effect with very minimal handling wear. An extremely scarce, selling out in near record time modern art print, collectable item of movie memorabilia from a true Hollywood classic.
Trivia: There is a rumour that this was the first part of a planned trilogy written by Robert Towne about J.J. “Jake” Gittes and Los Angeles. The second part, The Two Jakes (1990), was directed by Jack Nicholson. The supposed third part never existed, as later confirmed by the writer; however, certain elements and details of the story (a corrupt company called Cloverleaf tries to buy up all public transportation in order to replace it with freeways) would later end up in Who Framed Roger Rabbit (1988), which was a film-noir spoof/homage of Chinatown.
The interesting thing about the trilogy concept is that they focused on the three things that were instrumental in making Los Angeles grow the way that it did, which is via the control of water, real estate, and transportation.
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