Film
Batman
1989, 2023 Release
36″ x 24″ (91 x 61 cm) Single Sided, Limited Edition, Hand-Numbered #69/89 and Signed by the artist, Alberto Reyes
United States (USA)
Near Mint – Rolled, Flat & Unfolded (as issued)
Tim Burton
Billy Dee Williams, Jack Nicholson, Jack Palance, Kim Basinger, Michael Gough, Michael Keaton, Robert Wuhl
“Bruce Wayne – Y’see, my life is really… complex.”
Tim Burton was the perfect choice at the time to re-invent this major screen character & for me this is the definitive Batman movie. Posters for Burton’s “Batman” have always been hugely collectable since it was released in 1989 with the original marketing campaign basically just using the Batman logo. This has left a huge scope for artists since, to re-imagine and re-interpret their own unique take on the movie and character – making it perfect content for the alternative movie poster market. Batman (in all of his guises) is one of the most popular subjects for commissions – admittedly some better than others. Offered here is one of the better examples as Alberto Reyes presents his Batman, fully costumed (it’s nice to see an artist present a screen accurate costume for a change) in the Batcave. Enigmatic and stylish, hand-numbered (#69/89) and signed by the artist, Alberto Reyes is truly impressive. Originally rolled (as issued) this displays to excellent effect and represents a memorable image from one of the defining Batman films.
Trivia: Michael Keaton, who calls himself a “logic freak”, was concerned that Batman’s secret identity would, in reality, be fairly easy to uncover, and discussed ideas with Tim Burton to better disguise the character, including the use of contact lenses. Ultimately, Keaton decided to perform Batman’s voice at a lower register than when he was portraying Bruce Wayne. This technique became a staple of future portrayals of Batman in film, television, and video games, especially those of Kevin Conroy and Christian Bale.
…more detailVintage Movie Posters Grading Criteria... read more +
“Gotham City. Crime boss Carl Grissom (Jack Palance) effectively runs the town but there’s a new crime fighter in town – Batman (Michael Keaton). Grissom’s right-hand man is Jack Napier (Jack Nicholson), a brutal man who is not entirely sane… After falling out between the two Grissom has Napier set up with the Police and Napier falls to his apparent death in a vat of chemicals. However, he soon reappears as The Joker and starts a reign of terror in Gotham City. Meanwhile, reporter Vicki Vale (Kim Basinger) is in the city to do an article on Batman. She soon starts a relationship with Batman’s everyday persona, billionaire Bruce Wayne.”
Dark, foreboding and vastly entertaining, “Batman” changed superhero movies forever. Gone are the days of happy-go-lucky heroes arriving just in time to save the day. Director Tim Burton‘s Caped Crusader is a vengeful creature of the night preying on criminals who would turn his city into their personal playground.
“Batman” is one stylish, thrilling and one helluva ride. While he’s not generally associated with action, Burton proves it to be his forte as the Dark Knight Detective swoops out of the shadows, crashes through windows and employs a host of what his nemesis calls “wonderful toys”, such as grappling hook guns and the amazingly versatile Batmobile. And man on man, this Batman kicks some ass, at one point daring an armed henchman with a “come here” finger gesture.
“Batman” wouldn’t have worked nearly as well as it does without the right casting ingredients. The hiring of Michael Keaton in the lead role drew plenty of snickers, but the underrated actor showed up his detractors with a suitably mysterious performance. We know his heart is in the right place, but we’re never quite sure what we should make of him. Jack Nicholson‘s famous performance as the villainous Joker is every bit as good as they say. Nicholson is equal parts amusing and sadistic beneath the white face paint and green hair. Sexy Kim Basinger, as reporter Vicki Vale, also makes the most out of her screen time.
“Batman” is one of those films whose obvious flaws are so easily overlooked. The worst sin a movie can commit is to be dull, and that’s something “Batman” never does.
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Registered Office Address: Vintage Movie Posters (UK) Limited, Aston House, Cornwall Avenue, London N3 1LF GB
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.
LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.
