£175.00
Film
Planet Terror
2007
UK Double Sided Quad (30" x 40")
UK / British
Near mint minus; originally rolled (as issued)
Robert Rodriguez
Quentin Tarantino, Bruce Willis, Freddy Rodriguez, Jeff Fahey, Josh Brolin, Marley Shelton, Michael Biehn, Naveen Andrews, Rose McGowan
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“Humanity’s last hope…rests on a high powered machine gun”
An original, first release, 2007 UK Quad for “Planet Terror”, Robert Rodriguez‘ homage to the ‘Grindhouse’ movies of the Seventies. An almost tongue in cheek original movie poster featuring totally different artwork to the US release poster which focuses on the Rose McGowan‘s ‘machine gun legged’ character – Cherry Darling. Presented in excellent unrestored, rolled (as issued) condition with a trademark Tarantino/Rodriguez antique finish. “Planet Terror” (the movie and the poster) plays homage to the ‘trashy’ films of the past in a clever and witty way that represents a an eye-catching piece of cinematic memorabilia.
Trivia: Michael Parks reprises his character as Sheriff Earl McGraw in Planet Terror (2007). He also played Sheriff Earl McGraw in Robert Rodriguez’s From Dusk Till Dawn (1996), as well as Quentin Tarantino’s Kill Bill: Vol. 1 (2003), and Kill Bill: Vol. 2 (2004).
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“After an experimental bio-nerve gas is accidentally released at a remote U.S. military base in Texas, those exposed to the gas turn into flesh-eating, mutating zombies out to kill. An assortment of various people who include stripper Cherry, her shady mechanic ex-boyfriend Wray, a strong-willed doctor, the local sheriff, and an assortment of various people must join forces to survive the night as the so-called “sickos” threaten to take over the whole town and the world.”
Robert Rodriguez is back this time with a Grindhouse movie. I have always liked his movies. Even though they are somewhat formulaic, I enjoy the action and energy and there is a certain unique South American touch to them. I also disagree that he casts women as mere sex objects. Yes, he does work with incredibly sexy women who look hot on screen but they have much more to do than to look, be and act hot.
“Planet Terror“ is his tribute to the 70s exploitation films. Many of such movies have become cult hits and even though hardly anyone would admit (except when among friends) to liking them, they have a growing niche audience and actually sell well. “Planet Terror“ also has the look of a movie on bad old film reel which is pretty cool.
Needless to say, the execution is pretty solid. The wild cinematography, adrenaline filled soundtrack and healthy doze of sex, violence, gore and humour work together excellently. The cast is terrific. While there Freddy Rodríguez (as El Wrey) and Rose McGowan (as Cherry) are leading the film and kicking ass, they are supported by Marley Shelton (lesbian doctor), Michael Biehn (as a Sheriff, what a comeback!) and eff Fahey (as the owner of a diner searching for the best sauce ingredient, what a comeback!). They are being hunted by a bunch of pus drooling zombies that include a psycho doctor (Josh Brolin and a lieutenant (Bruce Willis). Meanwhile Naveen Andrews (a testicle-obsessed scientist) and Stacey Ferguson (a hot lesbian) make hilarious appearances. All the parts are played well by the great cast.
Robert Rodriguez homage is a thrilling watch. It’s funny, energetic, visceral and adventurous. Rodriguez has succeeded again in entertaining his viewers.
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
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LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.