Film
Original Trilogy: Star Wars – The Empire Strikes Back – Return of The Jedi
1983
Printed in England by Lonsdale & Bartholomew Ltd. Nottingham, UK Quad (30" x 40") Single Sided
British / UK
Near Mint minus -Very Fine plus; originally rolled (as issued)
George Lucas, Irvin Kershner, Richard Marquand
Alec Guinness, Anthony Daniels, Peter Cushing, Billy Dee Williams, Carrie Fisher, Frank Oz, Harrison Ford, Keith Prowse, Kenny Baker, Mark Hamill, Peter Mayhew
“A Once-In-A-Lifetime Spectacular !”
A beautiful example of this very rare country unique British UK quad triple feature poster. In 1983 British cinemas featured “Star Wars”, “The Empire Strikes Back” and “Return of the Jedi” as a limited release triple-bill. Incorporating elements from four previous poster campaigns and featuring the artistic talents of Tom Chantrell, Tom Jung, Roger Kastel and Josh Kirby. It really is a great looking montage and include pretty much everyone and everything from the original trilogy films. presented here in fantastic unrestored high grade condition this beautiful rolled (as issued) example looks fantastic with deep unfaded vibrant colours; Investment grade quality. A very rare and desirable example of original Star Wars movie memorabilia from what has become one of the most collectable and popular movie series.
…more detailVintage Movie Posters Grading Criteria... read more +
“Star Wars“ made epic fantasy real. For a generation of people it has defined what the cinema experience is meant to be. Today it is probable that pc games will offer a deeper and more satisfying entertainment solution, but for pure visual and aural pleasure, mixed with basic emotional manipulation, there has never and will never be a better example of cinema than when star wars appeared over 25 years ago. When you think of “Star Wars“, you must remember what else was happening at the time. In America, the war in Vietnam had been lost. In the U.K economic disaster was occurring (a 3 day working week, and the army collecting rubbish). It was almost like the two most technically advanced countries in the world were going backwards. Star wars let everybody escape from that reality and reach for a future that was uncertain but ultimately good.
“Star Wars: Episode V- The Empire Strikes Back“ is pure entertainment. George Lucas now gives the director’s seat to Irvin Kershner, that in exchange, makes the best movie of the classic trilogy. Everything that is needed to make a sci-fi classic is here: intense and dramatic battles, memorable dialogs & quotes, superb acting, and an excellent story. The Battle of Hoth is really wonderful and represents the first move of the Empire’s counter-attack. Luke’s training in Dagobah is an excellent part of the movie, first with a hilarious Yoda, then the real thing. There are some great scenes (the cave scene in Dagobah, Han Solo’s escape through an asteroid belt), but the best scene is Vader & Luke combat. The amazing lightsaber moves until the dramatic quote that Vader gives in the movie (one of the most memorable of cinema), everything in the duel works. With a great ending, Episode V is one of the cinematographic classics.
“Star Wars Episode VI – Return of the Jedi“ was released and 1983 and it is the end of the original Star Wars trilogy.
Out of the original trilogy, this film is usually known as the weakest and for the right reasons. Again the director was replaced, this time Irvin Kershner with Richard Marquand which resulted in poor pacing and the introduction of kid-friendly Ewoks who completely undercut the dark tone The Empire Strikes Back set up.
Aside from that, I have no issues other with Return of the Jedi. It finally revealed the terrifying Emperor, we saw Luke as a badass and a very powerful Jedi and his battle with Darth Vader eventually leading up to a very satisfying and emotional conclusion. Another quality of Return of the Jedi is that it has the single best opening and the first act of any other Star Wars film. Also, we were introduced to many interesting alien species (not you Ewoks) who played a crucial role in the rebellion’s success against the Empire.
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.
LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.
