Film
Dr. Terror’s House of Horrors
1965
US Half Sheet / Single Sided (22" x 28")
United States (USA)
Very fine / originally folded (as issued)
Freddie Francis
Christopher Lee, Peter Cushing, Bernard Lee, Donald Sutherland, Jennifer Jayne, Michael Gough, Roy Castle
Amicus Productions provided a serious rival to the well established Hammer films during the late 60’s and early 70’s serving up a series of well produced and written horror anthology tales largely based upon the notoriously gory & lurid EC comics by Al Feldstein & William Gaines. The first and the film that started it all for Amicus was the hugely successful “Dr. Terror’s House of Horrors” released in 1965. It is from this first year of release that this scarce original US half sheet movie poster comes. Fantastic detailed horror artwork featuring great characterisations and dark, spooky colours. This rare, folded (as issued) example displays and presents very well and represents an extremely collectable piece of 1960’s horror cinema memorabilia.
…more detailVintage Movie Posters Grading Criteria... read more +
Peter Cushing joins five men in a railway carriage only to have each man pick one of his deadly tarot cards and have Cushing predict his future. Each man picks the same card and each then tells/hears a story about some awful thing that happens to him and leads to his death. A very well-done horror anthology here by the folks at Amicus and director Freddie Francis. Francis gives his usual workmanlike effort creating some suspenseful moments and at other times slight and tedious plodding. Each story is done in a flashback style or dreamlike sequence. One story is about some mean green…plants that take over a household and even kill when threatened. Another story deals with a tribal voodoo song and what happens when copyright is infringed. There is a story about an old house and a werewolf. The final story deals with vampires in which Donald Sutherland, unbeknownst to him has married a vampire. This story as well as the voodoo story try to be funny as well as frightening. The best story for me stars Christopher Lee as a snobby art critic who has been embarrassed by a man whose art he continually berated, finally exacting his revenge on him…a revenge that becomes bittersweet. This revenge keeps Lee with more problems than he can HAND-le. This story is particularly effective and Lee and Michael Gough give some outstanding performances. The frame story is also very good and Cushing does a wonderful job enticing his fellow travellers to find out their futures and then let them know they have all been had by Death itself.
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
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LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.
