£125.00
Film
BiRDMAN
2014
US One Sheet (27" x 40") Double Sided
United States (USA)
Near mint minus; originally rolled (as issued)
Alejandro G. Iñárritu
Amy Ryan, Andrea Riseborough, Edward Norton, Emma Stone, Jamahl Garrison-Lowe, Jeremy Shamos, Kenny Chin, Michael Keaton, Naomi Watts, Zach Galifianakis
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Acclaimed film maker Alejandro G. Iñárritu not only directed, co-wrote and produced the multi award winning 2014 movie “BiRDMAN” (or The Unexpected Virtue of Ignorance) but he also took a keen interest in the poster design created by BLT Communications LLC for the marketing campaign. It’s an impressive, eye-catching art style featuring Michael Keaton and his character “BiRDMAN”. This is a scarce portrait style US one-sheet for the 2014 movie. Guaranteed original, it is presented in excellent rolled (as issued) condition with very minimal handling wear that represents a high grade example of desirable and collectable original film movie memorabilia for one of Hollywood’s best regarded and talented emerging young directors; Alejandro G. Iñárritu.
Trivia: During the press conference in Riggan’s dressing room, he says that he hasn’t played Birdman since 1992. That’s the same year Batman Returns (1992), the last Batman movie starring Michael Keaton, was released.
…more detailVintage Movie Posters Grading Criteria... read more +
“BiRDMAN“ takes you centre stage to a quite wonderful turn from our slightly saggy, slightly down at heel Michael Keaton as the eponymous hero, aka Riggan. We are given to understand from the off that the star turn may be experiencing some kind of psychotic episode, although this is never really confirmed either. Hey, after all, this is the movies isn’t it? Except that it isn’t, it’s the thrill of the greasepaint and the creaking of the boards. And that’s what scares him. Why’s he doing this? It’s not at all apparent that he even knows. Except that he’s put everything on the line for a Raymond Carver play.
His ally Jake is impeccably played by Zach Galifianakis, with a quite beautiful mixture of encouragement and fear. Emma Stone does the moody daughter to a tee, sparky when required and distant for the majority. And Andrea Riseborough as the pregnant (or not) passionate partner outdoes herself in my opinion, really solid in her screen time, probably slightly overshadowing Naomi Watts into the process. As for Edward Norton, he nails it as the method man whose priapic ways on stage are in stark contrast to his troubles off. Our Lindsay Duncan does a great star turn as an embittered critic with unwieldy power.
If you’ve heard about the continuous shot style, then enjoy it, as it adds a layer to the movie, both stylistically and chronologically, that impressed me greatly. We’re mainly stuck inside the twisting confines of the theatre and at times one can feel lost as to precisely where we are. Which probably isn’t something that’s happening by default, but rather by design. The script is excellent, many laughs to be had, and some real scenes of tenderness too, which is quite a trick to pull off I feel. The plot shifts along effortlessly, never feeling like you’re watching a two-hour production. And the score is to die for, it almost felt like Whiplash Redux.
Worth the Oscar? Who cares, all I want to know is, did he fly?
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.
LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.