£50.00
Film
Batman: The Dark Knight
2008
UK Quad / Double Sided (30" x 40")
British / UK
Near Mint minus / Originally Rolled (as issued)
Christopher Nolan
Aaron Eckhart, Christian Bale, Gary Oldman, Heath Ledger, Maggie Gyllenhaal, Michael Caine, Morgan Freeman
SOLD - this item is sold. Please browse our currently available stock
“Welcome to a world without rules !”
Designed by BLT Communications, LLC offered here is a genuine final release design, double sided UK Quad from the blockbuster movie of 2008, “The Dark Knight”, the incredibly successful sequel to Batman Begins and (for the one & only time) Heath Ledger’s show stopping turn as ‘The Joker’. Where the previous ‘teaser’ posters had highlighted ‘The Joker’ this style firmly pushes a heroic Batman with the hint of his troubles to come illustrated by an enflamed bat logo. The gritty dark colours are perfectly rendered allowing the burning bat logo to draw the eye. Originally rolled (as issued) this exceptional film poster presents and displays to excellent effect and represents a truly desirable piece of original Batman movie memorabilia from a trilogy that has become one of the most collectible and popular modern movie franchises.
Trivia: The Joker’s mask during the initial bank robbery is almost exactly the same as the mask worn by Cesar Romero when hijacking a performance of Pagliacci in the original Batman(1966) television series.
…more detailVintage Movie Posters Grading Criteria... read more +
“Set within a year after the events of Batman Begins, Batman, Lieutenant James Gordon, and new district attorney Harvey Dent successfully begin to round up the criminals that plague Gotham City until a mysterious and sadistic criminal mastermind known only as the Joker appears in Gotham, creating a new wave of chaos. Batman’s struggle against the Joker becomes deeply personal, forcing him to “confront everything he believes” and improve his technology to stop him. A love triangle develops between Bruce Wayne, Dent and Rachel Dawes.”
Dark, yes, complex, ambitious. Christopher Nolan and his co-writer Jonathan Nolan deserve a standing ovation. I don’t usually go for loud movies filled with mindless gore and violence. “The Dark Knight“ is certainly loud and violent but it’s not mindless. It has depth and soul. Even the Joker, in an extraordinary creation by Heath Ledger, is deeply human. The natural petulance of Christian Bale makes his ego and alter ego the most fascinating and complex of all film superheroes. Part of the genius of this movie is that Batman himself, in screen time, is not really the lead. My attention was captivated by Heath Ledger and he determines and inspires the breathtaking atmosphere that envelopes Gotham as well as us. The aplomb of Christopher Nolan as a director is mind blowing and his secret, I believe, is his obvious respect for his audience. What he’s done is to elevate a popular genre into Shakespearean proportions. Bravo !
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.
LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.