Showing 109–120 of 291 results
“The most shocking tale of carnage ever seen.”
“House of 1000 Corpses” is a stylish, gore-laden 2003 offering which marks the directorial debut of Trash/Industrial Artist Musician Rob Zombie. Largely unheard of outside Zombie’s fiercely loyal fanbase it grew to be a cult horror classic, proving hugely influential for the low budget flicks that followed. This originally rolled (as issued) 2024 limited edition fine art print (hand-numbered #8/150) by Matt Ryan Tobin displays superbly with great horror imagery, as Sid Haig as Captain Spaulding takes centre stage in incredible kaleidoscope pf colour. Screen printed using glow in the dark inks the whole poster takes on a very different and eerie look when the lights go down (see additional image). A personal favourite and one the best offerings of 2024 that represents a fine example of horror memorabilia and a perfect example of why alternative movie posters are becoming so collectable.
Trivia: Otis’ and Baby’s bizarre rants during the “home movie” segments are inspired by the Charles Manson family’s supposed home movies.
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One of the most impressive ‘arthouse’ film posters of recent memory; a true visual pop art masterpiece featuring Lili Taylor (playing Valerie Jean Solanas) shooting a revolver all in the style of an Andy Warhol screen printed canvas. The one-sheet of Mary Harron’s controversial true-life documentary for “I Shot Andy Warhol” is a piece of art in its own right. The US imagery although similar to the British design, which is in block colour, is actually in black and white and because of this you I think it’s the more pleasing design and you would be hard pressed to find a better looking poster. Being an independent ‘arthouse’ film meant it was shown in a very small, limited amount of cinemas, making these posters are incredibly hard to come by. Totally original and unrestored this rolled (as issued) poster example displays to exceptional effect and represents a superb example of genuinely scarce modern film memorabilia.
Trivia: The filmmakers were given permission to reproduce some of Andy Warhol’s paintings and silk screens for the set, but they had to destroy them after filming.
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A very cool, stylish film poster from the mid 1960’s that perfectly typifies the period and the style of the artist; Bob Peak. A beautiful UK quad film poster for Gordon Douglas’ 1967 super-spy, James Bond parody sequel “In Like Flint”. This really is a fantastic looking poster ‘of the time’ – focusing on the star; James Coburn in his role as the super suave secret agent Derek Flint with colourful ‘swinging sixties’ stylised artwork. Peak’s similar film posters (“Modesty Blaise”, “Gambit”, “Our Man Flint” share this common style and concentrate on the stars all colourfully delineated then offset against a pale background. It is a style that works well and certainly impresses. Because of the white background (which marks easily & highlights the slightest defect) this poster is hard to find in high grade condition. The originally folded (as issued) unrestored example offered here has some very minimal handling & age wear but colours are bright and unfaded and the background a true bright white with no shading/ghosting to the fold lines. A fine investment grade piece that represents a very collectable piece of desirable original movie memorabilia.
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Scarce, original UK quad movie poster for Kenneth Johnson’s 1977 Marvel super hero actioner “The Incredible Hulk”. One of the biggest and most successful TV shows of the 1970s started life in the UK as a two hour cinematic release, as audiences saw mild-mannered scientist – Bruce Banner (Bill Bixby) transform into the Incredible Hulk (Lou Ferrigno). Both feature on the British quad offered here complemented by bright green (naturally) title imagery taken directly from the comic book. Having a limited release, this is a rare poster. Presented in excellent folded (as issued) unrestored high grade condition. Highly collectable, it represents a fabulous opportunity to own very early Marvel movie memorabilia that will appeal to both the comic book fan and a poster collector.
Trivia: Dr. Banner was named Bruce in the comics, but is renamed David for this telefilm. The tombstone at the end of the episode reveals his full name to be David Bruce Banner. This is actually partially consistent with the comics, in which his full name is Robert Bruce Banner.
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A return to fun and adventure for Steven Spielberg’s 1989 sequel “Indiana Jones and the Last Crusade”. This original UK quad ‘The man with the hat is back. And this time, he’s bringing his Dad.’ style is the only one out of the marketing campaign to use just photography – and it’s a marvellous image of the two leads Harrison Ford and Sean Connery. Originally rolled, as issued to the cinema this superb example displays to fine effect being presented in totally unrestored condition and represents a fantastic piece of original movie memorabilia for an incredibly popular and well loved series of films.
Trivia: Sir Sean Connery was always Steven Spielberg‘s first choice to play Indiana Jones’ father, as an inside joke to say that James Bond is the father of Indiana Jones. If that had failed, Gregory Peck and Jon Pertwee were back-up choices for the role. Spielberg had always wanted to do a Bond movie, but did Indiana Jones as a James Bond-type character. In keeping with the James Bond theme, the movie has many Bond movie co-stars: John Rhys-Davies, Alison Doody, Julian Glover, Stefan Kalipha, Pat Roach, Eugene Lipinski, Michael Byrne, and Vernon Dobtcheff.
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“A Story of a mystery…A mystery inside worlds within worlds…Unfolding around a woman…A woman in love and in trouble.”
Designed by graphic designer Mister S. for the advertising agency Empire Design, this original 2006 UK quad poster for David Lynch’s mystery drama thriller “Inland Empire” features striking, colourful imagery of Laura Dern with the night-time Los Angeles skyline a fitting backdrop. With its simple, distinctive, imagery this rolled (as issued) example presents to superb effect, providing a high quality and very rare film poster from one of Cinema’s most revered cult directors.
Trivia: This is the last feature film directed by David Lynch. All of his other film projects since have been short films, music videos, documentaries, or TV episodes. In 2012, Lynch stated in an interview with the Los Angeles Times that he lacked the inspiration to start a new movie project, but “If I got an idea that I fell in love with, I’d go to work tomorrow”. In 2017 while promoting Twin Peaks (2017), Lynch was reported to have retired from directing feature films. But in January 2025, Lynch died despite clarifying years prior to his death that his words were misconstrued by reiterating, “I did not say I quit cinema. Simply that nobody knows what the future holds.”
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Cast style ‘final’ design British UK quad film poster for Jon Favreau’s 2008 super hero blockbuster “Iron Man”. A fantastic eye catching design by BLT Communications based upon the photographs of Michael Muller. Originally rolled (as issued) this looks stunning and displays to excellent and memorable effect. A truly dynamic and exciting poster for the inaugural cinema outing for one of the corner stone characters of the Marvel Cinematic Universe…IRON MAN. One of the best looking posters to date for any of the Marvel Studios’ releases that represents a fine piece of collectable modern cinema movie memorabilia.
Trivia: Director Jon Favreau wanted Robert Downey, Jr. because he felt the actor’s past was right for the part. He commented: “The best and worst moments of Robert’s life have been in the public eye. He had to find an inner balance to overcome obstacles that went far beyond his career. That’s Tony Stark. Robert brings a depth that goes beyond a comic book character having trouble in high school, or can’t get the girl.” Favreau also felt Downey could make Stark “a likable asshole,” but also depict an authentic emotional journey once he won over the audience.
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A very rare original country of origin, First Advance UK Quad movie poster for Lee Tamahori’s $ 432 million grossing James Bond Movie where every Bond cliche was done to excess & then some, “invisible” Aston Martin ??. In exceptional rolled condition this looks fantastic. Featuring the design talents of B.Newhart, M.Crawford, A.Goldschmidt & T.Keller. Great cool image of Bond’s smoking gun ! The high gloss finish only adds to what is a stunning poster.
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A very rare country of origin, Advance UK Quad for Lee Tamahori’s $ 432 million grossing James Bond Movie where every Bond cliche was done to excess & then some, “invisible” Aston Martin ??
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Timothy Dalton’s second outing as 007 was a truly gritty tale of revenge and action with a great white shark being an unusual instrument of torture for one scene. Keith Hamshere (who made Dalton the ‘perfect’ Bond in The Living Daylights campaign ) was again retained as the Bond photographer on this 1989 country of origin British UK quad for “Licence to Kill” featuring a moody Timothy Dalton in close up. Genuinely scarce this rolled (as issued) example looks superb and is presented totally unrestored in high grade condition and represents a worthy addition for any poster collector or any collection of James Bond cinematic movie memorabilia.
Trivia: It is widely and incorrectly rumored that this was Timothy Dalton‘s last James Bond film due it being financially disappointing. In reality, Dalton was to star in a third James Bond film after this one, titled “Property of a Lady”, written by Michael G. Wilson and Alfonse Ruggiero Jr. and set to start shooting in 1990, with pre-production work having begun in May of that year. However legal issues with MGM beginning that year created long delays which eventually led Dalton to announce his retirement from the role in 1994, a year after his initial contract expired, paving the way for Pierce Brosnan‘s casting in GoldenEye (1995). Had the film been made, it would have been set in Scotland, Tokyo, and Hong Kong, and would have involved nanotechnology.
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“James Bond has left active service. His peace is short-lived when Felix Leiter, an old friend from the CIA, turns up asking for help, leading Bond onto the trail of a mysterious villain armed with dangerous new technology.”
After an extremely successful advertising campaign on “SKYFALL” & “SPECTRE” Empire Design have been retained by EON for the latest Bond spectacular “No Time To Die” & it’s fair to say they have hit the target again. This original “April 2020” advance one-sheet for Cary Joji Fukunaga‘s Bond film has a real exciting feel to it, with Bond (Daniel Craig) combat ready poised for action and offset by the familiar ‘007’ logo. These hard to find “April 2” advance posters are extremely sought after and collectable, not only because they look great but are now dated wrongly, with the release being postponed (due to Covid 19) until 2021. Originally rolled (as issued) this stunning example displays and presents to excellent effect with only the minimal of handling wear. Guaranteed original this represents a highly desirable piece of James Bond movie memorabilia for what is reported to be Craig’s last appearance as the spy with a ‘Licence to Kill’.
Trivia: First James Bond movie to feature all the characters of Q, Felix Leiter, Miss Moneypenny, and M since Licence to Kill (1989), which is an interval of about thirty-one years.
Watch the ” No Time To Die” Trailer HERE
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1987 was the end of a historic movie tradition as Brian Bysouth produced the last fully drawn painted James Bond film poster (Fascinating Brian Bysouth interview with Eddie Shannon of Film on Paper) for Timothy Dalton’s 007 debut as “The most dangerous Bond…Ever” in “The Living Daylights”. The advance teaser poster preceding this was a mixture of photograph and artwork created by Brian, the advertising agency Feref, Jeffrey Bacon & David Generic and is distinctive for the see-through negligee. However it is not Bond babe Maryam d’Abo in the shot but American model Kathy Stangel in this famous pose & beautifully photographed by Jim McCrary. The original 1987 UK (country of origin) movie poster offered here is presented in exceptional unrestored, rolled (as issued) unfolded condition with bright and unfaded colour tones and white areas that are truly bright. Hugely desirable and very collectable, it would be a worthy addition to any collection of James Bond movie memorabilia.
Trivia: Kara Milovy (Maryam d’Abo) is the last “main” Bond girl to be blonde until Spectre (2015). All leading Bond girls in the other films since have been brunettes or redheads.
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