Film
The Woman in Black
UK Quad (30" x 40") Double Sided
British / UK
Near mint minus ; originally folded (as issued)
James Watkins
Ciaran Hinds, Daniel Radcliffe, Ellisa Walker-Reid, Emma Shorey, Janet McTeer, Mary Stockley, Molly Harmon, Sophie Stuckey
2012
“Do you believe in ghosts?”
An outstanding modern example of a true British horror classic. An original 2012 Country of Origin British UK quad film poster for Hammer Films’ horror “The Woman in Black”. Unlike the computer generated, photoshopped posters that accompanied the initial release, renowned horror illustrator Graham Humphreys was commissioned by Momentum and Hammer Films, to create an exclusive ‘old school’ horror poster for certain limited screenings as part of the Hammer Classic Film archive collection. These examples, all personally hand-signed by Humphreys are incredibly scarce and highly sought after by poster and Hammer collectors. Presented in original, unrestored condition this rolled (as issued) poster displays and presents to excellent effect that due to the very limited print run represents a sought item of horror movie memorabilia.
Trivia: The Woman in Black (2012) was originally passed by the British Board of Film Classification with a 15 certificate. However the distributor, Momentum Pictures, suggested several cuts and the BBFC agreed to a lower 12A certificate. Despite this, it was this film which was most complained about to the BBFC in 2011.
…more detailVintage Movie Posters Grading Criteria... read more +
The Woman in Black is a great relief at times where blood and gore depends on whether a film is scary or not. Daniel Radcliffe, as Arthur Kipps delivers us a mighty fine performance. The best thing I felt about this film was, the atmosphere which remained dark throughout the 90 minute runtime. The first thirty minutes or so depend a lot on jumpscares that are somewhat effective but bland. In fact, the terrifying moments in this flick, are rare. It focuses on the content, and everything that makes a horror film perfect. However, the entire subject of children walking to their own deaths is rather unsettling. The film scares a person based on how they define ‘scary’. If you are the person expecting a lot of gore and messed up faces and things like that, turn away, this film ain’t for you. Watch this one for stellar performances, a great story, and fine scares that are actually the epitome of ‘actual horror’ A good watch.(Moreover, this one is set in the early twentieth century. There is something extremely pleaseful about period horror, dont you think?
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.
LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.
