Film
STAR WARS ORIGINAL TRILOGY
1977-83
Set of Three ‘Mondo’ Posters each Double Signed & Hand-Numbered Artist Proofs #4/40 (Star Wars) – #4/15 (Empire Strikes Back) – #4/15 (Return of Jedi) – 24″ x 36″
United States (USA)
Near Mint; originally flat / unfolded as issued
George Lucas, Irvin Kershner, Richard Marquand
Alec Guinness, Anthony Daniels, Peter Cushing, Billy Dee Williams, Carrie Fisher, Frank Oz, Harrison Ford, Keith Prowse, Kenny Baker, Mark Hamill, Peter Mayhew
“Together…and as they should be seen…ON A BIG SCREEN !”
It’s always interesting to see an artists personal favourite scene or what they consider to be the most memorable moment from a movie. For the Original Star Wars Trilogy Jock chose three scenes that I think will strike a similar chord with many Star Wars fans. All three were originally issued by Mondo and offered as ‘Timed-Editions’ from 2016-18, in either a portrait (One-Sheet) or landscape (Quad) format; with each being manufactured by D&L Screenprinting. The regular print-run for each far exceeded 1400+ and they all sold out immediately. Offered here is a matching hand-numbered (#4) set of Double-Signed portrait style Artist Proof Editions – Star Wars “Into the Garbage Chute, Flyboy!” (#4/40), Empire Strikes Back “That Armor’s Too Strong for Blasters!” (#4/15) and Return of the Jedi “I Am a Jedi, Like My Father Before Me” (#4/15). In 2018 one of the leading online Mondo reference sites “Expresso Beans” awarded the ESB print as their ‘Cinema Poster of the Year”. Each print is presented in excellent flat and unfolded (as issued) condition. As an added bonus there are three hand drawn pieces of original Jock concept artwork. This set represents a truly outstanding and extremely rare significant item of highly sought after ‘Star Wars’ movie memorabilia with a ‘mondo’ theme.
Each lithograph is Double Signed & Hand-Numbered Artist Proofs #4/40 (Star Wars) – #4/15 (Empire Strikes Back) – #4/15 (Return of Jedi)
…more detailVintage Movie Posters Grading Criteria... read more +
“Somewhere, in space, this could all be happening right now.”
“Star Wars: Episode IV – A New Hope“ is the film turn on the endlessly renewed battle between good and evil, the former represented by the Jedi knights and the mystical Force which they are in touch with, and the latter by the Galactic Empire with its Nazi-like storm-troopers
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Luke Skywalker’s (Mark Hamill)simple farming life on a remote planet is dramatically changed when he intercepts a distress call from rebel leader Princess Leia Organa
(Carrie Fisher) The message leads him to Ben Obi-Wan Kenobi (Alec Guinness)and with the two droids C3PO and R2D2, and later Chewbacca and Han Solo (Harrison Ford), their journey to release the princess from the evil Empire begins
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Now over 40 years old, Lucas’ project has benefited from improvements in special effects technology, but his vision has remained the same: a naive, even childlike belief in absolute good and evil, a preference for action over character and spectacle over everything.
“Star Wars: Episode V- The Empire Strikes Back“ is pure entertainment. George Lucas now gives the director’s seat to Irvin Kershner, that in exchange, makes the best movie of the classic trilogy. Everything that is needed to make a sci-fi classic is here: intense and dramatic battles, memorable dialogs & quotes, superb acting, and an excellent story. The Battle of Hoth is really wonderful and represents the first move of the Empire’s counter-attack. Luke’s training in Dagobah is an excellent part of the movie, first with a hilarious Yoda, then the real thing. There are some great scenes (the cave scene in Dagobah, Han Solo’s escape through an asteroid belt), but the best scene is Vader & Luke combat. The amazing lightsaber moves until the dramatic quote that Vader gives in the movie (one of the most memorable of cinema), everything in the duel works. With a great ending, Episode V is one of the cinematographic classics.
“Star Wars: Episode VI- Return of the Jedi” is the end of the original Star Wars trilogy. Out of the original trilogy, this film is usually known as the weakest and for the right reasons. Again the director was replaced, this time Irvin Kershner with Richard Marquand which resulted in poor pacing and the introduction of kid-friendly Ewoks who completely undercut the dark tone The Empire Strikes Back set up.
Aside from that, I have no issues other with Return of the Jedi. It finally revealed the terrifying Emperor, we saw Luke as a badass and a very powerful Jedi and his battle with Darth Vader eventually leading up to a very satisfying and emotional conclusion. Another quality of Return of the Jedi is that it has the single best opening and the first act of any other Star Wars film. Also, we were introduced to many interesting alien species (not you Ewoks) who played a crucial role in the rebellion’s success against the Empire. Like the first two parts of the trilogy, Return of the Jedi is filled with beautiful and detailed scenes, great battles (such as the Battle of Endor) and memorable visual and sound effects.
Double Signed & Hand-Numbered Artist Proofs #4/40 (Star Wars) – #4/15 (Empire Strikes Back) – #4/15 (Return of Jedi)
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HP7 0HL
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.
LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.
