£250.00
Film
Star Wars: Episode 1 – The Phantom Menace 25th Anniversary
1999, 2024 – 25th Anniversary Release
British One-Sheet – Double Sided – 27″ x 40″ (69 x 102 cm)
UK / British
Near mint minus; originally rolled (as issued)
George Lucas
Anthony Daniels, Ahmed Best, Ewan McGregor, Frank Oz, Ian McDiarmid, Jake Lloyd, Kenny Baker, Liam Neeson, Natalie Portman, Pernilla August, Ray Park, Warwick Davis
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For the 25th Anniversary 2024 re-release for George Lucas’ “Star Wars: Episode 1 – The Phantom Menace” Lucasfilm commissioned this amazing British one-sheet featuring the artwork of Matt Ferguson, the hugely successful artist responsible for some of the most memorable recent Marvel cinematic releases and the award winning, fan favourite 40th Anniversary designs for “Empire Strikes Back” and “Return of the Jedi”. This ‘updated’ style features some amazing imagery as Obi-Wan (Ewan McGregor), Qui-Gon Jinn (Liam Neeson) and Queen Padme Amidala (Natalie Portman) taking centre stage and continuing the tradition of many of the Original Trilogy posters the episodes villain dominating the background, in this case Darth Maul (Ray Park). Presented here in original unrestored condition this beautiful 2024 rolled (as issued) example has deep unfaded vibrant colour tones and displays to excellent effect with the minimal of handling wear. With an extremely limited cinematic release (one week only) in both the UK & USA this is a truly scarce poster and highly sought after. As this is the British release it carries the tagline ‘Returns to Cinemas May 3’.Already firmly established as a fans favourite this impressive item represents a fine addition for any collector of original movie posters or Star Wars fan memorabilia.
Trivia: In the Galactic Senate scene, when Queen Amidala is asking for a vote of no confidence, and the whole Senate are on their feet shouting, in the lower left corner you can see that there are E.T. species (as in movie E.T. the Extra-Terrestrial (1982)). George Lucas included them as a tribute to his long-time friend, Steven Spielberg, as well as showing them existing in the same universe.
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“Star Wars: Episode 1 – The Phanton Menace“ far surpassed my expectations, probably because my expectations had been lowered by much of the negative criticism this film generated, mostly by disgruntled geeks who are afraid of change, like hardened conservatives panicking when a democrat wins an election. It’s really childish and pathetic.
The “magic” of Star Wars is still present in Episode 1. Although this first film seems slightly bent toward a more younger audience, this in no way affects the quality of the film. The acting, plot, visuals, audio are all top notch. The main complaints for this film seem to center around Jar Jar Binks (Ahmed Best), a character I happened to really like. The underwater trip to the Gungan city and then to the capitol of Naboo was one of the best parts of the film, and I thought the interaction between Jar Jar, Qui Gon (Liam Neeson), and Obi Wan (Ewan McGregor) was splendid entertainment at its finest! Sure there are a few clichés throughout this film that serve as minor annoyances but they don’t in any way inhibit that “magic” from shining through.
Episode 1 is a fine edition to the Star Wars saga, and one that did not deserve the rampant criticism it received by many. This is top notch entertainment, and George Lucas‘ complete Star Wars saga is a stupendous success, an impressive result of a vision and the drive to fulfill that vision. Thank you Mr. Lucas!
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
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LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.