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Once Upon A Time In America

Name: Once Upon A Time In America
SKU: 13702
Price: 395.00 GBP
Availability: InStock

Once Upon a Time in America Movie Poster

£395.00

“As boys, they said they would die for each other. As men, they did”

Film Description

Once Upon a Time in America Movie Poster

“As boys, they made a pact to share their fortunes, their loves, their lives. As men, they shared a dream to rise from poverty to power. Forging an empire built on greed, violence and betrayal, their dream would end as a mystery that refuse to die”

It’s been said that when one watches a ‘spaghetti’ western (one of the ‘Man with No Name’ films with Clint Eastwood) filmmaker Sergio Leone‘s trademark cinema style and flair for clear storytelling is instantly recognizable. This is no truer than in his most ambitious effort, “Once Upon a Time in America“, in which his usage of close-ups, concise camera movement, sound transitions and syncs, and the sudden change in some scenes from tenderness to violence. And, he pulls it off without making the viewer feel dis-interested. Of course, it’s hard to feel that way when watching the cast he has put together; even the child actors (one of which a young Jennifer Connelly as the young Deborah) are believable. Robert De Niro projects his subtitles like a pro, with his occasional outburst in the right place; James Woods gives one of his first great performances as Max; Elizabeth McGovern is the heart of the film; and Joe Pesci should’ve had more than just a one scene appearance, thought it’s still good.

It’s a story of life-long friends, in the tradition of the Godfather movies with obvious differences, and the story cuts back and forth to Noodles (De Niro) in his old age returning from exile, looking back on his childhood in Brooklyn, his rise to power with his partners, and the twists come quite unexpectedly. The pace is slow, but not detrimental, and it gives the viewer time to let the emotions sink in. The story is also non-linear, and yet doesn’t give away facts to the viewer- this is something that more than likely influenced Quentin Tarantino (and many others) in style. By the end, every detail that has mounted up makes the whole experience rather fulfilling, if not perfect. Finally, I’d like to point out the exceptional musical score. Ennio Morricone, as it says on this site, has scored over four hundred films in forty years, including Leone’s movies. This would have to be, arguably, one of his ten best works- his score is equally lively, saddened, intense, and perhaps majestic for a gangster epic. Overall, it’s filled with the same spirit Leone had in directing the picture, and it corresponds beautifully – there are some scenes in this film that would simply not work without the strings.

Vintage Movie Posters Grading Criteria

Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.

Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.

Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.

Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.

Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.

Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.

Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.

All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.

Most Popular Poster Types

US Posters

LOBBY CARD
11 x 14" printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.

WINDOW CARD
14 x 22" printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970's.

HALF SHEET
22 x 28" printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.

INSERT
14 x 36" printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.

STYLE Y/FORTY BY SIXTY
40 x 60" printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.

ONE-SHEET
27 x 41" printed on paper. This is the most common size of poster, intended to be displayed in a glass "marquee" case. It is the most sought after size by collectors. Since the 1980's most posters are sent to the theatre rolled and maybe slightly smaller measuring 27" by 40" and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.

THREE-SHEET
41 x 81" printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970's on, three-sheets were sometimes printed in one piece and issued as "international" versions to be used abroad.

BRITISH Posters

BRITISH QUAD
30 x 40" Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.

BRITISH ONE-SHEET
27 X 40", printed on paper. Very rarely used size.

ITALIAN Posters

ITALIAN LOCANDINA
13 x 28" six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.

ITALIAN PHOTOBUSTA
18 x 26" Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.

2-FOGLIO (DUE)
(DUE): 39 x 55" This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.

4-FOGLIO
(QUATTRO) 55 x 79" Very large Italian poster printed in two pieces, often contains very beautiful artwork.

FRENCH Posters

FRENCH
47 x 63" (GRANDE) or 24 x 33" (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian's some of the artwork is extrememly beautiful.

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