Film
Near Dark
1987
UK Quad (30" x 40") Single Sided
UK / British
Very Fine; originally rolled (as issued)
Kathryn Bigelow
Adrian Pasdar, Jenny Wright, Bill Paxton, Jenette Goldstein, Lance Henriksen
“At dawn they hide. At dark they wake. At night they search for blood…pray for daylight.”
“Near Dark” is one of the best modern vampire movies around, stylish, funny, and all around adventurous cult classic.& certainly has one of the best and most eye-catching posters. This superb US one-sheet has Bill Paxton as the vampire Severen looking particularly worse for wear. A hard poster to track down with any paper for this under-appreciated undead classic becoming increasingly scarce. Offered here is an incredibly rare rolled (as issued) totally unrestored British UK quad movie poster from first year of release 1987 featuring a country unique design by Marcus Silversides and Mike Harris. It displays & presents to very good effect with some light edge wear to the borders. Deep colour tones a & stunning horror vampire imagery. A modern horror classic that is a superb piece of highly collectable movie memorabilia from one of the seminal horror films of the 1980s.
Trivia: According to Bill Paxton, the driver that gives him the finger when he’s hitchhiking is played by none other than James Cameron, who had visited the set that day.
…more detailVintage Movie Posters Grading Criteria... read more +
“A mid-western farm boy reluctantly becomes a member of the undead when a girl he meets turns out to be part of a band of southern vampires who roam the highways in stolen cars. Part of his initiation includes a bloody assault on a hick bar.”
“Near Dark” is one of the best modern vampire flicks around, stylish, funny, and all around adventurous cult classic.
Young cowboy is literally bitten by a beautiful stranger and ends up joining a band of blood-suckers who roam the American heartland.
Although “Near Dark” is often over-shadowed by the ultra-hip vampire movie “The Lost Boys” (1987), “Near Dark” is a far juicier treat for horror fans. Eric Red, who also wrote “The Hitcher” (1986), gives us a seemingly old-fashioned tale of struggle between human nature and savage lust with a nicely spun sense of modernism. Not to mention plenty of touches of dark humour. It’s a story that does well with avoiding the obvious clichés of the vampire genre. Director Kathryn Bigelow gives this film terrific style, not only adding scenic beauty but sharply creating plenty of intense action sequences. “Near Dark” also packs some great makeup FX and occasional gore. The entire sequence in the bar has became a favorite among many. Adding even more to the film is the beautiful music score by Tangerine Dream.
The cast is quite good. Adrian Pasdar is believable as our formerly-human hero. Lance Henriksen is genuine in his role as the leader of the vamp’ band. However it’s young Bill Paxton who does most of the scene stealing (and the comic relief) as a scary, yet cheeky vampire thug.
A modern vamp classic that delivers on all levels, “Near Dark” firmly remains a favorite of the genre and one of the most entertaining horror films of the 80’s.
Trade Address:
Vintage Movie Posters (UK) Limited
The Malthouse
The Broadway
Old Amersham
HP7 0HL
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.
LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.
