Film
Love Actually
2003
UK Quad (30" x 40") Double Sided
UK / British
Near mint minus; originally rolled (as issued)
Richard Curtis
Alan Rickman, Hugh Grant, Bill Nighy, Colin Firth, emma thompson, Keira Knightley, Laura Linney, Liam Neeson, Martin Freeman, Martine McCutcheon, Sienna Guillory
“It’s All About Love… Actually.”
A British classic – comedy & romance combine for Richard Curtis’ “Love Actually”. With an impressive star-studded cast, most of whom are featured on the poster, this much loved movie is a genuine feelgood offering. A Christmas or a Valentines movie – well you can decide with this beautifully presented, country of origin British UK quad film poster from the first year of release 2003. Designed by TEA – The Entertainment Agency this example was originally issued rolled and displays superbly and represents a great piece of cinematic movie memorabilia.
Trivia: A speech given by Hugh Grant in this movie (where he extols the virtues of Great Britain and refuses to cave to the pressure of its longstanding ally, the United States) was etched in the transatlantic memory as a satirical, wishful statement on the concurrent relationship with George W. Bush. Tony Blair responded by saying in 2005, “I know there’s a bit of us that would like me to do a Hugh Grant in Love Actually (2003) and tell America where to get off. But the difference between a good film and real life is that in real life there’s the next day, the next year, the next lifetime to contemplate the ruinous consequences of easy applause.”
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“Against the backdrop of aged has-been rock star Billy Mack’s Christmas themed comeback cover of “Love Is All Around”, which he knows is crap and makes no bones about it, much to his manager Joe’s chagrin as he promotes the record, several interrelated stories about romantic love and the obstacles to happiness through love for Londoners are presented in the five weeks preceding Christmas. Daniel’s wife has just died, leaving him to take care of his adolescent stepson Sam by himself. Daniel is uncertain how to deal with Sam and his problems without his wife present, especially in light of a potential budding romance within their household. Juliet and Peter have just gotten married. They believe that Peter’s best friend and best man Mark hates Juliet, but won’t say so to his or her face. Others looking at the situation from the outside believe Mark is jealous of Juliet, as he is in love with Peter. Jamie, a writer, is taking a writing retreat by himself in rural France following catching his latest girlfriend in an indiscretion. Jamie ends up spending much time in France with Aurelia, the Portuguese woman hired as the housekeeper. The question becomes not only if they can communicate their day-to-day needs with each other as she speaks no English, he speaks no Portuguese, and neither speaks French very well, but communicate what seems to be their increasing mutual attraction to each other. Sarah has been in love with her co-worker Karl for the two years they have worked together, this attraction about which everyone in their workplace knows. Sarah has to decide if she can be forward enough to express this love directly to Karl, especially in light of what has been her personal priority of dealing with a family issue. Harry and Karen have been in a stable long term marriage. His new assistant Mia drops hints to him that she would like them to be romantically involved. Harry has to decide whether to fall to the temptation, especially considering being married to a perceptive wife. Single and relatively young David is the newly elected Prime Minister. At 10 Downing Street, he is attracted to one of the new household servants, Natalie, but isn’t sure what to do about it seeing as to their respective positions, the probable public scrutiny, and an incident involving the visiting U.S. President. Socially unaware Colin Frissell believes that the lack of romantic love in his life is all the fault of standoffish British women. As such, he decides to take decisive albeit somewhat unusual geographic action. And John and Judy are movie body doubles. They can communicate with each other straightforwardly while they are simulating sex filming a movie, but they may not be able to translate the feelings behind that simulation in real-life to each other.”
Set one month before Christmas, we follow the lives of several people falling in or out of love. “Love Actually” is a great movie with several well developed story lines that all come together nicely and a terrific cast that can be both comedic and dramatic. It certainly wasn’t an easy film to make and I’m sure the studio must have considered it a huge risk, telling stories from several characters in the space of two hours, with all of them having little to no connection with the others, but it worked, Richard Curtis clearly put hard work in to this script and gathered a very impressive cast to make it a hit. Of course, with the amount of stories there are, some of them felt underdeveloped, I found Alan Rickman and Emma Thompson‘s to be one of the most compelling, but in the great their story dosen’t get any proper closure, Colin Firth‘s story felt very tight, I would like to have seen more of him with Sienna Guillory, but with a film as crowded as this you are going to feel underwhelmed with certain parts. The films cast really is terrific and is the main reason why a story as complicated and messy as this really works, Liam Neeson shines as a step dad hoping to cheer up the son of his deceased wife, Emma Thompson is delightful as a wife questioning her own decisions, Alan Rickman astounds as a confused husband, Hugh Grant is terrific as a prime minister who discovers love for the first time, every actor puts all their heart in to these roles and they are all a delight to watch. However, the best performance for me would have to be Bill Nighy, who shines in every scene as Billy Mack, playing a character in no way similar to any role he has done previously, he plays a straight up pompous musician, and he does it ridiculously well. Always a fun film to watch at Christmas time, Love Actually is funny, emotional and very sweet, I would recommend it to anyone looking for a good comedy or romance film.
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
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LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.
