La La Land
Advance ‘In Theaters December’, US One Sheet (27" x 40") Double Sided
United States (USA)
Near mint minus; originally rolled (as issued)
Amiée Conn, Cinda Adams, Emma Stone, J.K. Simmons, Rosemarie DeWitt, Ryan Gosling, Terry Walters, Thom Shelton
Although a relatively recent release any paper for Damien Chazelle’s 2016 multi award winning musical romance phenomenon “La La Land” is extremely scarce. Taking audiences by storm at the box-office it was never expected (by the Studio) to be the huge worldwide success it turned out to be with a merchandising and marketing budget not reflected in the success. Hence the rarity of the film posters, particularly the early, pre-review advance versions. Chazelle’s Oscar winning film was complemented with an award winning movie poster created by the creative arts agency LA. Stylish and artistic the movie poster offered here is the particularly striking “In Theaters December” Stage Door US advance teaser. Originally rolled (as issued) this looks and displays to excellent effect, absolutely stunning; the simple minimalistic design with a band of bright blue featuring both Ryan Gosling and Emma Stone is truly eye-catching. Guaranteed original this represents an extremely scarce item of modern original collectable movie memorabilia from a truly remarkable film.
Trivia: Several of Stone’s outfits are replicas of iconic dresses such as the green dress Mia wears on her first date with Sebastian which was modelled on a Judy Garland dress from the film A Star Is Born (1954). The black trousers were reminiscent of Audrey Hepburn‘s look in Funny Face (1957).…more detail
Vintage Movie Posters Grading Criteria... read more +
“La La Land“ is a triumph on so many levels. It hooks you from the beginning with its big opening number on the highway and has your heart fluttering in the club at the end. Damien Chazelle has proved himself to be one of the most talented directors/screenwriters in film right now.
The film gets you with its charm. It flows from the dialogue like poetry. The chemistry between Emma Stone and Ryan Gosling makes the film livelier. Stone has slowly shown herself as a force to be reckon with in Hollywood and now Gosling has join the ranks after his stellar performance as the jazz pianist who’s main dream is watch jazz live on. Stone is a wanna be actress who can’t find her way. Together, they thrive off each other’s love and support as they try to accomplish their goals together. Each have a chance at their first Oscar gold.
What else helps is a beautiful score and extremely well written songs. I found myself humming “City of Stars” all night long, already saving the soundtrack on every music platform I could. The music and dance numbers are a perfect blend of Gene Kelly musicals and more contemporary stuff like Chicago. The production design helps with this with bright, vivid colors abound from the walls of a passing building to Emma Stone‘s dress. A charming film only works when all cylinders click. This one was clockwork.
Like Whiplash, the editing is superb, timing well with the score, making it very appealing to the eye. But the cinematography was mind blowing. Able to capture those big production numbers with long swift cuts made it very astonishing. Not a moment seemed overlooked or underdeveloped. Each scene was extremely well thought out to cause the biggest “awe” effect, or to provide strong symbolism.
But the ending is what can really make or break a movie. This one makes it 10 x better. It goes away from the predictable musical ending while wrapping up the movie in fellow swoop, opening the audiences’ eyes to the entire meaning of the story, beyond the theme of follow your dreams. The idea that dreams are possible when you are willing to strive for them, but life isn’t your own la la land. Everything does not end perfectly.
When combining all these elements together, you get one of, if not the best film of the year. In a year where things became bitter, this really ends the year on a high note. Cheers to the dreamers, the men and women behind the making of this musical classic.
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
27 X 40″, printed on paper. Very rarely used size.
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.