Film
Andy Warhol’s Frankenstein
1974
US One Sheet / (27" x 41") / Single Sided, NSS #74/211 BRYANSTON PICTURES
United States (USA)
Very Fine Plus / Originally Folded (as issued)
Antonio Margheriti, Paul Morrissey
Arno Juerging, Dalila Di Lazzaro, Joe Dallesandro, Monique van Vooren, Nicoletta Elmi, Srdjan Zelenovic, Udo Kier
“To know death, Otto, you have to f**k life…in the gall bladder!”
Although the Andy Warhol name is only referred to in the title for Paul Morrissey’s 1974 shock horror “Andy Warhol’s Frankenstein” (also released as “Flesh for Frankenstein”) it cannot be said that the accompanying movie poster (not by Warhol) for this Bryanston Pictures release is not impressive. A clever, stylish design with FRANKENSTEIN apparently written in blood over an open cut then sewn together in thick black thread…certainly memorable. Any art or memorabilia with a Warhol connection is very collectable and this original 1974 US one sheet is no exception. Presented unrestored, in original folded (as issued) condition this lovely example displays very well and represents a fine piece of original movie memorabilia.
Trivia: The film was shot with a 3D technique called Spacevision. Unlike other 3D films that usually required red and blue glasses, this one required polarized glasses with one lens slightly shifted, which allowed full colors in the film. The 3D effects were mostly pronounced in the center of the screen.
…more detailVintage Movie Posters Grading Criteria... read more +
“In Serbia, middle-aged Baron Frankenstein lives with the Baroness Katrin, his wife/sister and their two teenage children, Monica and Erik. He dreams of a super-race, returning Serbia to its grand connections to ancient Greece. In his laboratory, assisted by Otto, he builds a desirable female body, but needs a male who will be super-body and super-lover. He thinks he has found just the right brain to go with a body he’s built, but he’s made an error, taking the head of a asexual ascetic. Meanwhile, the Baroness has her lusts, and she fastens on Nicholas, farmhand boy and a friend of the dead lad. Can the Baron pull off his grand plan? He brings the two zombies together to mate. Meanwhile, Nicholas tries to free his dead friend. What about the Baron’s children?”
“Andy Warhol’s Frankenstein“ was obviously made with its tongue firmly in it’s cheek. It’s a step beyond anything Hammer attempted in this genre, especially regarding gore and dodgy accents!
Udo Kier and Arno Juerging are possibly the best comic duo to hit the screens since Abbot & Costello as the Baron and faithful sidekick Otto! Whether fooling around in the lab or scouting for suitable organs they never fail to raise a smile. Kier gets all the best lines, letting us know his views on gall bladders and his plans for the new race he is ..ehm.. putting together.
Monique Van Vooren is more sinister as the Baroness, who initially appears relatively normal, in comparison to her “husband” at least. However her eccentricities become apparent as the film goes on.
Joe Dallesandro is on screen a lot but his character doesn’t contribute much to the plot. Presumably his name was used to garner publicity for the film in the US.
The Frankenstein kids take after their parents and are crucial to the twist at the end of the film. The young actors playing the kids do a good job.
The actors playing the Baron’s works in progress don’t have much to do, even when their characters are brought to life.
Certainly the film will not be to everybody’s taste. There is plenty of gore and some dodgy sex scene sound effects. The scene showing the Baron’s “interest” in the female creation and her innards pushes the boundaries a bit but it is too over the top to be anything more than comical. So sit back and enjoy this piece of 70s schlock horror.
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
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LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.
