£495.00
Film
A Nightmare on Elm Street: Part 2 – Freddy’s Revenge
1985
UK Quad (30" x 40") Single Sided
UK / British
Near mint minus; originally rolled (as issued)
Jack Sholder
Clu Gulager, Hope Lange, Kim Myers, Mark Patton, Marshall Bell, Robert Englund, Robert Rusler, Tom McFadden
SOLD - this item is sold. Please browse our currently available stock
After the acclaim artist Graham Humphreys’ earned after his outstanding work on the British marketing campaign for Wes Craven’s “A Nightmare on Elm Street” it came as no surprise that he was commissioned once again for the sequel “A Nightmare on Elm Street: Part 2 – Freddy’s Revenge”. With the success of the character Freddy is no longer a horror character to keep hidden on the advertising material and Humphreys certainly doesn’t hold back as Krueger’s fire scarred visage takes up nearly all of the poster with his (now familiar) battered fedora and razor bladed glove included in the imagery. Setting a high bench mark for modern horror artwork Humphreys’ imagery was only used for the UK quad design and is one of the most sought after film posters of the 80’s and the horror genre. Graham Humpreys has been dubbed England’s greatest living horror artist and it’s not hard to see why when you see this beautiful film poster from first year of release 1985. Totally original and unrestored, this rolled (as issued) example is presented in excellent condition with, unusually for a horror poster some incredibly bright colours. Extremely scarce and a must have for the serious collector it represents a fantastic item of horror movie memorabilia. The best I have ever offered for sale or seen – it really is exceptional and perfect for investment or to just enjoy.
Trivia: The original glove from A Nightmare on Elm Street (1984) was used in this movie and was also seen hanging on the wall of the work shed in Evil Dead II (1987). This was in response to the use of The Evil Dead (1981) on a television screen in A Nightmare on Elm Street (1984), and part of a continued banter between directors Wes Craven and Sam Raimi. However, when Wes Craven loaned the glove to the A Nightmare on Elm Street 3: Dream Warriors (1987) set, it was lost but eventually found by a Freddy fan, Mike Becker, at an auction in 2009.
…more detailVintage Movie Posters Grading Criteria... read more +
When the Walsh’s move to the Elm Street, the teenager Jesse Walsh (Mark Patton) has a creepy nightmare with a burned man wearing a glove with blades called Freddy Krueger (Robert Englund) that tells him that Jesse has the body and he has the brain. Jesse becomes close to Lisa Webber (Kim Myers), who also has a crush on him, and befriends his school mate Ron Grady (Robert Rusler), who tells him that his house had remained closed for five years since the former dweller Nancy Thompson that went to a mental institution after witnessing the death of her boyfriend on the other side of the street and her mother in the living room. Lisa finds the diary of Nancy hidden in a locker while Jesse is possessed by Freddy Krueger that uses him to kill his victims.
This sequel to the horror classic “A Nightmare on Elm Street“ is underrated in IMDb. The story about possession is more romantic with the love of Lisa for Jesse, has plot holes but is also entertaining, with the use of great special effects. This movie is also the debut of Kim Myers, who has an impressive resemblance with Meryl Streep, in the cinema in a lead role. Again there is an open conclusion to give a sequel to the saga of Freddy Krueger.
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.
LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.