Showing 49–60 of 102 results
Officially licensed by Hammer and released in 2021 as a San Diego Comic Con exclusive, this incredible limited edition alternative movie poster for the classic “Horror of Dracula” features the distinctive artistic style of Francesco Francavilla. The photograph really doesn’t do justice to this art print, the colours are bold, appearing newly painted with Christopher Lee (Count Dracula) prominent with blood stained fangs barred and his face bathed in an eerie green colour tone. Hand-Numbered #155 from a print run of 245 it is presented in excellent condition. This high quality modern art print displays superbly and represents an extremely desirable and collectable item of British Hammer horror movie memorabilia.
Trivia: When Jonathan Harker (John Van Eyssen) meets Dracula (Sir Christopher Lee), there appears to be a statue of “Pazuzu”, the demon from The Exorcist (1973).
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“The most shocking tale of carnage ever seen.”
“House of 1000 Corpses” is a stylish, gore-laden 2003 offering which marks the directorial debut of Trash/Industrial Artist Musician Rob Zombie. Largely unheard of outside Zombie’s fiercely loyal fanbase it grew to be a cult horror classic, proving hugely influential for the low budget flicks that followed. This originally rolled (as issued) 2024 limited edition fine art print (hand-numbered #8/150) by Matt Ryan Tobin displays superbly with great horror imagery, as Sid Haig as Captain Spaulding takes centre stage in incredible kaleidoscope pf colour. Screen printed using glow in the dark inks the whole poster takes on a very different and eerie look when the lights go down (see additional image). A personal favourite and one the best offerings of 2024 that represents a fine example of horror memorabilia and a perfect example of why alternative movie posters are becoming so collectable.
Trivia: Otis’ and Baby’s bizarre rants during the “home movie” segments are inspired by the Charles Manson family’s supposed home movies.
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My personal favourite Indiana Jones movie with this modern, alternative movie poster re-imagining by Alistair Little, arguably superior to some of the official movie posters that accompanied the 1984 release of “Indiana Jones and the Temple of Doom”. This hand-numbered artist proof, #7 from a very limited print run of only 10 has also been signed by the artist. Printed on 300 gsm art paper this giclee art print gives the impression of being original painted artwork. The colour palette and print quality is superb; it needs to be seen to fully appreciate just how stunning it really is. Taking centre stage is Harrison Ford as the titular Indiana Jones offset by the menacing Thuggee god Kali. Originally rolled (as issued) this superb example displays to excellent effect. Genuinely scarce it represents a fantastic example of modern cinematic movie memorabilia for an incredibly popular and well loved character.
Trivia: George Lucas, Steven Spielberg, Gloria Katz and Willard Huyck were concerned how to keep the audience interested during the exposition on the Thugee cult. Huyck and Katz proposed a tiger hunt, but Spielberg said “There’s no way I’m going to stay in India long enough to shoot a tiger hunt.” They eventually decided on a dinner scene involving eating bugs, monkey brains, and the like. “Steve and George both still react like children, so their idea was to make it as gross as possible,” says Katz.
What is Giclee ?
Derived from the French term gicler – meaning ‘to squirt or spray’, the term describes a printing process whereby microscopic dots of pigment-based ink are sprayed onto archival-quality paper to ensure the fidelity of a limited edition print to an original artwork.
The richness, accuracy and depth of colour is thanks to the method’s potential to achieve a huge colour gamut (the spectrum of colours distinguishable by the human eye). Unlike the four tones used in lithography, giclées often use five: light cyan, cyan, light magenta, yellow and black.
Fantastic for reproductions which require maximum detail, giclées are most commonly found on watercolour paper or canvas, but can also be created on glass. Different types of paper will produce different effects. Matte paper works well behind glass due its lack of reflectivity, whilst the shine of a glossy finish can give an artwork a brighter appearance.
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A superb and eye-catching alternative movie poster by Enzo Sciotti for the cult dark horror adaptation of the best selling Anne Rice novel “Interview with the Vampire”. Each vampire Lestat (Cruise), Louis (Pitt), Armand (Banderas) and the young Claudia (Kirsten Dunst) is beautifully portrayed by Sciotti on this 2020 Hand-Numbered (# 16/45) Private Commission Screen Print. Printed using eighteen (18) coloured inks onto Neenah Stardream Eris Metallic Paper, the colours truly pop from the paper (the photo doesn’t do this justice) it almost appears to be painted. Presented in rolled (as issued) condition it represents an outstanding, piece of cinematic memorabilia and artwork.
Trivia: Upon learning that Tom Cruise had been cast as Lestat, Rice was livid and stated Cruise could not carry the part, calling the casting “so bizarre; it’s almost impossible to imagine how it’s going to work”. Rice recused herself from the production and did not view the film until a producer sent her a VHS copy. Rice was so impressed by Cruise’s performance that she wrote him a letter of apology and recorded a two-minute video endorsing the film that was included as a pre-feature on mid-1990s VHS releases.
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A magnificent private commission alternative movie poster for John Glen’s 1989 James Bond extravaganza…“Licence to Kill”. The action-packed artwork (the second in his Bond series) by artist Alfons Kiefer features all the classic imagery you’d expect to see in a Bond film, Dalton – sans tuxedo, emphasising this Bond is independent and his own man, exotic location, action, psychotic villains – Robert Davi and Benicio Del Toro and beautiful, glamorous women – Carey Lowell and Talisa Soto. This fourteen-colour screenprint is presented on Fedrigoni Materica Gesso paper and is hand-numbered #22/75. This amazing limited edition art print represents a fine piece of very collectable James Bond movie memorabilia.
Trivia: It is widely and incorrectly rumored that this was Timothy Dalton‘s last James Bond film due it being financially disappointing. In reality, Dalton was to star in a third James Bond film after this one, titled “Property of a Lady”, written by Michael G. Wilson and Alfonse Ruggiero Jr. and set to start shooting in 1990, with pre-production work having begun in May of that year. However legal issues with MGM beginning that year created long delays which eventually led Dalton to announce his retirement from the role in 1994, a year after his initial contract expired, paving the way for Pierce Brosnan‘s casting in GoldenEye (1995). Had the film been made, it would have been set in Scotland, Tokyo, and Hong Kong, and would have involved nanotechnology.
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An absolutely beautiful fine art print by Paul Mann for Roger Moore’s debut as Ian Fleming’s super-spy James Bond 007 in Guy Hamilton’s “Live And Let Die”. Mann has been commissioned to create alternative movie posters for all the early Bond movies and after finishing with the Connery titles has now moved on to Moore’s tenure, resulting in this sold out private commission offering. It is a movie poster in every sense of the word, with Mann recreating an incredible Bond posters. His detailed and stylish illustrations perfectly capture the voodoo theme of the movie, with the Tarot card display just amazing. Add to that the famous boat chase / jump sequence, the alligator farm, the enigmatic Solitaire (Jane Seymour), the villainous Baron Samedi (Geoffrey Holder) and you have a ‘perfect’ 007 poster. The use of the familiar title lettering and incorporating the “007” reference is worked into Roger Moore’s name and a dagger is also cleverly inserted into the “I” of the title script “DIE” adds a nice touch to Mann’s reworked artwork. Incredibly scarce, this one-sheet style (portrait) hand-numbered (#81/145) piece is offered as originally supplied, flat and unfolded (as issued). Printed on Fabriano Tiepolo Specialist Paper using 10 coloured inks it presents and displays to excellent effect with vibrant colours. A stunning item that represents a fine example of extremely collectable James Bond memorabilia.
Trivia: The producers offered Clint Eastwood the role of James Bond, fresh from his success with Dirty Harry (1971). He was flattered, but declined, saying that Bond should be played by an English actor. Notably, Bond uses a Smith & Wesson .44 Magnum in this film, the gun made hugely popular by the Dirty Harry film franchise.
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An absolutely beautiful fine art print by Paul Mann for Roger Moore’s debut as Ian Fleming’s super-spy James Bond 007 in Guy Hamilton’s “Live And Let Die”. Mann has been commissioned to create alternative movie posters for all the early Bond movies and after finishing with the Connery titles has now moved on to Moore’s tenure, resulting in this sold out private commission offering. It is a movie poster in every sense of the word, with Mann recreating an incredible Bond posters. His detailed and stylish illustrations perfectly capture the voodoo theme of the movie, with the Tarot card display just amazing. Add to that the famous boat chase / jump sequence, the alligator farm, the enigmatic Solitaire (Jane Seymour), the villainous Baron Samedi (Geoffrey Holder) and you have a ‘perfect’ 007 poster. The use of the familiar title lettering and incorporating the “007” reference is worked into Roger Moore’s name and a dagger is also cleverly inserted into the “I” of the title script “DIE” adds a nice touch to Mann’s reworked artwork. Incredibly scarce, with a much lower print run than the portrait version, this UK quad style (landscape) hand-numbered (#52/65) piece is offered as originally supplied, flat and unfolded (as issued). Printed on Fabriano Tiepolo Specialist Paper using 10 coloured inks it presents and displays to excellent effect with vibrant colours. A stunning item that represents a fine example of extremely collectable James Bond memorabilia.
Trivia: The producers offered Clint Eastwood the role of James Bond, fresh from his success with Dirty Harry (1971). He was flattered, but declined, saying that Bond should be played by an English actor. Notably, Bond uses a Smith & Wesson .44 Magnum in this film, the gun made hugely popular by the Dirty Harry film franchise.
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“Far Up…Far Out…Far More..”
An outstanding limited edition quad style and size, alternative movie poster for George Lazenby‘s one & only appearance as Ian Fleming’s super spy James Bond in “On Her Majesty’s Secret Service”. A magnificent, James Bond poster with bold vibrant colours and a combination of intricate and detailed all-action artwork from one of the best illustrators currently working – Paul Mann. Truly impressive and immediately recognisable as a Bond film. This alternative movie poster printed in 2022 is particularly scarce as it was printed full quad size at 30″ x 40″ with only 100 in exclusive this run – it sold out immediately on release. Presented unrestored in original unfolded (as issued), rolled condition this is hand-numbered #004 (any 00 number is particularly important for any Bond collector) example displays to impressive effect and represents a fantastic piece of collectable James Bond cinematic memorabilia from one of the most respected entries in this long running franchise.
Trivia: George Lazenby suggested a scene where Bond skis off a cliff and opens a parachute. This was scrapped, as the filmmakers lacked the resources to pull it off. It was used as the opening for The Spy Who Loved Me (1977).
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1987 was the end of a historic movie tradition as Brian Bysouth produced the last artist drawn painted James Bond film poster (Fascinating Brian Bysouth interview with Eddie Shannon of Film on Paper) for Timothy Dalton’s 007 debut as “The most dangerous Bond…Ever” in “The Living Daylights”. It’s a hard act to follow but artist Mark Murphy certainly comes very, very close with this stunning alternative movie poster from 2023. The action-packed artwork features all the classic imagery you’d expect to see in a Bond film, 007 dressed in a tuxedo, exotic location, gadgets, a beautiful, glamorous woman – Maryam D’Arbo and a life threatening scenario. The colours are truly amazing, super strong and vibrant. This limited edition fine art print represents an impressive piece of very collectable James Bond movie memorabilia that would be a worthy addition to any collection of cinematic movie memorabilia.
Trivia: This was the last James Bond film to use an original Ian Fleming title until Casino Royale (2006), a gap of almost twenty years.
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A magnificent alternative movie poster for Lewis Gilbert’s 1977 James Bond extravaganza…“The Spy Who Loved Me”…Cubby Broccoli wanted this to be “BIGGEST Bond of All” and it certainly lived up to the billing, utilising the massive purpose built 007 soundstage at Pinewood Studios, still very much in use today. The action-packed artwork by artist Alfons Kiefer features all the classic imagery you’d expect to see in a Bond film, 007 (Roger Moore) dressed in a tuxedo, exotic location, gadgets, psychotic villains and beautiful, glamorous women – Barbara Bach who played the Russian super spy Anya Amasova (Agent XXX) and Caroline Munro (the helicopter pilot Naomi). This thirteen-colour screenprint is presented on Fedrigoni Materica Gesso paper and is hand-numbered #52/85. This amazing limited edition art print represents a fine piece of very collectable James Bond movie memorabilia.
Trivia: The closing credits say, “James Bond will return in For Your Eyes Only (1981)” but, because of the successes of Star Wars: Episode IV – A New Hope (1977) and Close Encounters of the Third Kind (1977), the space set Moonraker (1979) was chosen.
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Probably the most important film of ‘modern’ cinema, launching a movie trend that is now commonly referred to as the ‘Summer Blockbuster’. It also happens to be one of the best and most memorable movie poster images ever ! So why reinvent it ? When it comes to amazing alternative movie posters, this artist signed and hand-numbered (#35/45) limited edition art print by Yvan Quinet is a real eye-catcher which was printed using nine inks and the red title a spot varnish overlay. There are a lot of alternative ‘Jaws’ posters on the market with this 2022 offering considered one of the best and most desirable; incredible imagery as Chrissie Watkins breaks for the surface, unaware that the shark attack is imminent with the scale of just how big the shark is against her body, true to size. A very limited release. Totally unrestored this originally rolled unfolded (as issued) example displays to exceptional effect. Perfect, colours is a truly outstanding and extremely rare film poster print that represents a key item of highly sought after modern cinematic memorabilia…“You’re gonna need a bigger boat !”
Trivia: Several decades after the film’s release, Lee Fierro, who played Mrs. Kintner, walked into a seafood restaurant and noticed that the menu had an “Alex Kintner Sandwich.” She commented that she had played his mother so many years ago; the owner of the restaurant ran out to meet her, and he was none other than Jeffrey Voorhees, who had played her son. They had not seen each other since the original movie shoot.
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“Jaws” is probably the most important film of ‘modern’ cinema, launching a movie trend that is now commonly referred to as the ‘Summer Blockbuster’. It also happens to have some of the most incredible and memorable series of scenes of any movie. These scenes are largely mapped out beforehand using illustrated storyboards. For “Jaws” the storyboards were created by the multi award winner production designer – Joe Alves. The storyboard offered here is an exact replica of the one used in production featuring a scene from the climax of the film as the great white launches itself at the stern of the boat. Printed on off-white colour cardstock paper, Alves himself has added a coloured, hand-drawn shark illustration, hand-lettered “JAWS” and has personally-signed it with shark Remarque added to his signature. Each of these are unique with none of Alves’ personal annotations and illustrations the same. Originally rolled, flat and unfolded (as issued) this example displays to exceptional effect. Extremely rare, represents an impressive item of highly sought after modern cinematic memorabilia…“You’re gonna need a bigger boat !”
Trivia: Several decades after the film’s release, Lee Fierro, who played Mrs. Kintner, walked into a seafood restaurant and noticed that the menu had an “Alex Kintner Sandwich.” She commented that she had played his mother so many years ago; the owner of the restaurant ran out to meet her, and he was none other than Jeffrey Voorhees, who had played her son. They had not seen each other since the original movie shoot.
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