Showing 13–24 of 286 results
“One person can change your life forever.”
Despite being caught in her imaginative world, Amelie (Audrey Tautou), a young waitress, decides to help people find happiness. Her quest to spread joy leads her on a journey where she finds true love. Jean-Pierre Jeunet’s is a truly heart warming cinematic experience, with the casting of Audrey Tautou as the titular Amelie or to give its full title Le Fabuleux Destin d’Amelie Poulain a masterstroke. So it’s no surprise to see her featured so prominently on the movie posters that accompanied the release in 2001. The UK quad from this first year of release was originally rolled and displays superbly – it really is a beautiful, character focused film poster that represents a fine item of cinematic movie memorabilia.
Trivia: The main colors in the film (green, yellow and red) are inspired by the paintings of the Brazilian artist Juarez Machado.
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“The girl behind the name”
When released in July “AMY” went on to break UK box office records for a documentary in its opening weekend and has since gone on to become the highest grossing British documentary film of all time. An incredible feat for a film with a very limited release & showing in only a handful of cinemas. Made by the award winning team responsible for the excellent “Senna”, “AMY” tells the heartbreaking story of the late jazz/ blues singer Amy Winehouse. The original UK quad film poster to accompany the release was designed by the creative arts agency Territory Studio, who have produced an eye catching piece. The advertising campaign was very low key and the UK film posters that accompanied the extremely limited cinema release are truly scarce. Originally rolled this incredibly rare example displays to excellent effect and represents a fantastic collectable item of music/ film / cultural memorabilia for a true music icon.
Trivia: Amy Winehouse‘s immediate family were initially willing to work with the film’s producers and director, having heard about the success of their earlier documentary, Senna (2010). They granted the filmmakers access to hours of archive footage of Amy and her family, as well as giving the filmmakers’ their blessing to interview Amy’s family and friends. However, they – in particular, Amy’s father, Mitch Winehouse – soon began to feel they were being misrepresented in the documentary, that the negative aspects of Amy’s life were receiving much more attention than the positive, and that footage had been edited in order to produce an inaccurate narrative of Amy’s story, especially the last three years of her life. Mitch Winehouse has said that Amy’s fans should consider seeing the film for the rare, previously unseen, archive footage of his daughter, but should pay no attention to the film’s general portrayal of her, which he has labeled “preposterous”.
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“Stay on the road…Keep clear of the moors…Beware the moon, lads.”
John Landis’ “An American Werewolf in London” is one of the best werewolf movies ever made, full of dark humour and gory thrills. As most people know, this has one of the best human/werewolf transformation scenes in cinematic history. Unlike modern monster/horror movies of today, this film has no CGI or computer-aided special effects; what you see on the screen is a physical production made piece for which Rick Baker won the Oscar. This ‘International’ style one-sheet, features totally different art than the ‘regular’ version, with imagery of a blood-red wolf against a black background – it is far more scarce and distinctive than the regular poster, and is far more desired by collectors. Presented in excellent condition this folded (as issued) example displays superbly and is an impressive piece of horror poster artwork and is a hugely desirable piece of cinematic movie memorabilia.
Trivia: Rick Baker claimed to have been disappointed by the amount of time spent shooting the face changing shot for the transformation after having spent months working on the mechanism. John Landis only required one take lasting about seven seconds. Baker felt he had wasted his time until seeing the film with an audience that applauded during that one seven second shot.
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“Stay on the road…Keep clear of the moors…Beware the moon, lads.”
John Landis’ “An American Werewolf in London” is one of the best werewolf movies ever made, full of dark humour and gory thrills. As most people know, this has one of the best human/werewolf transformation scenes in cinematic history. Unlike modern monster/horror movies of today, this film has no CGI or computer-aided special effects; what you see on the screen is a physical production made piece for which Rick Baker won the Oscar. This 2021 alternative movie poster by the American graphic artist Todd Alcott shows a very understated and restrained design for a horror poster as David (David Naughton), Jack (Griffin Dunne), Nurse Alex Price (Jenny Agutter) plus a number of London landmarks are represented as characters on what appears to be a beaten up paperback book cover. Presented in excellent condition this rolled (as issued) example displays superbly and has been printed too look distressed. Alcott’s impressive piece of poster artwork represents a great twist on traditional horror movie memorabilia and is a great example in the rapidly expanding area of alternative movie posters. “I vote we go back to the Slaughtered Lamb”
Trivia: Rick Baker claimed to have been disappointed by the amount of time spent shooting the face changing shot for the transformation after having spent months working on the mechanism. John Landis only required one take lasting about seven seconds. Baker felt he had wasted his time until seeing the film with an audience that applauded during that one seven second shot.
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“Stay on the road…Keep clear of the moors…Beware the moon, lads.”
John Landis’ “An American Werewolf in London” is one of the best werewolf movies ever made, full of dark humour and gory thrills. As most people know, this has one of the best human/werewolf transformation scenes in cinematic history. Unlike modern monster/horror movies of today, this film has no CGI or computer-aided special effects; what you see on the screen is a physical production made piece for which Rick Baker won the Oscar. This 2019 hand-numbered (#102/300) alternative movie poster by Vance Kelly is a proper horror poster as David (David Naughton) and Jack (Griffin Dunne) are bathed in the blood dripping from the werewolf’s fanged mouth with a number of Rick Baker’s other monstrous creations blended into the background. Kelly has even included a pentagram (a staple symbol of werewolf folklore) in the title design. Presented in excellent condition this rolled (as issued) example displays superbly and is an impressive piece of horror poster artwork and is a hugely desirable alternative movie poster. “I vote we go back to the Slaughtered Lamb”
Trivia: Rick Baker claimed to have been disappointed by the amount of time spent shooting the face changing shot for the transformation after having spent months working on the mechanism. John Landis only required one take lasting about seven seconds. Baker felt he had wasted his time until seeing the film with an audience that applauded during that one seven second shot.
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John Landis’ “An American Werewolf in London” is one of the best werewolf movies ever made, full of dark humour and gory thrills. As most people know, this has one of the best human/werewolf transformation scenes in cinematic history. Unlike modern monster/horror movies of today, this film has no CGI or computer-aided special effects; what you see on the screen is a physical production made piece for which Rick Baker won the Oscar. This 2011 hand-numbered (#31/380) and signed by the artist – Olly Moss alternative movie poster is a very clever design as the werewolf’s head is incorporated into a silhouette map of the British Isles. Presented in excellent condition this rolled (as issued) example displays superbly and is an impressive piece of horror poster artwork and is a hugely desirable alternative movie poster by one of the leading artists working in the medium. “I vote we go back to the Slaughtered Lamb”
Trivia: John Landis wrote the screenplay for this film following an incident while shooting Kelly’s Heroes (1970) (while he was a go-fer) in the countryside of Yugoslavia. While driving along a country road with a colleague, Landis encountered a gypsy funeral. The body was being buried in a massively deep grave, feet first, while wrapped in garlic so he would not rise from the dead.
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“Stay on the road…Keep clear of the moors…Beware the moon, lads.”
John Landis’ “An American Werewolf in London” is one of the best werewolf movies ever made, full of dark humour and gory thrills. As most people know, this has one of the best human/werewolf transformation scenes in cinematic history. Unlike modern monster/horror movies of today, this film has no CGI or computer-aided special effects; what you see on the screen is a physical production made piece for which Rick Baker won the Academy Award and that’s perfectly illustrated here on this Australian one-sheet as the said transformation of David (David Naughton) is fully featured. It appears the Australian poster designers weren’t worried about spoilers. Presented in unrestored condition this folded (as issued) example displays to very good effect and represents a fantastic item of original horror movie memorabilia from a classic of the genre with some truly eye-catching imagery. “I vote we go back to the Slaughtered Lamb”
Trivia: Rick Baker claimed to have been disappointed by the amount of time spent shooting the face changing shot for the transformation after having spent months working on the mechanism. John Landis only required one take lasting about seven seconds. Baker felt he had wasted his time until seeing the film with an audience that applauded during that one seven second shot.
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“Stay on the road…Keep clear of the moors…Beware the moon, lads.”
John Landis’ “An American Werewolf in London” is one of the best werewolf movies ever made, full of dark humour and gory thrills. As most people know, this has one of the best human/werewolf transformation scenes in cinematic history. Unlike modern monster/horror movies of today, this film has no CGI or computer-aided special effects; what you see on the screen is a physical production made piece for which Rick Baker won the Oscar. This signed Artist Proof (AP) alternative movie poster by Graham Humphreys is a proper horror poster. Humphreys has cleverly included all the main characters, David (Naughton) becoming the werewolf and the suitably named ‘Slaughtered Lamb’. Presented in excellent condition this rolled (as issued) example displays superbly and is an impressive piece of horror poster artwork and is a hugely desirable alternative movie poster.
For Graham’s thoughts and inspiration for the poster design checkout this superb interview with Dread Central.
Trivia: Rick Baker claimed to have been disappointed by the amount of time spent shooting the face changing shot for the transformation after having spent months working on the mechanism. John Landis only required one take lasting about seven seconds. Baker felt he had wasted his time until seeing the film with an audience that applauded during that one seven second shot.
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“When You Can’t Breathe You Can’t Scream”e
“Anaconda” is listed among the 100 Most Enjoyably Bad Movies Ever Made in Golden Raspberry Award founder John Wilson‘s book The Official Razzie Movie Guide and is reported to be one of Dame Helen Mirren’s favourite movies. A huge cult following and a guilty pleasure for many with a cinema poster that promises a lot more than the film delivers – it’s an eye catching ‘eyes without a face’ (EWAF) design featuring the titular Anaconda. This rolled (as issued) UK quad, from first year of release 1997 presents to superb effect with a deep black background and yellow eyes that pop from the paper. It’s a very rare scarce original poster from a true cult movie of the genre.
Trivia: Within the movie you can really see two scenes with real anacondas: the first scene is when they blow up the barrier that obstructs the river, after the explosion several of the snakes that fall into the boat are Green Anacondas you can also see a boa constrictor (another of the largest snakes in the Amazon rainforest); The second scene is when Terri enters the anaconda’s nest where the snakes they show are real green anacondas.
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“You stay classy, San Diego. I’m Ron Burgundy?”
“Anchorman: The Legend of Ron Burgundy” was a massive blockbuster comedy hit when released in 2004, going a long way in establishing the cinematic career of – Will Ferrell and it has gone on to attain cult status, as one of the greatest comedy movies of all time. The imagery on this US advance one-sheet features the man himself – Ron Burgundy in all his news anchorman glory. Rolled (as issued) this example is offered in excellent condition, that represents a hugely collectable item of cinematic movie memorabilia, that’s guaranteed to put a smile on your face.
Trivia: The Mexican restaurant Veronica Corningstone (Christina Applegate) visits with the girls from the station is named “Escupimos en su Alimento”. In English, that means, “We spit on your food.”
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“I won’t have that kind of toilet talk in my kitchen.”
Although the Andy Warhol name is only referred to in the title for Jed Johnson’s 1977 shock comedy “Andy Warhol’s BAD” it cannot be said that the accompanying movie poster (not by Warhol) for this New World Pictures release is not impressive. An eye-catching, stylish design with an amazingly bright colour palette. Any art or memorabilia with a Warhol connection is very collectable and this original 1977 US one sheet is no exception. Presented unrestored, in original folded (as issued) condition this lovely example displays very well and represents a fine piece of original movie memorabilia.
Trivia: Perry King said Andy Warhol told him in reference to the plot of bad “I wanted to make a film about evil women and incompetent men”
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“To know death, Otto, you have to f**k life…in the gall bladder!”
Although the Andy Warhol name is only referred to in the title for Paul Morrissey’s 1974 shock horror “Andy Warhol’s Frankenstein” (also released as “Flesh for Frankenstein”) it cannot be said that the accompanying movie poster (not by Warhol) for this Bryanston Pictures release is not impressive. A clever, stylish design with FRANKENSTEIN apparently written in blood over an open cut then sewn together in thick black thread…certainly memorable. Any art or memorabilia with a Warhol connection is very collectable and this original 1974 US one sheet is no exception. Presented unrestored, in original folded (as issued) condition this lovely example displays very well and represents a fine piece of original movie memorabilia.
Trivia: The film was shot with a 3D technique called Spacevision. Unlike other 3D films that usually required red and blue glasses, this one required polarized glasses with one lens slightly shifted, which allowed full colors in the film. The 3D effects were mostly pronounced in the center of the screen.
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