Showing 13–24 of 245 results

“You stay classy, San Diego. I’m Ron Burgundy?”
“Anchorman: The Legend of Ron Burgundy” was a massive blockbuster comedy hit when released in 2004, going a long way in establishing the cinematic career of – Will Ferrell and it has gone on to attain cult status, as one of the greatest comedy movies of all time. The imagery on this US advance one-sheet features the man himself – Ron Burgundy in all his news anchorman glory. Rolled (as issued) this example is offered in excellent condition, that represents a hugely collectable item of cinematic movie memorabilia, that’s guaranteed to put a smile on your face.
Trivia: The Mexican restaurant Veronica Corningstone (Christina Applegate) visits with the girls from the station is named “Escupimos en su Alimento”. In English, that means, “We spit on your food.”
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“I won’t have that kind of toilet talk in my kitchen.”
Although the Andy Warhol name is only referred to in the title for Jed Johnson’s 1977 shock comedy “Andy Warhol’s BAD” it cannot be said that the accompanying movie poster (not by Warhol) for this New World Pictures release is not impressive. An eye-catching, stylish design with an amazingly bright colour palette. Any art or memorabilia with a Warhol connection is very collectable and this original 1977 US one sheet is no exception. Presented unrestored, in original folded (as issued) condition this lovely example displays very well and represents a fine piece of original movie memorabilia.
Trivia: Perry King said Andy Warhol told him in reference to the plot of bad “I wanted to make a film about evil women and incompetent men”
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“To know death, Otto, you have to f**k life…in the gall bladder!”
Although the Andy Warhol name is only referred to in the title for Paul Morrissey’s 1974 shock horror “Andy Warhol’s Frankenstein” (also released as “Flesh for Frankenstein”) it cannot be said that the accompanying movie poster (not by Warhol) for this Bryanston Pictures release is not impressive. A clever, stylish design with FRANKENSTEIN apparently written in blood over an open cut then sewn together in thick black thread…certainly memorable. Any art or memorabilia with a Warhol connection is very collectable and this original 1974 US one sheet is no exception. Presented unrestored, in original folded (as issued) condition this lovely example displays very well and represents a fine piece of original movie memorabilia.
Trivia: The film was shot with a 3D technique called Spacevision. Unlike other 3D films that usually required red and blue glasses, this one required polarized glasses with one lens slightly shifted, which allowed full colors in the film. The 3D effects were mostly pronounced in the center of the screen.
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“You don’t talk to Colonel Kurtz…You listen to him.”
A personal favourite and quite simply a stunning film poster for Francis Ford Coppola’s multi award winning Vietnam war epic “Apocalypse Now”. There is no doubting the influence and impact of Coppola’s 1979 masterpiece with any paper hugely desirable and the German A1 film poster offered here is no exception. This design was created by Bob Peak featuring an outstanding close up image of a shaven headed Colonel Kurtz (Marlon Brando) offset against a dark black background…truly memorable imagery for Coppola’s voyage into the ‘Heart of Darkness’. Peak’s campaign artwork for Francis Ford Coppola’s Apocalypse Now is widely regarded as one of the great and most iconic poster designs, winning an Award of Excellence from The Society of Illustrators in 1980. So it was no surprise that in 2021 when Mondo issued a remastered screenprint licensed by Zoetrope Productions with production and colour separations handled by Jason Edmiston, Jon Smith, Shane Mahn and Peak’s son Alex, it sold out immediately. From a hand-numbered edition of 425, this is #335. Originally rolled (as issued) with an amazing colour palette this outstanding example presents and displays to excellent effect and represents a beautiful alternative movie poster from one of the finest film’s ever made…“Napalm, son. Nothing else in the world smells like that”
Trivia: Filming, originally scheduled for six weeks, took 16 months.
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“Why would a nice guy like you want to kill a genius? Why? Because they told you he was crazy? The Colonel is not crazy. The man is clear in his mind, but his soul is mad.”
An outstanding alternative movie poster for Francis Ford Coppola’s multi award winning Vietnam war epic “Apocalypse Now”. There is no doubting the influence and impact of Coppola’s 1979 masterpiece with any paper hugely desirable and the German A1 film poster offered here is no exception. This design was one of several created by Bob Peak with this style featuring stylised images of Brando as Colonel Kurtz and Sheen, remarkable artwork for Coppola’s voyage into the ‘Heart of Darkness’. Peak’s designs for “Apocalypse Now” is widely regarded as one of the great and most iconic movie poster campaigns, winning an Award of Excellence from The Society of Illustrators in 1980. So it was no surprise that in 2021 when Mondo issued a remastered screenprint licensed by Zoetrope Productions with production and colour separations handled by Jason Edmiston, Jon Smith, Shane Mahn and Peak’s son Alex, it sold out immediately. From a hand-numbered edition of 425, this is #72. Originally rolled (as issued) with a amazing detail and depth of colour, this outstanding example presents and displays to excellent effect and represents a beautiful alternative movie poster from one of the finest film’s ever made…“Napalm, son. Nothing else in the world smells like that”
Trivia: John Milius explained how he had come up with the title “Apocalypse Now”. Apparently, this was derived from a very popular tattoo among the hippie community of a peace sign that said “Nirvana Now”. Milius, by adding just a couple of extra lines, edited the peace symbol to make it look like a circle with a B52 bomber in the middle, and changed the slogan to “Apocalypse Now”.
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“I’ve seen horrors… horrors that you’ve seen. But you have no right to call me a murderer. You have a right to kill me. You have a right to do that… but you have no right to judge me. It’s impossible for words to describe what is necessary to those who do not know what horror means. Horror… Horror has a face… and you must make a friend of horror. Horror and moral terror are your friends. If they are not, then they are enemies to be feared.”
There is no doubting the influence and impact of Francis Ford Coppola’s 1979 masterpiece “Apocalypse Now” with any paper hugely desirable and the original US lobby card offered here is no exception. This lobby card (#3) is the only one from the set of eight to feature Marlon Brando, and it is a fantastic close up image of him as a shaven headed Colonel Kurtz. A truly memorable image from Coppola’s voyage into the ‘Heart of Darkness’. Originally flat/unfolded (as issued) this impressive example presents and displays to excellent effect and represents a fine piece of cinematic memorabilia from one of the finest film’s ever made…“You don’t talk to Colonel Kurtz…You listen to him.”
Trivia: Marlon Brando improvised the line “You’re an errand boy, sent by grocery clerks, to collect a bill.”
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“You don’t talk to Colonel Kurtz…You listen to him.”
A personal favourite and quite simply a stunning alternative movie poster for Francis Ford Coppola’s multi award winning Vietnam war epic “Apocalypse Now” by Jock. Like something out of a widescreen images handbook, the grandiose and all-consuming art within this limited edition giclee art print for Apocalypse Now is as visually masterful as the film it depicts. Truly an impressive piece; the range of red colour tones for the sky is incredible (the photo does not do it justice). This print is both Hand-Signed and Hand-Numbered #110/150 in the bottom right corner in pencil. Originally rolled (as issued) with an amazing colour palette this outstanding example presents and displays to excellent effect and represents a beautiful alternative movie poster from one of the best artist’s currently working and the finest film’s ever made. When launched in 2015 this was a sold out, fully subscribed private commission and is rarely offered for sale on the secondary market. “Napalm, son. Nothing else in the world smells like that”
Trivia: Filming, originally scheduled for six weeks, took 16 months.
What is Giclee ?
Derived from the French term gicler – meaning ‘to squirt or spray’, the term describes a printing process whereby microscopic dots of pigment-based ink are sprayed onto archival-quality paper to ensure the fidelity of a limited edition print to an original artwork.
The richness, accuracy and depth of colour is thanks to the method’s potential to achieve a huge colour gamut (the spectrum of colours distinguishable by the human eye). Unlike the four tones used in lithography, giclées often use five: light cyan, cyan, light magenta, yellow and black.
Fantastic for reproductions which require maximum detail, giclées are most commonly found on watercolour paper or canvas, but can also be created on glass. Different types of paper will produce different effects. Matte paper works well behind glass due its lack of reflectivity, whilst the shine of a glossy finish can give an artwork a brighter appearance.
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“Noonan’s got two women friends that he’d like to see made American citizens no questions asked. Max would like you to… bring back eight-track tapes. Not sure if that’s gonna work, but, uh, let’s see what else. Um, Chick wants a full week’s Emperor’s Package at Caesar’s Palace. Um – hey, you guys wouldn’t be able to tell us who actually killed Kennedy, would ya?”
Michael Bay’s spectacular science-fiction blockbuster “Armageddon” is represented here by its dramatic original US one-sheet cinema poster. The minimalist design surrounds the Earth with a vast fiery ring, creating an ominous image of planetary destruction, while the burning title and stark black centre heighten the sense of approaching catastrophe.
Released in 1998 and produced by Jerry Bruckheimer, “Armageddon” follows a team of deep-core drillers recruited by NASA to prevent an enormous asteroid from destroying Earth. Bruce Willis, plays Harry Stamper and leads an ensemble cast that includes Ben Affleck, Liv Tyler, Billy Bob Thornton, Steve Buscemi, Michael Clarke Duncan, Will Patton and Peter Stormare.
Measuring approximately 27 × 40 inches, the poster features the original July 1st release date and full theatrical billing block. Presented rolled, as issued, and remaining in excellent condition, its bold colours and simple apocalyptic imagery give it tremendous visual impact. A superb display piece for collectors of Bruce Willis, Michael Bay and 1990s blockbuster cinema.
Trivia: Jerry Bruckheimer remembers getting a call from Michael Bay during post-production one day. Bay explained to the producer that he had heard that Godzilla (1998) was going to have a full soundtrack and didn’t understand why Armageddon didn’t. There were only a few moments in their film that had actual songs included on the soundtrack, but one of these songs was an Aerosmith song, likely their cover of “Come Together” over the montage scene where NASA is picking up all the men. They had a song they wanted to use, “I Don’t Want to Miss a Thing” written by Diane Warren, and Bruckheimer and Bay decided they wanted Aerosmith to perform it. They invited the band to come to the editing room and watch clips from the film. Aerosmith was blown away and recorded the song three days later. It later got an Oscar nomination for Best Song.
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“The Avengers. That’s what we call ourselves; we’re sort of like a team. ‘Earth’s Mightiest Heroes’ type thing.”
BLT Communications LLC pulled out all the stops when they designed the marketing campaign posters for Joss Whedon’s blockbuster “Avengers”. This original 2012 country of origin one-sheet for Marvel’s all action super hero romp is certainly impressive as all the heroes are beautifully realised; Iron Man, Hulk, Thor, Captain America, Hawkeye, Black Widow and Nick Fury stand proud and battle ready in a ravaged New York. Originally rolled (as issued) this looks stunning and displays to excellent and impressive effect. One of the best looking posters to date for any of the prolific Marvel Studios releases with spectacular super-hero imagery that represents a fine piece of collectable modern cinema movie memorabilia. If movie posters follow the trend of the comics, then ‘key’ and first appearances will become equally significant…this features the first appearances of Thanos.
Trivia: Due to this movie’s record-breaking success at the box office, it made Samuel L. Jackson, Robert Downey Jr., and Scarlett Johansson three of the top ten highest grossing actors and actress of all time at second, fifth, and tenth respectively.
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I am… inevitable – Thanos snaps his fingers, but nothing happens. He discovers that the gauntlet no longer has the Infinity Stones, and that Tony Stark used his armour’s nano-technology to transfer the Stones to his arm – And I… am… Iron Man!
Two of the highest grossing movie of all-time with each taking a record breaking billion dollars in their opening weeks. This Limited Edition 3D Lenticular PLEX Bottleneck Gallery Print by Pablo Olivera was created in 2021 and it’s fair to say Olivera has pulled out all the stops with this officially licensed alternative movie poster for the Marvel Studios’ blockbusters Avengers: Infinity War and Engame. This three-dimensional print features Iron Man and Thanos, the ultimate clash of hero and villain seen in Avengers: Infinity War (2018) and its sequel Avengers: Endgame (2019). Both characters are seen wearing the Infinity Gauntlet containing the six glowing Infinity Stones which allows control over one aspect of the universe – time, space, reality, mind, power and soul. Printed onto 4mm plex this is one of a limited edition from a print run of only 575. Originally flat (as issued) this looks stunning and displays and presents to excellent effect. One of the best looking posters (regular or lenticular) to date for any of the prolific Marvel Studios releases with spectacular imagery and bright colours. A hugely desirable and collectable piece of movie memorabilia.
Trivia: Thanos being Iron Man’s antithesis and personal archenemy for the Marvel Cinematic Universe lies on Thanos’ original appearance as an Iron Man cosmic villain back in Iron Man comic book #55 printed in 1973.
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“Who seduces an angel? Who strips in space? Who conveys love by hand? Who gives up the pill? Who takes sex to outer space? Who’s the girl of the 21st century? Who nearly dies of pleasure?”
In arguably the most famous role of her career, Jane Fonda stars as “Barbarella” in Roger Vadim’s, campy, sci-fi fantasy. Based on the hugely popular French comic strip by Jean-Claude Forest the film is considered one of the 1960s quintessential cult movies. And it’s the titular Barbarella, who is featured in close up clutching a ray gun, in a very pop art looking alternative movie poster design by Tim Jordan (Blunt Graffix). Created in 2013, exclusively for the Weapon of Choice II convention with a very limited print run of only twenty (20) – this is hand-numbered #2 and also signed by the artist. Originally rolled (as issued) this beautiful example displays to excellent effect with vibrant, unfaded colours that pop from the paper and a stylish design. It would make for a fantastic addition to any collection or as a one-off display piece that represents a highly collectable piece of cinematic and artistic memorabilia for a much admired cult, sci-fi classic.
Trivia: Barbarella was the first science fiction hero from comics to be adapted into a feature film, as opposed to a serial. Flash Gordon and Buck Rogers, her male predecessors, had only appeared in serials.
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“Bruce Wayne – Y’see, my life is really… complex.”
Tim Burton was the perfect choice at the time to re-invent this major screen character & for me this is the definitive Batman movie. Posters for Burton’s “Batman” have always been hugely collectable since it was released in 1989 with the original marketing campaign basically just using the Batman logo. This has left a huge scope for artists since, to re-imagine and re-interpret their own unique take on the movie and character – making it perfect content for the alternative movie poster market. Batman (in all of his guises) is one of the most popular subjects for commissions – admittedly some better than others. Offered here is one of the better examples as Alberto Reyes presents his Batman, fully costumed (it’s nice to see an artist present a screen accurate costume for a change) in the Batcave. Enigmatic and stylish, hand-numbered (#69/89) and signed by the artist, Alberto Reyes is truly impressive. Originally rolled (as issued) this displays to excellent effect and represents a memorable image from one of the defining Batman films.
Trivia: Michael Keaton, who calls himself a “logic freak”, was concerned that Batman’s secret identity would, in reality, be fairly easy to uncover, and discussed ideas with Tim Burton to better disguise the character, including the use of contact lenses. Ultimately, Keaton decided to perform Batman’s voice at a lower register than when he was portraying Bruce Wayne. This technique became a staple of future portrayals of Batman in film, television, and video games, especially those of Kevin Conroy and Christian Bale.
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