Showing 37–48 of 94 results
“Bond drives an Aston…naturally”
In 1965, Aston Martin released this tie-in advertisement poster featuring Bond’s DB5 in their dealer showrooms to promote their association with the James Bond franchise and the latest release “Thunderball”, at the time the highest grossing film series on record. Original, 1965 are extremely scarce and in some cases prohibitively expensive, but in 1999 Bond Producer’s EON authorised a limited edition licenced print run of only 400 posters. They were printed to approximately the same size as the originals (British double crown size – 20″ x 30″) and are identifiable by the unique limited edition hand written number on each one – in this case 384/400. Presented rolled in excellent condition this is hugely desirable and very collectable and would be a worthy addition to any collection of James Bond movie memorabilia and is a truly impressive 007 poster.
Trivia: On October 27, 2010, the Aston Martin DB5 used in this movie and Goldfinger (1964) was sold, fully “loaded”, to American classic car collector Harry Yeaggy for a reported $4 million by London’s RM Auctions. The car had only one previous private owner, an American radio station owner named Jerry Lee, who purchased the car directly from the Aston Martin factory in 1969 for $12,000. Lee had kept the car at his Pennsylvania house for over forty years.
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“You Only Live Twice…and “TWICE” is the only way to live!”
A series of three main general release poster designs were commissioned to promote Sean Connery’s fifth outing as 007 “You Only Live Twice” (1967) with artwork by both Robert McGinnis and Frank McCarthy used. Of the three different styles produced for the film, the “Style-C”– ‘Bath-Tub’ is the most difficult poster to find. Whereas “action” is the key selling point of the two Frank McCarthy designs, McGinnis focuses on Bond’s sex appeal with his poster design with risqué artwork featuring a Japanese ‘geisha’ girl with her hand washing below the waterline near to Bond’s groin area. The original 1967 Style C British UK quad movie poster offered here is presented in amazing unrestored, folded (as issued) condition and perfectly suited to the landscape style for which it McGinnis designed it for. Colours are strong and vibrant with the white background totally unfaded and bright. A true first release stating ‘Sean Connery IS James Bond’ – Connery was by now increasingly concerned of being typecast and insisted on this tagline to be changed to read AS instead of IS, with the later printings either having a glued snipe or reprinted AS. Measuring 30″ x 40″, NOT one of the slightly over-sized 31″ x 41″ posters that were printed a little bit later and used largely for provincial cinemas. Hugely desirable and very collectable, it would be a worthy addition to any collection of James Bond movie memorabilia and is a truly impressive 007 poster.
Trivia: This marks the fifth and final on-screen appearance together of Sir Sean Connery and Lois Maxwell. In Diamonds Are Forever (1971), the scene where the disguised Moneypenny gives Bond his travel documents at the port of Dover, Maxwell and Connery filmed their lines separately, and were not present together for the short scene.
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Probably the most important film of ‘modern’ cinema, launching a movie trend that is now commonly referred to as the ‘Summer Blockbuster’. It also happens to be one of the best and most memorable movie poster images ever ! So why reinvent it ? When it comes to amazing alternative movie posters, this hand-numbered (#242/250) limited edition art print by Andrew Swainson is a real eye-catcher. There are a lot of alternative ‘Jaws’ posters on the market with this 2021 offering considered one of the best and most desirable; very clever imagery and a title that is finished in blood red (of course) enhanced by a spot varnish finish. Released by Vice Press, this wonderfully subtle design by Swainson is a God’s eye view of Amity Island’s beach moments before the shark takes young Alex Kintner as its second victim. We can just make out the image of a shark in the water with its teeth being integrated into the waves as they break onto the shore. A very limited release. This originally rolled, unfolded (as issued) example displays to exceptional effect. Perfect, colours is a truly outstanding and extremely rare film poster print that represents a key item of highly sought after modern movie memorabilia…“You’re gonna need a bigger boat !”
Note: the poster also comes with the original double sided leaflet which shows the poster on one side and a detailed index and guide to who and what is included in the poster design.
Trivia: Several decades after the film’s release, Lee Fierro, who played Mrs. Kintner, walked into a seafood restaurant and noticed that the menu had an “Alex Kintner Sandwich.” She commented that she had played his mother so many years ago; the owner of the restaurant ran out to meet her, and he was none other than Jeffrey Voorhees, who had played her son. They had not seen each other since the original movie shoot.
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“He has no skills and can only find menial, low-paying jobs. He decides to become a gigolo to lonely rich women.”
Supreme example of Tom Chantrell’s stunning artwork; an extremely rare original 1978 UK Quad film poster for the David Bowie drama “Just a Gigolo”. This film was perfect for Bowie (you could genuinely believe he was a 1920s pseudo aristocrat) as the extravagantly named Paul Ambrosius von Przygodski. Tom Chantrell’s artwork (unique to the British release) places Bowie centre stage, cleverly portrayed in black and white whilst the supporting cast, including Kim Novak and Marlene Dietrich (her last movie appearance) are featured in full colour. With only minimal handling wear, this originally rolled (as issued), unrestored example displays to beautiful effect. The deep black background contrasted with vibrant colours makes for a truly impressive piece. One of Bowie’s most stylish movie posters and a fantastic piece of highly collectable original movie and music memorabilia and a perfect showcase for Chantrell’s incredible talent at catching an actors likeness.
Trivia: The last on-screen appearance by Marlene Dietrich. German press reports claimed she was paid $250,000 for two days’ work.
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“They set out to rob a bank…and damn near won a war instead !”
Stunning example of this much loved action-comedy-war ensemble piece. This is a very rare original 1970 first release UK quad film poster for Brian G. Hutton’s “Kelly’s Heroes” and features some fantastic adventure war artwork with great characterisations of its all-star cast; the colourful character driven imagery is a real highlight. Folded (as issued) this original unrestored UK quad film poster is from first year of release in Britain…One of the best posters from the war genre…This is a true first printing poster from this popular title; full bleed artwork to the edges (no border or white spaces) with superb deep unfaded colours. A magnificent poster and a very rare find in this high grade condition that represents a very collectable and desirable example of original film memorabilia.
Trivia: The movie was mainly filmed in Yugoslavia because the Yugoslavian army still had a large quantity of Sherman tanks in 1970.
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Directed by the acclaimed filmmaker Ken Loach, “KES” is based on the 1968 novel “A Kestrel for a Knave”, written by Barry Hines. It is part of the kitchen sink realism movement that developed in Britain in the late 50s and early 60s. This movement focussed on those that were disillusioned with modern society, and on the domestic lives of working-class Britain. When re-released by the BFI in 1999 for the 30th Anniversary, graphic design agency The Farm was commissioned to create a new poster, and it’s fair to say it what he has produced surpasses the original. Exclusive to this British release it’s a stunning imagery sums up the feeling of isolation. The borrowed shorts typify the “done unto” theme for the young lad while attempting to add a touch of welcome understated humour to the poster – made more poignant by the fact that for David Bradley’s role in life humour was usually at his own expense or not at all. An incredibly scarce example of modern poster design, perfectly suited to the landscape format of the UK quad. Originally rolled (as issued) this superb example presents extremely well and represents a beautiful example of cinematic movie memorabilia from a film that remains a powerful study of school, family, strife and dreams ever made.
Trivia: KES (1969) has a 100% rating based on 32 critic reviews on Rotten Tomatoes.
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Directed by the acclaimed filmmaker Ken Loach, “KES” is based on the 1968 novel “A Kestrel for a Knave”, written by Barry Hines. It is part of the kitchen sink realism movement that developed in Britain in the late 50s and early 60s. This movement focused on those that were disillusioned with modern society, and on the domestic lives of working-class Britain. When re-released in the 1970s the front of house lobby cards – full colour in the 1969 release were re-issued with a light blue sepia tone, which in my opinion is much better looking , giving a particularly striking effect that also makes David Dai Bradley’s signature (signed in black sharpie pen) really stand out. Bradley has signed with a very nice signature and has also added his character name – Billy. An outstanding card from the set as it features Billy (Dai Bradley) with his kestrel, KES. Originally flat and unfolded (as issued) this superb example presents extremely well and represents a beautiful example of cinematic movie memorabilia from a film that remains a powerful study of school, family, strife and dreams ever made.
This item was personally signed by David Dai Bradley when he was a guest at the London Film Fair on Sunday 22nd September 2024.
Trivia: KES (1969) has a 100% rating based on 32 critic reviews on Rotten Tomatoes.
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Exploitation film posters don’t get better than Tom Beauvais’ artwork for the 1979 UK quad “Jaws/Piranha” rip-off for “Killer Fish”. Italian financing and production at its finest with an all-star (TV) cast filming on location in Brazil and Rio De Janeiro. Cashing in on his kudos as “The Six Million Dollar Man”, Majors is prominent on this British movie poster which contains a great mix of characters and action. The rare original UK quad film poster offered here is from first year of release 1979. Originally folded (as issued) this scarce unrestored example presents to excellent effect with impressive ‘B’ movie action monster art and bright vivid colours. A fine piece of very desirable collectable original movie memorabilia for a much loved cult classic.
Brilliant interview with the artist Tom Beauvais by Eddie Shannon.
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It’s not often I get a poster in that makes me go WOW ! especially a recent offering. Well this original 2024 UK quad for Wes Ball’s “Kingdom of the Planet of the Apes” is such a poster. The franchise, from its original 1968 beginnings through to the Matt Reeves reboots is a personal favourite of mine and this poster is truly one of the best I have ever seen. The composition, detailed, intricate design by creative arts agency LA & Ten30 Studios is superb. The colours are stunning, deep & unfaded. The “Planet of the Apes” premise is considered one of the pivotal sci-fi movies series’ ever made and this is a worthy addition to the canon that represents a magnificent piece of film poster art.
Trivia: The first Planet of the Apes film to be filmed for IMAX.
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“Now, if you’re sitting comfortably, I shall tell you why you must not be afraid to die. To die so that the god may live is a privilege, Kevin, and if you know anything at all about history, you will know that human sacrifice is as old as Dionin himself, whose every death is a rebirth into a god ever mightier !”
A terrifying eye-catching film poster for Ken Russell’s “Lair of the White Worm”. This original 1988 UK quad film poster is stunning; truly memorable horror imagery as we see a close up of snarling fanged snake-creature about to attack. Very in your face and not at all as understated and restrained (much like the legendary Director). With unique British, country of origin artwork this is an extremely desirable and very scarce poster. In excellent original, unrestored condition this folded (as issued) example displays to superb effect and represents an impressive item of original horror movie memorabilia from a cult British horror classic.
Trivia: The D’Ampton worm is an obvious reference to the Lambton worm, which is a real English legend, dating back at least to the mediaeval period.
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“You know, it’s kinda like… Success is subjective, you know. It could be an opinion.”
“Last Days”, Gus Van Sant’s experimental film loosely inspired by Kurt Cobain’s, err, last days and the rock star that indie darling Michael Pitt satisfyingly embodies here. The original UK quad film poster to accompany the 2005 release was designed by the creative arts agency Shoolery Design and features a ‘grungey’ close up of Pitt. Like many ‘art-house’ and independent releases the advertising campaign was very low key and the UK film poster that accompanied the extremely limited cinema release is truly scarce. Originally rolled this incredibly rare example displays to excellent effect and represents a highly sought after piece of collectible music/film/ memorabilia presented in superb condition.
Trivia: Gus Van Sant had originally intended to make a direct bio-pic of Kurt Cobain in the mid-1990’s but ran into legal obstruction from Cobain’s widow, Courtney Love. Undeterred, Van Sant met with Love to discuss some ideas for the film, as well as her possible involvement. Though the two actually became friends and discussed the film for years, Van Sant eventually realized that Love was too devastated by Cobain’s death to ever collaborate on the film or even allow a bio-pic to ever be made and adapted his ideas into this fictionalized story.
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“49% Motherf**ker, 51% Son of a Bitch.”
Heavy metal rock gods don’t come any more legendary than Motorhead front man ‘Lemmy’ (Lemmy Kilmister). A true British institution and all-round ‘top-bloke’ as featured here in the 2010 documentary “Lemmy” by Greg Olliver and Wes Orshoski. With testimonials by rock’s leading ‘Hall of Famers” (many of which are featured on the UK quad design) this is a remarkable cinematic biography. Designed by OTMentertain the imagery on the British quad places Lemmy centre stage offset against an ‘Ace of Spades’ logo. The advertising campaign for the movie was very low key and the UK film posters that accompanied the extremely limited cinema release are truly scarce. Originally rolled (as issued) this incredibly rare example displays to excellent effect and represents a fantastic collectable item of music, film and cultural memorabilia.
Trivia: The film crew had to clean Lemmy’s kitchen to shoot the shot of Lemmy making breakfast cause Lemmy didn’t want to do it or to shoot in a dirty kitchen.
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