Film
TREMORS
1990
US One Sheet (27" x 40") Single Sided
United States (USA)
Very Fine plus – Near Mint minus / Originally rolled (as issued)
Ron Underwood
Finn Carter, Fred Ward, Kevin Bacon, Michael Gross, Reba McEntire
One of the stand out films of the early 90’s & certainly one of the best and most eye-catching posters. “TREMORS” is the kind of movie that can’t be placed in a certain genre. It’s a little bit of everything; horror, comedy, action, adventure and a fine homage to 50’s B-Movie sci-fi/horror flicks. This superb US one sheet movie poster for Ron Underwood’s “TREMORS” is genuinely scarce and a hard poster to track down due to the film’s rather lack-lustre showing at the box-office. Much like “The Shawshank Redemption” it is one of those film’s that hugely benefitted from the ‘home’ video market going on to achieve huge popularity and cult status, resulting in (to date) four sequels and a TV series. Offered here is an incredibly rare country of origin rolled (as issued) US one sheet movie poster from first year of release, 1990. Totally original and unrestored it presents to excellent effect with really deep bright colour tones and incredible (with a tip of the hat to “Jaws”) ‘creature’ artwork… A modern genre classic that represents a superb piece of original and highly collectable movie memorabilia.
…more detailVintage Movie Posters Grading Criteria... read more +
“TREMORS“ is basically a landlocked variation on ‘Jaws‘ and those 1950s giant bug movies: the isolated town of Perfection, Nevada (population 16), finds itself under siege by monstrous, subterranean wormlike creatures, that hunt by sensing vibrations in the ground. The plot revolves around the townspeople trying to outwit and escape the creatures (dubbed ‘Graboids’), which are tearing the town out from under them.
What really makes the movie work is the characters: all of them come across as real people trapped in an insane situation, and all have a lot of charisma, even though the film doesn’t have tons of character development. Kevin Bacon and Fred Ward are a hoot as a pair of low-rent handymen who become reluctant heroes. The inter play between the two is a lot of fun.
Usually movies like this revolve around stupid people doing stupid things, just to raise the body count. TREMORS is different: the characters react believably, and do smart things to try and escape and/or kill the ‘Graboids’. The creatures too are also fairly smart, and are not just mindless eating machines with no brains.
Given its premise, Tremors is not a gory or violent film (although it has a couple of minor gross bits), and has a very good sense of humour. The film-makers are aware of their far-fetched premise (a couple of key questions go unanswered), but they treat it with respect and a certain amount of affection.
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.
LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.
