Film
The Rock
1996
U.S. / International One-Sheet – Double Sided – 27″ x 40″
Printed in USA for use in Europe and United Kingdom
Near Mint minus -Very Fine plus; originally rolled (as issued)
Michael Bay
Vanessa Marcil, Ed Harris, Michael Biehn, Nicolas Cage, Sean Connery, William Forsythe
“Alcatraz. Only one man has ever broken out. Now five million lives depend on two men breaking in.”
An all-action bombastic thriller as only Michael Bay can deliver – “The Rock”. His 1996 Alcatraz set movie saw Sean Connery, Nicolas Cage and Ed Harris square up to stop a missile strike on San Francisco, and it is all of these stars featured on this US one-sheet movie poster designed by Dan Chapman. Offered in original rolled (as issued) condition, this fine example presents to excellent effect with minimal of handling wear and represents a cool and eye-catching piece of cinematic movie memorabilia.
Trivia: In the scene in the interrogation room where FBI agent Stanley Goodspeed introduces himself to John Mason (Sir Sean Connery), John replies “But of course you are”. This was exactly the same line he used when he met Plenty O’Toole in the casino scene in the Bond movie Diamonds Are Forever (1971).
…more detailVintage Movie Posters Grading Criteria... read more +
“Stanley Goodspeed, who lives in Washington, D.C., is a biochemist who works for the F.B.I. Soon after his fiancée Carla Pestalozzi announces that she is pregnant, Stanley gets a call from F.B.I. Director James Womack. Womack tells Stanley that San Francisco’s Alcatraz Island has been taken hostage, along with eighty-one tourists, by Marine General Francis Xavier Hummel who, for years, has been protesting the government’s refusal to pay benefits to families of war veterans who died during covert military operations. The death of his wife Barbara on March 9, 1995 drove General Hummel over the edge, and now he’s holding hostages in order to get his point across. Stanley is needed because General Hummel has stolen some VX gas warheads and has announced that he will launch them onto San Francisco unless his demands are met. Stanley knows how to disarm the bombs, but he needs someone who knows Alcatraz well enough to get him inside. That man is former British Intelligence Agent John Patrick Mason, who has been in prison for the past thirty years without a trial because he was accused of stealing the private files of J. Edgar Hoover. In 1962, John became the only inmate ever to escape from Alcatraz, and he stayed out of Alcatraz long enough to father a daughter named Jade Angelou. Despite his extreme hatred of the F.B.I., John agrees to help Stanley. When John and Stanley are sent into Alcatraz with a Navy S.E.A.L. team, General Hummel’s men kill the entire S.E.A.L. team, leaving Stanley and John to work on their own to rescue the hostages.”
Renegade general Hummel (Ed Harris) has stolen 15 VX rockets, taken over Alcatraz, taken 81 hostages, and threatens to strike San Francisco unless The Pentagon pays him $100M from their slush funds. He intends to use the money to pay the families of the soldiers under his command who the government has disavowed over the years. In order to disarm the rockets, the FBI is sending their chemical weapons expert Stanley Goodspeed (Nicolas Cage). And they’re digging up a mysterious British agent prisoner John Mason (Sean Connery) who once escaped from Alcatraz. When the team sent in to take on Hummel is decimated, Goodspeed and Mason must disarm the rockets on their own.
This is Michael Bay audacity to bring his heart pumping action style to bear. The action is big time bombastic joy. And for the best effect, he allows the actors to have fun in between the action. Nicolas Cage brings a lot of his manic energy and a bit of his crazy humour. And Sean Connery brings the Bond gravitas to the action. Plus the Cage Connery duo is a lot of fun, and they have great chemistry together. This is the best kind of popcorn movie-making.
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
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LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.
