Film
The Burning
1981
UK Quad / (30″ x 40″) / Single Sided / Printed in England by W.E.Berry Ltd. Bradford
UK / British
Very fine / originally folded (as issued)
Tony Maylam
Brian Backer, Brian Matthews, Larry Joshua, Leah Ayers, Lou David
The late 70’s early 80’s was a glorious period in cinema history if you were a fan of horror, more specifically the ‘slasher’ flick which was re-invigorated (after “Psycho”) with John Carpenter’s game changer “Halloween” and Sean Cunningham’s “Friday 13th”. Tony Maylam’s “The Burning” is a worthy entry into the canon featuring deranged disfigured slasher ‘Cropsy’ and superior make up & pecial effects provided by a young Tom Savini who even at this early stage of his career was making a huge name for himself. Well received at the cinema but it was when “The Burning” was banned as a ‘video nasty’ that it gained its true notoriety and became (almost overnight – a ban always does that) very collectable. The original 1981 UK quad movie poster offered here is a first release X certificate example that presents to excellent effect. Originally folded (as issued) it has some very minor age & handling wear but still displays very well indeed with strong graphics / imagery offset against a bright white background. Genuinely scarce and highly sought after it represents a fine example of very collectable and desirable original film memorabilia from a ‘golden’ era of horror cinema.
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“The Burning“ has the great fortune of being a product of the early 80’s slasher fest that greeted audiences in the hundreds. Some genre highlights were produced from ca. 1980-1984, a time when these films took themselves semi-seriously and were moderately successful at creating creepy atmosphere, displaying gratuitous nudity and inventing some spectacular death sequences. The late seventies laid the groundwork for what was to become a stable formula for these movies and for a minimum budget and isolated surroundings the films could provide some solid shocks and gore that pleased audiences.
The Burning is nearly identical in plot and storyline to “Friday the 13th“. Here the bad guy is a burn victim as a result of a prank gone awry and years later he takes vengeance on unsuspecting campers in gruesome fashion. While the movie is pretty slow and the gore fest doesn’t really start until an hour in it’s never boring. Here’s where the film is different from Friday the 13th and many others: The teens aren’t merely disposable pricks who you can’t wait see get their grisly demise. They’re actually a pretty likable bunch, well played by some future stars (Jason Alexander, particularly likable here, and Fisher Stevens among them) and when some get slashed you kinda feel bad for them.
Now for what really counts. Two things; gore and mood. The Tom Savini gore effects do not disappoint. Keep in mind that this is 1981 and digital effects have improved horror gore somewhat but this is pretty impressive stuff. The raft scene is a particular standout. As for mood, you can’t beat these early 80’s alone-in-the-woods scenarios and they’re all well played out here. Although there are a lot of false scares here, they’re buildups are great and the creepy surroundings go a long way. If films like “Psycho“ made people afraid to take a shower and “Jaws“ made people afraid of the water then films like The Burning and Friday the 13th must have made a few parents hesitant at sending their kids to summer camps.
Fans of slasher films will not want to miss The Burning. Although Friday the 13th is more suspenseful and The Burning feels a bit too stretched, it nevertheless has plenty of good moments and top notch kill scenes. What’s not to like?
Trade Address:
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The Broadway
Old Amersham
HP7 0HL
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.
LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.
