Film
Murder By Decree
1979
UK Quad / (30″ x 40″) / Single Sided / Printed in England by W.E.Berry Ltd. Bradford
UK / British
Near mint minus – Very fine plus / originally folded (as issued)
Bob Clark
Anthony Quayle, Christopher Plummer, David Hemmings, Donald Sutherland, Frank Finlay, Genevieve Bujold, James Mason, John Gielgud, Susan Clark
‘Sherlock Holmes vs Jack the Ripper’ is a mouth watering and possibly blockbusting prospect but for some reason Bob Clarks 1979 thriller didn’t achieve such status. Which is a real shame as this ‘thinking man’s slasher flick’ has an all-star cast and intriguing plot; largely based on Stephen Knight’s Ripper expose ‘let’s blame the Freemasons for everything’ expose “The Final Solution” is an intelligent and very entertaining watch. The UK quad poster that accompanied the release in 1979 features some dark, gritty country unique artwork that is well suited to the film’s content. The exceptional UK quad movie poster offered here is from the first year of release and presents to excellent effect and is as near perfect as I have ever offered for sale. Originally folded (as issued) it displays superbly with strong graphics / imagery. Genuinely rare and highly sought after it represents a fine example of very collectable and desirable original film memorabilia.
…more detailVintage Movie Posters Grading Criteria... read more +
“Murder By Decree“ is a remarkable movie that has never reached classic status for some reason. Aside from an incredible cast, all of whom suit the dignified proceedings admirably, there are two other stars who lift this film above the level of an excellent thriller. One is the production design. The old Hollywood style of foggy streets and dark alleys, with sinister cabs skulking along, is the stuff nightmares are made of. The East End is horrible, a hell on earth. The other unsung hero is the music. A beautiful soundtrack which ranges from chilling strings and harps to the charming end music. Christopher Plummer is fabulous as Holmes, heroic and ingenious but with a strong sympathy which no other actor in the role apart from Jeremy Brett has captured. His scenes with James Mason are a joy; the pair really work together, complete with catchphrases and a mutual respect. Donald Sutherland is also captivating as Robert Lees…his eyes are those of a man living in helpless terror. The film’s finest moment is the scene between Holmes and Annie Crook. Genevieve Bujould is heartbreaking in the role,a perfect piece of casting despite her accent, and Holmes’ reaction to her plight is deeply moving. Make no mistake, the theory of the Ripper murders is barmy, but wonderful entertainment. It does slander Sir Charles Warren and Lord Salisbury unbelievably; Anthony Quayle puts in a gloriously over the top turn in repulsive corruption. There is an interesting subtext to the film as well, namely the fight between decency and corruption. Annie’s innocence and goodness is uncorrupted even by her plight, and the decency of Mary Kelly is a ghost that hangs over the last half an hour. The end credits are beautiful, with gorgeous theatrical and old-fashioned cast and credits, such as “Frank Finlay was Inspector Lestrade.” There is decency in the most unlikely of places, and Holmes and Watson are the solid rocks while around them people sink and swim in the chaos. A moving, brilliantly realised and frightening film
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.
LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.
