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“They’re bad boys. They’re die hards. They’re lethal weapons. They are… Hot Fuzz.”
Original 2007 one-sheet movie poster for the Pegg/Frost/Wright collaboration “Hot Fuzz”. A poster that is genuinely scarce due to limited cinema release and like the makers’ previous collaboration “Shaun of the Dead” it has very quickly gained a cult following. “Hot Fuzz” satirises American action films in a way that an American satire would not. Edgar Wright and Simon Pegg don’t simply spoof the plot threads and the car chases. They know the smaller details of Hollywood’s formula, as they exemplify with its continuous references to the scene in Point Break where Keanu Reeves fires his gun into the sky in anger and the scene in Bad Boys II where Martin Lawrence, in a circling tracking shot, says, “S*** just got real.” Not only do they tackle those less clear characteristics of Hollywood, they also perfectly portray people who talk about awesome scenes in action movies, hilariously by Nick Frost. Eye catching design by Creative Partnership of Pegg & Frost this excellent rolled example displays superbly and represents a super example of classic British cinema memorabilia.
Trivia: As this is the second part of the Cornetto Trilogy, the blue wrapper makes its appearance in the film. Nick and Danny are seen eating vanilla flavor ice cream. According to Edgar Wright, blue represents the police, which is the main motif in the film. For Wright’s other films, Shaun of the Dead (2004), it was red and strawberry flavor, representing blood and zombies, while the final part, The World’s End (2013), it was green and peppermint with chip, representing science fiction and extraterrestrial elements.
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“They’re bad boys. They’re die hards. They’re lethal weapons. They are… Hot Fuzz.”
Original 2007 Japanese B2 movie poster for the Pegg/Frost/Wright collaboration “Hot Fuzz”. A poster that is genuinely scarce due to a limited cinema release in Japan and like the makers’ previous collaboration “Shaun of the Dead” it has very quickly gained a cult following. “Hot Fuzz” satirises American action films in a way that an American satire would not. Edgar Wright and Simon Pegg don’t simply spoof the plot threads and the car chases. They know the smaller details of Hollywood’s formula, as they exemplify with its continuous references to the scene in Point Break where Keanu Reeves fires his gun into the sky in anger and the scene in Bad Boys II where Martin Lawrence, in a circling tracking shot, says, “S*** just got real.” Not only do they tackle those less clear characteristics of Hollywood, they also perfectly portray people who talk about awesome scenes in action movies, hilariously by Nick Frost. Eye catching, country unique design cleverly using the Union Jack flag as a backdrop for our heroes – Nicholas Angel (Pegg) & Danny Butterman (Frost). his excellent rolled example displays superbly and represents a super example of cinema memorabilia.
Trivia: As this is the second part of the Cornetto Trilogy, the blue wrapper makes its appearance in the film. Nick and Danny are seen eating vanilla flavor ice cream. According to Edgar Wright, blue represents the police, which is the main motif in the film. For Wright’s other films, Shaun of the Dead (2004), it was red and strawberry flavor, representing blood and zombies, while the final part, The World’s End (2013), it was green and peppermint with chip, representing science fiction and extraterrestrial elements.
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“You see them on the street. You watch them on TV. You might even vote for one. You think they’re people just like you. You’re wrong. Dead wrong”
John Carpenter’s tale of alien occupation is part horror, part Sci-Fi and part social satire, all viewed through dark sunglasses of Roddy Piper . This original They Live movie poster is probably the scarcest of all the John Carpenter paper from the series of four (Escape From New York, Prince of Darkness, The Fog & They Live) 2018 remastered re-releases and a very rare find in such excellent condition as offered here…The original 2018 Japanese B2 film poster for John Carpenter’s They Live was originally rolled (as issued) & presents in exceptional original unrestored condition with great detailed artwork (unique to the Japanese re-release, as the other posters produced for these releases all feature new re-imaging artwork by Matt Ferguson) & strong vibrant colours. Extremely rare this example represents very collectable & desirable original film memorabilia from one of the greatest and most influential director’s ever working in the sci-fi / horror / action genre.
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“You see them on the street. You watch them on TV. You might even vote for one. You think they’re people just like you. You’re wrong. Dead wrong.”
John Carpenter’s tale of alien occupation “They Live” is part horror, part sci-fi and part social satire, all viewed through dark sun-glasses of Nada played by ex-professional wrestler Roddy Piper. Considered one of Carpenter’s best it was one of four seminal movies by the director re-released by Studio Canal in 2018, remastered in 4K, with the others being “Escape From New York”, “Prince of Darkness” and “The Fog”. All four movies had a strictly limited cinematic release and were accompanied a newly designed poster campaign (quads and one-sheets) by leading artist Matt Ferguson. Ferguson’s unique artistic style is evident throughout the four, each with its very own unique colour palette. A number of these full-size 30″ x 40″ UK quad styles were also released as a limited edition art print by Vice Press. Identical to the cinematic quad, in fact exactly the same – same paper, printer etc these were issued as timed releases each signed and hand-numbered by Matt Ferguson. Offered here is one of these signed art prints numbered #48 from a print run of only 216. Originally rolled (as issued) it presents in excellent condition. A cool, cult poster that represents very collectable & desirable original film memorabilia from one of the greatest and most influential director’s who is still actively working in the film industry.
Trivia: Artist Shepard Fairey credits the film as a major source of inspiration, sharing a similar logo to his “OBEY” campaign. “They Live was…the basis for my use of the word ‘obey’,” Fairey said. “The movie has a very strong message about the power of commercialism and the way that people are manipulated by advertising.”
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