Film
Funeral in Berlin
1966
UK Quad (30" x 40") Single Sided, Printed in England by W.E.Berry Ltd. Bradford
UK (Great Britain)
Very Fine plus; originally folded (as issued)
Guy Hamilton
Donald Sutherland, Ed Begley, Eva Renzi, Françoise Dorléac, Guy Doleman, Karl Malden, Michael Caine, Oscar Homolka
One of Michael Caine’s signature roles and the second film in the ‘Harry Palmer Trilogy’…A rarely seen original 1966 country of origin UK quad film poster for Guy Hamilton’s “Funeral in Berlin”. This beautiful example features incredible ‘pop art’ style design by John Burningham and through its simplicity and use of muted, even dour colours it perfectly complements the tone of the Film. The overall effect, which is nothing short of impressive and one of the finest renditions of Caine on any of his movie posters. Folded (as issued) this original unrestored country of origin film poster is from first year of release (1966) in Britain and is a very scarce find in this high grade condition. A fantastic stylish piece of 60’s nostalgia that typifies everything about the culture and lifestyle of the time and represents a very collectable and desirable example of original British and Michael Caine movie memorabilia.
…more detailVintage Movie Posters Grading Criteria... read more +
“Funeral in Berlin“ is the second outing for Len Deighton‘s agent Harry Palmer, with Michael Caine reprising his role from “The Ipcress File“ in another convoluted spy yarn set, obviously in Berlin marrying the then topical subjects of East-West defections and Nazi-hunting in another tense, Cold War thriller.
As you’d expect, everyone, apart from Harry and his taciturn boss Ross, (Guy Doleman) isn’t who they seem but as before, our bespectacled, rain-coated hero manages to get ahead of the game by the end, with the usual trail of dead bodies in his wake.
Atmospherically shot in location in West Berlin, “Funeral In Berlin” might lack the in-vogue 60’s brain-washing gimmickry of its predecessor and that film’s nail-biting (or should that be hand-gouging) conclusion, but its emphasis on realism works to its advantage. Cleverly directed by erstwhile Bond director Guy Hamilton, even the Palmer-girl gets to keep her clothes on and there are of course no Q-type gadgets to rely on.
Caine is, as before, very good in what may be his best role. Some of the other acting isn’t quite up to his standard, however with veteran Oskar Homolka in particular, serving up an overdone slice of Russian ham as the Eastern general. Guy Hamilton directs in a cool, assured, anti-Bond and therefore highly effective style.
Less well-known than “The Ipcress File”, but I think it’s superior, “Funeral In Berlin” was probably the best of the three Harry Palmer films and stands out itself as one of the best spy-thrillers of its era.
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.
LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.
