Film
From the World of John Wick: Ballerina
2025
US One Sheet (27" x 40") Double Sided
United States (USA)
Near mint minus; originally rolled (as issued)
Len Wiseman
Ana de Armas, Anjelica Huston, Catalina Sandino Moreno, Gabriel Byrne, Ian McShane, Keanu Reeves, Lance Reddick, Norman Reedus
Any paper for Keanu Reeves’ John Wick franchise is extremely desirable, even when it features the newest assassin on the block – Ana de Armas is perfectly cast as the revenge seeking Eve in Len Wiseman’s “From the World of John Wick: Ballerina”. This incredibly popular film series is always complemented by an equally incredible series of movie posters and for this release, the creative arts agency BOND have produced a teaser poster that’s pretty spectacular, with a close-up dark and moody image of de Armas. Offered here is the advance US one-sheet, eye-catching and distinctive with its bold use of purples, blues with a touch of neon. Originally rolled (as issued) this displays to excellent effect with only very minimal handling wear. A fantastic item of cinematic movie memorabilia from one of the best action franchises in recent memory that looks very very cool !
Trivia: In John Wick: Ch 3 – Parabellum, the ballerina’s back tattoo text, as portrayed by Unity Phelan, “Si Vis Pacem Para Bellum” means “If you want peace, prepare for war” is seen when John returns to the Ruska Roma, but in Ballerina, Eve’s back tattoo text, portrayed by Ana de Armas, changes to “Lux In Tenebris”, meaning “Light in Darkness”.
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If you thought the John Wick universe had peaked, think again – Ballerina pirouettes onto the scene with guns blazing, led by a killer performance from Ana de Armas
You already know the drill with John Wick films: all gas, no brakes, and on sight. But Ballerina does something slick – it leans hard into Eve (Ana de Armas‘ character) and redefines what it means to fight like a girl. Spoiler: it doesn’t mean holding back.
While John Wick is a surgeon with a gun – all headshots, no wasted motion, like he’s got a built-in aimbot – Eve dances to a different beat. Her combat style is scrappier, grittier, and gloriously unconventional. Remember the advice she gets early on? Fight like a girl. And trust, Eve took that to heart – but not the way you’d think. She weaponizes unpredictability: grenades, fire, fists – no kill looks the same. It’s a brutal ballet, and she’s the prima.
The action is top-tier – you’ll get your gun-fu fix – but Ballerina also sneaks in a solid story, giving Eve space to be more than just a shooter. Plus, without spoiling too much, we get a cameo from a certain dog-loving assassin that keeps the Wickiverse connective tissue strong – the kind of storytelling Marvel wishes it could still pull off.
Trivia: This film takes place between John Wick: Chapter 3 – Parabellum (2019) and John Wick: Chapter 4 (2023).
Trade Address:
Vintage Movie Posters (UK) Limited
The Malthouse
The Broadway
Old Amersham
HP7 0HL
© 2025 Vintage Movie Posters
Registered Office Address: Vintage Movie Posters (UK) Limited, Aston House, Cornwall Avenue, London N3 1LF GB
Registered Company No: 07664517
Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.
LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.
